Goodwill: Where Rollerblades go to die.
Category Archives: Other people's stuff
Watch the Throne: NBC & the Future of ‘The Tonight Show’
Here we are again, NBC looking ahead to replace Jay Leno as host of The Tonight Show with a hipper, younger host, and a hipper, younger brand. This time, in place of the loose-limbed bean pole with the shock of untamable red locks as successor, we have the shaggy-haired giggle monster and impression impresario as Tonight Show usurper. So what makes NBC think that Jimmy Fallon is the right man for the job – only three years after Conan abdicated – and, perhaps more importantly, why now?
We actually take a somewhat different view from many television critics and media pundits, who believe this is history repeating itself, with the buffoons at NBC either incapable or unwilling to learn from their mistakes. Yes, if you look at the raw data, this move perhaps makes even less sense than the promotion of Conan to the Tonight Show desk in the summer of 2009. Leno, after returning to the late night centerpiece in February 2010, has held his own, even gaining viewers while NBC’s ratings have plummeted. Fallon, only four years and nineteen days removed from his maiden voyage on Late Night, is perhaps not quite ready yet to ascend, whether that be because he needs to further polish and refine his skills, or because he has not yet established enough of a viewership to command a promotion to Johnny Carson’s old spot. Is Jimmy Fallon, who just a decade ago was the goofball on SNL who couldn’t keep a straight face, ready to tuck in the nation’s older viewers and Slow Jam the News them to bed? And what’s to stop Jay Leno from jumping ship to another network and sticking it to NBC, a possibility was such a concern four years ago that the Peacock gave Jay a 10pm show, an unequivocal unmitigated disaster.
As Bill Carter reports,* this seems to be all but a done deal, with relations between Jay and the network sinking to an all-time low, bitter invective being spewed on each side. Leno, we can assume, is offended by the lack of respect and credit; after all, he’s still winning his slot while the network crumbles, he’s been a good soldier and has gotten nothing but grief for it. But here’s what’s important, and what makes this different from the Conan situation: as Wired argues in their latest issue, the Nielsen Family is dead and the traditional television model is obsolete. Installing Fallon as Tonight Show host – as reports say will happen by the end of 2014 – is not as much about challenging the upstart and Fallon contemporary Jimmy Kimmel on ABC, as it is about trying a new model, attempting to break out of the box. Fallon has built up a rabid fan base with silly sketches and fun games and brilliant taped pieces, all of which have appealed to the web’s viral culture. Certainly, a popular YouTube video – even one as popular as Justin Timberlake delivering an a cappella version of “SexyBack” – doesn’t goose ratings, and it doesn’t do much to affect the bottom line. However, it is indicative of Fallon’s place at the vanguard of new media, of new viewing habits, and at the changing of the guard. Will Fallon alienate some of Leno’s longtime loyal viewers, sending them to Letterman or Kimmel or maybe just to bed early? Sure. But does it really matter, in this current television climate? We’re not so sure.
Also, it’s important to remember that NBC is a moribund enterprise right now. And while that may initially lead one to think that they should keep the one thing that seems to be working, if it ain’t broke don’t fix it, we think the opposite is true. So much is dysfunctional at NBC right now that it might be worth it to blow the whole thing up. When you’re routinely getting smacked around by the likes of Univision and AMC and USA (NBC’s own less glamorous, but often more successful cable cousin), why not cut off your perfectly fine nose to spite your brutally beaten face? In a television landscape where numbers mean less and less, NBC, more than any other of the big four networks needs to get creative and change the paradigm. Putting Jay on at 10pm four years ago was changing the game the other way, backward thinking in trying to keep old viewers while embracing new, trying to maximize value under the old model. Moving Fallon to the big chair is looking the other way, trying to stay head of the curve. Why be a slave to the old design, why cling to some antiquated rule that The Tonight Show needs to be in Los Angeles and why keep struggling against the Leno albatross? In a television world where late night talk shows are increasingly irrelevant, why not take a shot a true irreverence? Really, what does NBC have to lose?
Some light background reading:
Conan: Barbarian or Adventurer?
In Defense of Jay Leno/How He Might Screw This All Up AKA More Thoughts on Late Shift 2: Dave’s Revenge
The One in Which We Compare Conan O’Brien to Barack Obama
*Really, what does Bill Carter report on other than late night talk show behind-the-scenes machinations? Can we get his job if and when he retires? We don’t even mind signing a contract stipulating that we will inherit his position in five years or else be paid a steep pay or play penalty).
In Defense of Seth MacFarlane: Comedy is in the Eye of the Beholder & Peeling Back The Onion
First, some context: we are not especially devoted Seth MacFarlane fans. For a time we watched Family Guy semi-regularly and certainly were a part of that groundswell that helped resurrect the show from its premature grave. But do we consider ourselves MacFarlane evangelists or advocates? Not at all. We still haven’t seen Ted, and are not exceptionally eager to do so. We rarely watch American Dad and we can’t say for sure that we’ve ever caught an episode of The Cleveland Show. We were, however, impressed with his performance hosting the SNL premiere, and it demonstrated that not only could he do funny voices and write an off-color (and oft-humorous) joke, but he could also perform, and perform live, which is not always second nature for a writer-producer-voice actor. Did that mean we were thrilled to learn he was tapped to host this year’s Oscars? No, not really. We thought it was somewhat a knee-jerk, ill-advised decision (probably due, paradoxically, to his mess-up when presenting at the 2012 Emmys). But we knew, at least, that he could hold his own on stage, singing, dancing, cracking wise, and thinking on his feet. Was he going to offend some people? Probably. But that would come with the territory. Wouldn’t that be by design? If you wanted someone with only a love of musical theater and a flair for singing and dancing, then wouldn’t you just turn to Billy Crystal for a record 74th time? So, with Seth MacFarlane, that’s the package, that’s the deal (a faustian bargain, depending on your point of view): some dick and fart jokes and some mildly anti-Semitic and racist humor mixed with some sprinkles of old Broadway.
So were we surprised that MacFarlarne’s hosting turn this past Sunday night was met with a mix of disappointment and outright scorn? No, not at all. That was to be expected. But, after seeing the show, we were taken aback at the amount of criticism leveled at MacFarlane because, frankly, for someone who trades in abortion jokes and greased up deaf guys, we found his material relatively mild. It was almost as if we were watching a different show, different from the one that so much of the (tweeting) public found so repugnant, so misogynistic and racist and base. And, to our surprise, we found ourselves in MacFarlane’s corner. Not because we found his turn especially remarkable. But because it wasn’t that bad. And, more importantly, it wasn’t that vile.
Read on: 9 things that we didn’t find so sexist, and a rotten Onion…
Whenever You Play the Game of Cable News, You Either Win or Die.
There is no middle ground.
We’ve been diligently posting remixed Newsroom opening credits over on our sister site A Newsroom A Day, and we thought we would be remiss if we didn’t share today’s entry here. We think this is our favorite one so far, although it makes us miss Game of Thrones oh so much.
And while we’re on the subject of Game of Thrones mash-ups, we’d also be remiss if we didn’t use this opportunity to point you towards this brilliant GoT meets Parks and Recreation illustration done by our very close personal friend Steve Ponzo.
And, sadly, winter is coming.
America’s #1 Fake Real News Show: On ‘The Newsroom’
As promised, we’re going to quickly dip our toes into the somewhat toxic pool of The Newsroom analysis. Like with any review or analysis, anything we say is ultimately futile and inconsequential, because, in the end, it’s not going to change the way you feel about the show, and it’s certainly not going to alter Aaron Sorkin’s vision or persuade him to reconsider his writing style. But in the case of The Newsroom, anything we say, any argument we make, feels especially meaningless in the wake of all the criticism and (less so) praise it’s received. But, hell, let’s be a Greater Fool and try anyway.
Let’s just say out of the gate that we like the show, and while that might put us in the minority we stand by our verdict. But what’s interesting or pertinent to us is not so much that we like it – or if it’s “good,” assuming there’s some kind of objective rubric which can calculate a show’s quality (which there’s not) – it’s the question of whether or not the show is worth watching. And we think the answer is: absolutely. Doesn’t that fact that the show seems to be so reviled (or snickered at) in so many corners yet still watched obsessively indicate there’s something of worth there? Certainly, The Newsroom doesn’t garner the same level of propulsive minute-by-minute Twitter reaction on Sunday evenings as Breaking Bad (nor does it come close to the AMC show’s unanimous, breathless praise), but it’s definitely one of the most talked about shows, even if much of that talk comes with head shaking, finger wagging and head scratching. And if the show was bad, unrelentingly terrible, it wouldn’t have lasted, or at least the discussion would have quieted down. We can’t imagine that if Work It had not been canceled after one week the din about its repugnancy would have continued. We would have had our fun and then watched it fade away, nary giving it another thought. But with The Newsroom the debate continued for ten episodes, and seemed to increase as we approached the season finale. Clearly, people were entertained by the show. Which, we certainly concede, isn’t necessarily the same as enjoying the show.
Remember That Time Vulture Ripped Us Off?
We joke a lot on this blog about people ripping us off – Stephen Colbert, Entertainment Weekly, Paul F. Tompkins (which resulted in a bitter Twitter feud) – but when were never as wounded as we were when we saw a new Vulture post presenting their “Map of the Comedy Zeitgeist.” Why did we find this so alarming, so soul crushing? Well, because it’s essentially an updated (and much, much prettier) version of our Judd Apatow Chart, which we used to launch this blog those three years ago. Sure, the idea that there are these overlapping connections in the comedy world, most of which are tethered to the likes of Apatow, Ben Stiller, Will Ferrell, and Paul Rudd, has been oft-explored for several years now. But never before has there been a graphic representation that feels so close to ours, so similar (and yet so much more visually appealing). Thus, we will not rest until we receive the credit we are due. In protest we will continue to read, appreciate and occasionally steal from Vulture.
Are we being paranoid? Hyperbolizing? Take a look and you decide.
Filed under Interweb, Judd Apatow, MS Paint, Other people's stuff, Rip-off
Congratulations, Ted Danson!
Your new star of CSI!
And here, exclusively on Jumped The Snark, is a sneak peek of his upcoming debut:
Lawrence who???
[footage courtesy of wexlerglazer]
Gratuitous Search Term Bait of the Day: WTF Took Us So Long to Listen to WTF?
Last Monday on the WTF podcast host Marc Maron presented his riveting interview with comedy legend Gallagher, which finally gave us the impetus to listen to the much buzzed about podcast. The interview, which ended early when Gallagher took offense to Maron’s “douchey” tone (as Gallagher’s manager later described it) and stormed off, was truly a fascinating discussion about comedy, even with Gallagher’s digressions about photons and electrons. We enjoyed the interview so much that we wrote about it here last week (we also basically report on any half-way relevant Gallagher news), which is why today’s search term is “gallagher wtf.”
But the best part about that interview is that it introduced us to the world of the WTF podcasts, the archives of which are packed with even more interesting, enlightening, insightful interviews about comedy. We soon downloaded the WTF app to our Droid and while spending 2 hours in traffic one day and an 1 1/2 hours the next we consumed Maron’s discussions with the likes of Dave Foley, A.D. Miles, Rob Corddry, and Ken Jeong. They were all no holds barred interviews that touched as much on the principles of comedy as much as they did on personal foibles, psychological defects and inner demons. Basically, comedians are fucked up. But on WTF they’re completely open and honest about it, simultaneously making the world of comedy both appealing and repulsive. But, like the podcast, there never seems to be a dull moment.
We could also sing the praises of Maron, but we’ll leave that to this New York Times profile. So instead we’ll add that we’re psyched to listen to his interviews with Judd Apatow, David Cross, Adam McKay, Ira Glass and Mike Birbiglia. Meanwhile, you should go to the WTF website or iTunes and subscribe to the podcast immediately. AND if you still need some convincing, here’s a few recent interviews that we really enjoyed:
Dave Foley:
Ken Jeong
Tom Lennon
Gallagher Defines WTF
Say what you want about Gallagher, that he’s a homophobic, racist, sexist, xenophobe, sure, but he’s also a first-rate entertainer. And he can also be immensely entertaining, as we found out in the latest WTF Podcast with Marc Maron. Listen at your own peril.
We’ve admitted to having a soft spot for Gallagher, having vivid memories of watching his stand up specials that were replayed on Vh1 in the early 90s, and, in fact, seeing him live when he played Westbury Music Fair in the late 90s (and he was totally generous about autographing the t-shirt we had our parents buy us). While we certainly don’t agree with his politics, or really any of his views in general, we still think he’s gotten somewhat of a raw deal, at least in terms of the perception of his career. He might be hanging on now, truly a lion in winter, and his act might have gone off the rails, but there’s no denying he was a star for a time, and that few comedians have achieved the degree of success that he did. And, in fact, his most popular bit was his undoing, as the watermelon smashing Sledge-O-Matic routine has unfortunately come to define him (well, maybe until now), obscuring the more creative, cerebral parts of his act.
It’s doubtful we’ll ever witness a full-fledged Gallagher comeback. By now he seems to have lost or screw or two. Or perhaps he was always missing a couple, but their absence just manifested itself in less crazy and bitter ways. But at least we know that if our car ever gets stuck on a bridge that Gallagher has our back.
Gratuitous Search Term Bait of the Day: JGL on the GG
Going to go a little outside the box with this today’s search term, “jgl snl,” which, of course, refers to Joseph Gordon-Levitt’s hosting turn on SNL from the 2009-2010 season. But what we’re interested in right now is not JGL’s sketch comedy work, but, rather, his appearance on last night’s Golden Globes. Or should we say his appearance during his appearance on last night’s Golden Globes. We watched him introduce the clip reel for Inception and remarked to ourselves that his head looked extremely large. Or his body looked extremely small. Or a little of both. Either way, the proportions seemed off. And we found later that we were not alone, our thoughts articulated perfectly by Videogum:
We can’t knock his hustle, but clearly it wasn’t just us. But, hey, YOU DECIDE.
And, guess what, this does tie into “snl” after all, because we had the exact same thoughts about Paul Rudd when he recently briefly appeared in-between Paul McCartney performances on hosted SNL. And, trust us, we’re not trying to be mean here. There are very few dudes we like more than Paul Rudd (see the previous post). But, like JGL, he just looked a little…off.
Vodpod videos no longer available.Somebody get those guys a grilled chicken and fresh mozzarella sandwich! (because we’re eating one of those right now and it’s really good)
Jumped The Snark 