Tag Archives: Tina Fey

Last Night on Late Night Was the Intersection of the Venn Diagram of the Things I Love (And One Thing I Hate)

*Editor’s note: Jumped The Snark has been and will be busy for the immediate future on another somewhat related but also not really project, and thus updates may be few and far between for the next two months.  We’re going to do our best to keep up regular posts, but they may be of the very brief variety.  That is all.

Jimmy Fallon.  Parks & Recreation.  Rashida Jones.  Fred Armisen.  Weekend Update.  A.D. Miles.  Dee Snider.  Last night was a convergence of all of those things on Late Night.

Fallon proves once again that his show is the place to turn for pitch-perfect parodies (see: “Real Housewives of Late Night,” “Late“), and this time the team turns its scalpels towards the unfortunate phenomenon that is Glee.  And not only does their version, “6-Bee,” capture the exact tone and rhythm (and hokeyness) of the show, it pits the Late Night glee club against the Parks & Rec squad, treating us to Amy Poehler, Chris Pratt, Jerry and Jumped the Snark long time favorite Rashida Jones (but wherefore art thou, Asiz Ansari?), as well as an appearance from another longtime favorite, Fred Armisen.  And it all culminates in a truly impressive take on Twister Sister’s classic anthem of rebellion “We’re Not Gonna Take It.”

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(You may have figured out that the one thing I hate, as mentioned in the title, is Glee (the show, and by extension its cultural resonance).  A long time ago I intended to write a long blog post explaining why its characters are just caricatures, the tone muddled, the perspective confused, and that while I’m happy for Jane Lynch, her role in Party Down trumps her one-note performance as Sue Sylvester.  And this thoroughly enjoying Late Night interpretation shows that without the dramatic musical sequences Glee would just be a cut-rate Degrassi.  There, I finally said it).

And if that all wasn’t enough, later in the show we were treated to a charades battle of the former “Weekend Update” co-anchors, with Fallon and guest Tina Fey taking on Poehler (clearly pregnant by the way) and her old partner and current solo host Seth Meyers.

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And to top it off, arch-nemesis and top search term Justin Bieber!

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Keep up the good work, Jamie!

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Filed under Good Humor, Saturday Night Live, Talkies

No ‘SNL’? No Problem? Jason Sudeikis Is Our Jam-a-Lam

I mistakenly thought that Tina Fey was hosting SNL this past weekend (so much so that I nearly flipped out on my DVR for failing to record the show).  But I must have jumped the gun, as the show doesn’t return with host Fey and musical guest Justin Bieber until April 10 (and now that I can use the tag “Justin Bieber” my page views are sure to skyrocket.  Thanks, SNL!), or maybe they re-ran the Fey-Carrie Underwood episode from February 2008.  Either way, there was no new show this week.

But don’t fear, we’ll fill that vacuum.  Instead of another edition of “What Up With That?”,we have Jumped the Snark hero Jason Sudeikis on Jimmy Fallon (an interview from earlier this month that, we admit, slipped through our cracks).  Sudeikis’ alcohol drenched description of his hectic work schedule explains his relative absence from the recent Jude Law-helmed SNL, a deficiency that we noted here.  Somehow everything this man says in hilarious.  New sketch idea: Jason Sudeikis reads the classifieds.  Could totally work.

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Part 2 after the jump. Plus: The return of Floyd!

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Filed under Good Humor, Mancrush, Saturday Night Live, Talkies

Muppet Friday (Somewhat Nostalgic Too): The Muppet Man Lives?

Vulture reports that Disney is in talks with The Jim Henson Company to produce The Muppet Man, a Jim Henson bioipic that made last year’s “Black List,” the compendium of Hollywood’s “hottest” unproduced screenplays.  Yay!  With the new Jason Segel-penned Muppet movie seemingly on the horizon, could it be that we’ll soon be treated to two Muppet-related movies?  Maybe!

Burning question?  Who will play Kermit in the biopic? (Tina Fey?)  And, for the record, I am available to play the Swedish Chef.

The film will undoubtedly touch on Henson’s personal life and his non-Muppet ventures, so with that in mind, here’s a clip from Time Piece, Henson’s trippy, experimental Oscar-nominated short film from 1966:

Vulture Exclusive: Disney Planning a Jim Henson Biopic

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Filed under Mickey Mouse Club, Muppets, Nostalgia Corner

(Belated) Top 10 ‘SNL’ of the Decade

It was an up and down decade for Saturday Night Live, but then again it’s been an up and down 34 years for Saturday Night Live.  The show started gangbusters in 2000, taking advantage of the 2000 election and perhaps becoming more relevant than it had at any point during the previous decade (media and communication majors and political scientists will be analyzing SNL‘s Gore-Bush debates for years to come, studying how the show interpreted the real events and how the sketches then in turn affected the election).   Then the show kind of treaded water until the 2004 election when it once again made the best of the political fodder, although with the relatively benign John Kerry as a central character the political satire was not as entertaining or as incisive as 2000.  But With a mostly new cast then the beginning of the decade the show returned to prominence in 2008, most notably mining the comedy goldmine that was the renegade Sarah Palin.  However, although SNL’s strongest seasons were during the election years, the best sketches were scattered throughout the aughts, with a fair share of political material, but also crazy characters, inventive monologues, traditional bits and the now ubiquitous Digital Shorts.  Here, in a particular but not necessarily meaningful order is a very subjective list of the top ten (and then some) Saturday Night Live sketches of the decade that was.*

1. Carpool

I wasn’t blogging when this Alec Baldwin episode aired in early 2006, but if I was I would have no doubt touted it as the best show in years, and I would have been in good company. It stood out as the most buzzworthy episode since the 2004 election, and its success was due in large part to Baldwin, who excelled in sketches like a new “The Tony Bennet Show,” “Platinum Lounge” (with Steve Martin) and a Valtrex commercial parody.  But the stand out sketch, for us, was “Carpool,” a duet with Kristen Wiig.  Sharing a ride to work seemed like a good idea, until each person continuously and unwittingly brings up a painful wound from the other’s past.  Simply, any sketch that can truly sell the line “Bobby McFerrin raped my grandmother,” deserves placement on a “best of” list.  It’s the best sketch in what might have been the best episode of the decade, and perhaps the premier episode among Baldwin’s 14 turns as host  (I guess because this sketch includes a brief cameo from a  Celine Dion tune it’s prohibited from being posted on Hulu.  Luckily, some random Russian site saved the day and has no such qualms about hosting a video that includes unlicensed music from the French-Canadian ice queen).

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See the rest of the list. Did your favorites make it???…

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Dairy Burn (How ’30 Rock’ Taught Us That Stone Mountain & Long Island Are Not That Different)

(Forgive me for this somewhat belated post regarding the Halloween episode of 30 Rock.  I’m still catching up after our fall break.)

Liz Lemon SandwichDespite some recent blacklash from critics, and the fact that it has featured an overreliance on meta-humor, a drawn out debate over the “real America,” and maybe too many inside NYC jokes, the new season of 30 Rock has been as brilliant and hilarious as ever.  While I agree that the lack of real emotional attachment to the characters prevents the show from surpassing The Office as the best overall comedy (nay, show?) on television, 30 Rock is still a showcase for impossible sharp acting and writing, and probably offers the highest laugh per minute (lpm) ratio of any prime-time comedy.  However, this is yet another post for another day.  Today we’re not going to talk about the relationship between Liz and Jack, the disappearance of Rachel Dratch, the curious case of Lonny Ross or the parade of guest stars that has more than once elicited unfair comparisons to Will & Grace.  No, today we’re going to talk about Dairy Barn.

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Filed under Analysis, Good Humor, Makes You Think, Must See TV

What, Lorne Michaels Worry?

And SNL week continues:

In honor of the release of Beatles Rock Band

This photo is relevant. Beatles Rock Band. Duh!

In yesterday’s Washington Post columnist Tom Shales previews the trepidation that is coming with the soon to arrive 35th season of Saturday Night Live.  He is right on when he asserts that SNL

“…has been up and down in ratings and quality (never falling as low as it has risen high) over the decades…”

It does seem that every year there is the traditional “Saturday Night Dead” headline, but then SNL rises from the ashes and continues to the be preeminent sketch comedy in our popular culture.  Where Shales I think missteps is suggesting that Lorne Michaels is nervous about the upcoming season, since they will no longer have the election to exploit.  Shales writes,

“Still, for Michaels, the good news can barely hide a world of worry. ‘It comes and goes like everything else,’ he says, with his usual nonchalance, of the show’s success.  But this season seems predestined to be worrisome. There’s no election, for one thing.”

To me, that doesn’t sound like someone who is worried.  Shales, himself, seems to indicate this, noting Lorne’s signature “nonchalance.”  No, despite the fact that the cast and writers can no longer mine the cultural and political zeitgeist that was the 2008 electoral drama, I don’t think Lorne Michaels is worried.  SNL goes through this cycle every four years; it has sourced material from nine presidential elections and it’s always managed to survive, even if it sorta treads water for three seasons until the next round of primaries.  But the truth is Saturday Night Live is now an institution, a fabric of our culture and just as permanent a television fixture as 60 Minutes.  The cast will change, and so will the targets and the comedic sensibilities, but as long as there is TV (or semblance of it.  Hello Hulu.), there will be SNL.

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Shales also attributes concerns over the news season to Tina Fey’s commitments to 30 Rock and in effect her inability to reprise her defining (and campaign derailing) Sarah Palin impression.  Well, despite the fact that Tina Fey is the nexus of 30 Rock, and that appearing on SNL last season exhausted her, and the added responsibility of being a mother, her show shoots at Silvercup Studios in Queens, and I think if Lorne asks really nicely she can manage an appearance or two.  But you know what?  Sarah Palin was so 2008.  If SNL wants to repeat a fraction of its success of last year it needs to stay relevant.  And to do that it needs to forget last season, no matter how acclaimed it was.  Because if they try to imitate 2008 it’ll be just that, an imitation, a poor, disappointing copy of the original.

However, that being said, here is my favorite politically themed sketch from S34:

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Filed under Analysis, Saturday Night Live, Who's the Boss?