Category Archives: Other people's stuff

Parting Shot: Blade Runners

Roller Blades

Goodwill: Where Rollerblades go to die. 

 

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Watch the Throne: NBC & the Future of ‘The Tonight Show’

Jimmy Fallon Thank You NotesHere we are again, NBC looking ahead to replace Jay Leno as host of The Tonight Show with a hipper, younger host, and a hipper, younger brand. This time, in place of the loose-limbed bean pole with the shock of untamable red locks as successor, we have the shaggy-haired giggle monster and impression impresario as Tonight Show usurper. So what makes NBC think that Jimmy Fallon is the right man for the job – only three years after Conan abdicated – and, perhaps more importantly, why now?

We actually take a somewhat different view from many television critics and media pundits, who believe this is history repeating itself, with the buffoons at NBC either incapable or unwilling to learn from their mistakes. Yes, if you look at the raw data, this move perhaps makes even less sense than the promotion of Conan to the Tonight Show desk in the summer of 2009. Leno, after returning to the late night centerpiece in February 2010, has held his own, even gaining viewers while NBC’s ratings have plummeted. Fallon, only four years and nineteen days removed from his maiden voyage on Late Night, is perhaps not quite ready yet to ascend, whether that be because he needs to further polish and refine his skills, or because he has not yet established enough of a viewership to command a promotion to Johnny Carson’s old spot. Is Jimmy Fallon, who just a decade ago was the  goofball on SNL who couldn’t keep a straight face, ready to tuck in the nation’s older viewers and Slow Jam the News them to bed? And what’s to stop Jay Leno from jumping ship to another network and sticking it to NBC, a possibility  was such a concern four years ago that the Peacock gave Jay a 10pm show, an unequivocal unmitigated disaster.

As Bill Carter reports,* this seems to be all but a done deal, with relations between Jay and the network sinking to an all-time low, bitter invective being spewed on each side. Leno, we can assume, is offended by the lack of respect and credit; after all, he’s still winning his slot while the network crumbles, he’s been a good soldier and has gotten nothing but grief for it. But here’s what’s important, and what makes this different from the Conan situation: as Wired argues in their latest issue, the Nielsen Family is dead and the traditional television model is obsolete. Installing Fallon as Tonight Show host – as reports say will happen by the end of 2014 – is not as much about challenging the upstart and Fallon contemporary Jimmy Kimmel on ABC, as it is about trying a new model, attempting to break out of the box. Fallon has built up a rabid fan base with silly sketches and fun games and brilliant taped pieces, all of which have appealed to the web’s viral culture. Certainly, a popular YouTube video – even one as popular as Justin Timberlake delivering an cappella version of “SexyBack” – doesn’t goose ratings, and it doesn’t do much to affect the bottom line. However, it is indicative of Fallon’s place at the vanguard of new media, of new viewing habits, and at the changing of the guard. Will Fallon alienate some of Leno’s longtime loyal viewers, sending them to Letterman or Kimmel or maybe just to bed early? Sure. But does it really matter, in this current television climate? We’re not so sure.

Also, it’s important to remember that NBC is a moribund enterprise right now. And while that may initially lead one to think that they should keep the one thing that seems to be working, if it ain’t broke don’t fix it, we think the opposite is true. So much is dysfunctional at NBC right now that it might be worth it to blow the whole thing up. When you’re routinely getting smacked around by the likes of Univision and AMC and USA (NBC’s own less glamorous, but often more successful cable cousin), why not cut off your perfectly fine nose to spite your brutally beaten face? In a television landscape where numbers mean less and less, NBC, more than any other of the big four networks needs to get creative and change the paradigm. Putting Jay on at 10pm four years ago was changing the game the other way, backward thinking in trying to keep old viewers while embracing new, trying to maximize value under the old model. Moving Fallon to the big chair is looking the other way, trying to stay head of the curve. Why be a slave to the old design, why cling to some antiquated rule that The Tonight Show needs to be in Los Angeles and why keep struggling against the Leno albatross? In a television world where late night talk shows are increasingly irrelevant, why not take a shot a true irreverence? Really, what does NBC have to lose?

Some light background reading:

Conan: Barbarian or Adventurer?

In Defense of Jay Leno/How He Might Screw This All Up AKA More Thoughts on Late Shift 2: Dave’s Revenge

The One in Which We Compare Conan O’Brien to Barack Obama

*Really, what does Bill Carter report on other than late night talk show behind-the-scenes machinations? Can we get his job if and when he retires? We don’t even mind signing a contract stipulating that we will inherit his position in five years or else be paid a steep pay or play penalty).

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Filed under Analysis, Be careful what you wish for, Count Bleh, Flashback!, Must Flee TV, Other people's stuff, Talkies

In Defense of Seth MacFarlane: Comedy is in the Eye of the Beholder & Peeling Back The Onion

Seth MacFarlane OscarsFirst, some context: we are not especially devoted Seth MacFarlane fans. For a time we watched Family Guy semi-regularly and certainly were a part of that groundswell that helped resurrect the show from its premature grave. But do we consider ourselves MacFarlane evangelists or advocates? Not at all. We still haven’t seen Ted, and are not exceptionally eager to do so. We rarely watch American Dad and we can’t say for sure that we’ve ever caught an episode of The Cleveland Show. We were, however, impressed with his performance hosting the SNL premiere, and it demonstrated that not only could he do funny voices and write an off-color (and oft-humorous) joke, but he could also perform, and perform live, which is not always second nature for a writer-producer-voice actor. Did that mean we were thrilled to learn he was tapped to host this year’s Oscars? No, not really. We thought it was somewhat a knee-jerk, ill-advised decision (probably due, paradoxically, to his mess-up when presenting at the 2012 Emmys). But we knew, at least, that he could hold his own on stage, singing, dancing, cracking wise, and thinking on his feet. Was he going to offend some people? Probably. But that would come with the territory. Wouldn’t that be by design? If you wanted someone with only a love of musical theater and a flair for singing and dancing, then wouldn’t you just turn to Billy Crystal for a record 74th time? So, with Seth MacFarlane, that’s the package, that’s the deal (a faustian bargain, depending on your point of view): some dick and fart jokes and some mildly anti-Semitic and racist humor mixed with some sprinkles of old Broadway.

So were we surprised that MacFarlarne’s hosting turn this past Sunday night was met with a mix of disappointment and outright scorn? No, not at all. That was to be expected. But, after seeing the show, we were taken aback at the amount of criticism leveled at MacFarlane because, frankly, for someone who trades in abortion jokes and greased up deaf guys, we found his material relatively mild. It was almost as if we were watching a different show, different from the one that so much of the (tweeting) public found so repugnant, so misogynistic  and racist and base. And, to our surprise, we found ourselves in MacFarlane’s corner. Not because we found his turn especially remarkable. But because it wasn’t that bad. And, more importantly, it wasn’t that vile.

Read on: 9 things that we didn’t find so sexist, and a rotten Onion…

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Filed under Analysis, Fashion Show at Lunch, In defense of:, Lists, Other people's stuff, The Big Screen

Whenever You Play the Game of Cable News, You Either Win or Die.

There is no middle ground.

We’ve been diligently posting remixed Newsroom opening credits over on our sister site A Newsroom A Dayand we thought we would be remiss if we didn’t share today’s entry here. We think this is our favorite one so far, although it makes us miss Game of Thrones oh so much.

And while we’re on the subject of Game of Thrones mash-ups, we’d also be remiss if we didn’t use this opportunity to point you towards this brilliant GoT meets Parks and Recreation illustration done by our very close personal friend Steve Ponzo.

And, sadly, winter is coming.

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Filed under A Newsroom A Day, Intersection of the venn diagram of things that I love, It's Not Television, Other people's stuff, We'll Get It In Post, Winterfallen

America’s #1 Fake Real News Show: On ‘The Newsroom’

Will McAvoyAs promised, we’re going to quickly dip our toes into the somewhat toxic pool of The Newsroom analysis. Like with any review or analysis, anything we say is ultimately futile and inconsequential, because, in the end, it’s not going to change the way you feel about the show, and it’s certainly not going to alter Aaron Sorkin’s vision or persuade him to reconsider his writing style. But in the case of The Newsroom, anything we say, any argument we make, feels especially meaningless in the wake of all the criticism and (less so) praise it’s received. But, hell, let’s be a Greater Fool and try anyway.

Let’s just say out of the gate that we like the show, and while that might put us in the minority we stand by our verdict. But what’s interesting or pertinent to us is not so much that we like it – or if it’s “good,” assuming there’s some kind of objective rubric which can calculate a show’s quality (which there’s not) – it’s the question of whether or not the show is worth watching. And we think the answer is: absolutely. Doesn’t that fact that the show seems to be so reviled (or snickered at) in so many corners yet still watched obsessively indicate there’s something of worth there? Certainly, The Newsroom doesn’t garner the same level of propulsive minute-by-minute Twitter reaction on Sunday evenings as Breaking Bad (nor does it come close to the AMC show’s unanimous, breathless praise), but it’s definitely one of the most talked about shows, even if much of that talk comes with head shaking, finger wagging and head scratching. And if the show was bad, unrelentingly terrible, it wouldn’t have lasted, or at least the discussion would have quieted down. We can’t imagine that if Work It had not been canceled after one week the din about its repugnancy would have continued. We would have had our fun and then watched it fade away, nary giving it another thought. But with The Newsroom the debate continued for ten episodes, and seemed to increase as we approached the season finale. Clearly, people were entertained by the show. Which, we certainly concede, isn’t necessarily the same as enjoying the show.

More as the story develops…

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Filed under Analysis, Checks & Balances, It's Not Television, New Favorite Show, Other people's stuff

Remember That Time Vulture Ripped Us Off?

We joke a lot on this blog about people ripping us off – Stephen Colbert, Entertainment Weekly, Paul F. Tompkins (which resulted in a bitter Twitter feud) – but when were never as wounded as we were when we saw a new Vulture post presenting their “Map of the Comedy Zeitgeist.”  Why did we find this so alarming, so soul crushing?  Well, because it’s essentially an updated (and much, much prettier) version of our Judd Apatow Chart, which we used to launch this blog those three years ago.  Sure, the idea that there are these overlapping connections in the comedy world, most of which are tethered to the likes of Apatow, Ben Stiller, Will Ferrell, and Paul Rudd, has been oft-explored for several years now.  But never before has there been a graphic representation that feels so close to ours, so similar (and yet so much more visually appealing).  Thus, we will not rest until we receive the credit we are due.  In protest we will continue to read, appreciate and occasionally steal from Vulture.

Are we being paranoid?  Hyperbolizing?  Take a look and you decide.

Them:

Us:

 

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Filed under Interweb, Judd Apatow, MS Paint, Other people's stuff, Rip-off

Congratulations, Ted Danson!

Your new star of CSI!

And here, exclusively on Jumped The Snark, is a sneak peek of his upcoming debut:

Lawrence who???

[footage courtesy of wexlerglazer]

 

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Filed under Is That Still On?, It's gross., Nostalgia Corner, Other people's stuff