Briefly, we want to remind you of a few weeks back when we discussed the possible successor to Jimmy Fallon as host of Late Night. The rumor at the time – and still presumed favorite – is that Seth Meyers will take over in Studio 6B. However, we voiced our opposition to that plan, with no disrespect to the vastly talented and incredibly charming Meyers. Instead, we felt it best if the show went a different direction. Specifically, West, to Los Angeles, where it could mine some of that coast’s best and underutilized talent. Well, yesterday Comedy Central basically announced plans to do just that, with the news surfacing that they’ve tapped Chris Hardwick to host a late night talk show following The Colbert Report, the net’s first real foray into traditional late night programming. With Hardwick, the Nerdist impresario, you have that young, cutting edge, hip LA talent that we talked about, the Nerdist podcast network including comedians like Kurt Braunholer, Pete Holmes and TJ Miller. Possibly even more important than gaining access to the Nerdist family, the show will be executive produced by Reno 911 creators and The State alums Tom Lennon and Ben Garant, with additional involvement from the folks at Funny or Die. So, essentially, this show links up most of Los Angeles’ best, funniest, talent all in one place. What a deep pool of talent to pool from. Too bad NBC couldn’t think of this first.
Category Archives: Flashback!
Well, if you still needed something to wash out the taste of misogyny and disrespect towards women after the Oscars, then a trio of announcements concerning female-centric projects might just finally cleanse your palate. Basically, it’s Ladies Night and all the girls drink for free. To wit:
1. Comedy Central has, very wisely, picked up a ten-episode order of Broad City, a comedy based on the web series of the same name created by and starring the brilliant Ilana Glazer and Abbi Jacobson (full disclosure: they are close personal friends and two beautiful, strong, hilarious, independent women). Loosely based on their own lives, it’s the anti-Sex and the City that Girls** isn’t. Here is the Season 2 finale, a love letter to NYC that features Amy Poehler, who is executive producing the series (and is another beautiful, strong, hilarious, independent woman):
Justin Timberlake made his triumphant return to Studio 8H this past weekend, delivering the episode that it felt like SNL and its fans had been waiting for all season long. The affair marked Timberlake’s fifth turn as host, inducting him into the esteemed “Five Timers Club” that includes such SNL luminaries such as Steve Martin, Paul Simon, Alec Baldwin and Tom Hanks. In fact, it was during Hanks fifth hosting appearance in December of 1990 (and before fifteen of Baldwin’s sixteen hosting turns) when we first learned about the existence of the exclusive club, with a young Conan O’Brien (going by the alias “Sean”) presenting Hanks with his club robe. For the first time in just over twenty-two years we revisited this VIP lounge this past Saturday night, with Timberlake receiving his robe from another O’Brien, SNL writer and 7 Minutes in Heaven star Mike O’Brien. Martin, Simon and Hanks were once again present, as well as fellow club members Chevy Chase and Candice Bergen (and non-club but former cast members Dan Ackroyd and Martin Short). But shockingly absent from the distinguished proceedings was Five Timer Elliott Gould, who helped initiate Hanks back in ’90. Sure, by that time Gould hadn’t hosted for ten years, and hasn’t in the twenty-two since, but once a Five Timer always a Five Timer, right? In fact, Gould was the third host to join the club (behind Buck Henry and Martin), which essentially makes him a charter member. So why then has Gould essentially been excommunicated from Saturday Night Live? Why has someone who was so instrumental and loyal in those early SNL years become a persona non-grata at the Five Timers Club? Was it his role on Friends? A falling out with Don Pardo? Or, perhaps he and his friends stole from Lorne? Most likely, while fellow club members Martin and Baldwin climb higher and higher into the double digits, we’ll never know why Gould has been away for over two decades, whether by banishment or by self-righteous declaration of independence. No matter what though, they can never take away his pool privileges.
Btw, Lindsay Lohan is one hosting appearance away from joining the club. Should she be tapped for that fifth time, expect stricter membership requirements to follow soon after.
This week we’re checking in on NBC’s Thursday night comedies as they finish their respective seasons. Today: ‘Parks and Recreation.’
Perhaps the greatest compliment you can offer Parks and Recreation is that it’s no longer referred to as the quasi-Office spin-off (ignore the fact that we just did that in the first sentence). We’re now multiple seasons into an excellent run where Parks and Recreation has cast off the chains of its origins, found its own voice, become its own show, and surpassed its progenitor by all metrics save for Neislen ratings. We still maintain that Community is the best show of the night, but Parks and Rec has not been behind by much, outpacing The Office during its second season.
At the end of Parks and Rec‘s brief, unimpressive first season, we laid out a plan for how the show could not only improve but excel, and we revisited this primer just prior to the start of the show’s brilliant third season. We also presented three more key points as the show moved forward and they were as follows:
“I know I lied to you and voted you out, but I have no boobs left so have a little mercy.” – Kim
It is somewhat fitting and poetic that in a game defined by boobs – both anatomical and intellectual – it was the least endowed woman who triumphed over her more busty peers (and, no, we’re not talking about Nina). In the end, it’s not what you have here (pointing to our chest), but what you have here (pointing to our head). And whatever Kim may not have or may have lost in her bosom, she certainly more than made for up with her brains (we could also note how she played the game with a lot of heart, but that would require also pointing to our chest, which would confuse the whole point. She also played with a lot of guts, but if we’re going to point to anyone’s stomach, it’ll be Colton’s to giggle at his doughy appendix scar).
Well, perhaps it’s reparations for SNL stealing Billy Crystal’s mildly racist black people at the movies joke, but it appears that Crystal and the last night’s Academy Award’s telecast stole their set from the one used in Studio 8H during Season 11 (the notorious Robert Downey Jr-Anthony Michael Hall-Randy Quaid interlude). The similarity is too hard to ignore.
Last night, hosted by Crystal:
Season 11, Episode 2 (November 16, 1985), hosted by Chevy Chase:
Muppet Monday: Our Long-Awaited Thoughts on the Impending Arrival of ‘The Muppets:’ Or Why We’re Dreading the Thing We Wanted More Than Anything Else
In two days The Muppets will return to theaters after more than a decade away from the big screen. It seems like just yesterday that we were salivating over the whispers of a Muppet resurrection orchestrated by Jason Segel (yes, that Jason Segel). After spending years on the brink of obsolescence – thanks to bad business deals, changing tastes, the boom of CGI, and general Hollywood bureaucracy – it began to seem like the Muppets would never be given the opportunity to recapture the glory they once possessed, that they would forever be relegated to an aging, evermore antiquated attraction at Disneyland, and truly exist only on DVD and in the hearts and memories of people over 25. We yearned for their return, and while we never imagined their savior would be a geek in shining armor like Segel, we were thrilled when the rumors began to circulate that someone who grew up on the Muppets, someone who loved and cherished them as much as we did, was going to resuscitate them. Not some out of touch, graying puppeteers, or even the Henson family, but someone with a fresh, relevant perspective whose primary hope was to honor the spirit and style of Jim Henson. We could not have been more excited.
And now, with The Muppets about to unspool at theaters across the country, what we feel is not excitement, but trepidation. Why? Because of this:
Oh, yes, this, just after his first show:
And the ratings can certainly be counted on to come back down to earth, if not tonight, or the next night, then soon. But even then will Conan still beat, or at least stay on par with Dave and Jay? Maybe, but it’ll be tough. And here’s why: Jon Stewart. Much was made over the fact that last week, for the first time in decades, a show other than The Tonight Show or The Late Show led late night in the 18-49 demo. That The Daily Show airs 30 minutes before those shows didn’t seem to matter greatly to many of the people who thought that Jon Stewart’s ratings victory meant a monumental shift in late night. We don’t quite buy into that hyperbole, especially since those shows are not direct competitors. But The Daily Show and Conan are, not just for the time slot but for the same viewers. What has elevated The Daily Show has been its loyal following of young, active, internet-addicted viewers. The very same slice of the population that helped turn Team Coco into a phenomenon. Conan won the first round last night, but should one bet that he’ll hold onto those viewers? We wouldn’t.
And what did we learn today? That The Daily Show beat Conan in January both in terms of total viewers and in the 18-49 demo. Hate to say we told you so but…oh, wait, no, we’re totally happy to say we told you so. We told you so!
Which doesn’t mean that Conan’s not doing a great job, or that we were rooting for him to fail. It just means that, like we argued regarding Barack Obama, initial reactions can be deceptive, and, more importantly, rabid fan bases, specifically of the internet variety, have a way of quickly quieting down.