Category Archives: Across the pond

Spin City: 15 Very Real Ted Lasso Spin-Offs

Ted Lasso, the crown jewel of Apple TV+’s programming slate, wrapped up its 3rd season last week, but the question, of course, remains: was that the final whistle for Ted Lasso the television series, or just the swan song for Ted Lasso the coach? Co-creator and star Jason Sudeikis has been somewhat noncommittal, swearing that this is the end of the story he wanted to tell – the return to Kansas from the land of Oz – but at the same time keeping the locker room door open for a Ted Lasso-less Ted Lasso (Ted Lesso?). The most likely continuation of the series is probably something like AFC Richmond, picking up with the football club and the cast of characters we’ve come to know and (in some cases) love; essentially the same show just with a new coach (gaffer) and way fewer dad jokes. Think The Conners without Roseanne, or The Hogan Family without Valerie Harper (but with Sandy Duncan, which was arguably a net gain). However, we thought it would be fun to brainstorm what some other iterations of a Ted Lasso spin-off might look like.

OLA’S

After suffering a career ending knee injury in a World Cup qualifier, Sam Obisanya trades in his shin guards for an apron, devoting himself full-time to his Nigerian restaurant, Ola’s. His constant presence and unyielding enthusiasm are an unwelcome nuisance to head-chef Simi, as are his frequent menu suggestions (A When Harry Met Sally themed-menu, all you can eat Puff Puffs, bottomless bowls of Pepperidge Farm Goldfish on every table). But it’s not all smiles: upon hearing of Sam’s career change, his nemesis Edwin Akufo (Sam Richardson) buys the Nando’s next door, turning it into a competing Nigerian restaurant named “Original Famous Ola’s” and kicking off the Seven Years’ Prank War. Curiously, none of Sam’s former teammates ever bother to stop by for a bite. English food writer Nigella Lawson guests in the premiere (and does not care for the food).

YOUNG ROY

Former Chelsea FC star and current(?) AFC Richmond coach Roy Kent can only reveal so much about his backstory through press conferences and heart-to-hearts with his niece, so this wacky sitcom takes us back to the 90s, when Roy Kent was a just a young footballer being scouted by Sunderland FC. Full of bad haircuts, ill-fitting clothes, intrusive needle drops and dated references, Young Roy, shows how a boy became an icon. Brett Goldstein provides the voiceover narration and Jonathan Pryce supports as Granddad Kent.

TED LASSO: OFF THE DEEP END

Instead of staying in London with the gang at AFC Richmond, this series follows our hero Coach Theodore “Ted” Lasso on the next stop of his journey through the center of divorce, as he takes the reins of Mexico’s national men’s water polo team (thanks to a glowing recommendation from his former ace, Dani Rojas). With the Paris 2024 Olympics right around the corner, Ted must not only learn another new sport, but a whole new language (a love of quesa-dillas can only get one so far). Forget a fish out of water comedy, this is a fish IN water comedy.

CHEERS, RICHMOND
The rare double spin-off, this sitcom centers on the staff and patrons of Richmond’s favorite pub, The Crown & Anchor, who need to make room at the end of the bar for a new regular, Boston’s Norm Peterson (Sudeikis’ real-life uncle George Wendt reprising his Emmy-nominated role). After being forced to retire from a job he never talks about, Norm must fulfill an empty promise to his wife Vera to spend their twilight years in London. Initially averse to his new surroundings, Norm quickly grows to appreciate Jolly Old England, specifically its Imperial pint glasses. Finding his new Sam Malone in Mae (can’t spell Malone without m-a-e!) and the next generation of Cliff Clavin and Frasier Crane in Baz and the boys, Norm is 3000 miles (5000 kilometers) from Beacon Street but still right at home. Ted Danson cameos via FaceTime in the pilot. Forget a fish out of water comedy, this is a fish in beer comedy. Available exclusively on Peacock.

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Filed under Across the pond, Be careful what you wish for, Must See TV

What If…John Lennon Lived?: The Untold Story of The Beatles in the 1980s

Everyone knows that, for all intents and purposes, The Beatles ended with John Lennon’s passing in 1980. But what this email presupposes is, maybe they didn’t. What if John Lennon was not tragically lost on that cold December night, at just 40-years young? A reunion, one would imagine, was inevitable. So what music, what art, may The Beatles have created if they just had more time together? What if indeed.

Well, let’s imagine, shall we?

December 25, 1980: An unexpected Christmas Day phone call from Paul McCartney to John Lennon re-opens the lines of communication between the two old friends, and soon reignites their creative spark. With little haste they reach out to George and Ringo (in that order) and preliminary plans are hatched to reunite and begin work on the Beatles comeback album. 

February 14, 1981: Somewhat fittingly, the band commences songwriting for their new record on Valentines Day, taking up residence at NYC’s Electric Lady Studios. A heavily New Wave-inspired album, it is to be titled Burger Night, named for their weekly order from the famous “The Famous Cozy Soup & Diner.” 

March 7, 1981: After a night of jamming at John’s (and a few cocktails), the band decides to cash a check from a few years earlier, heading down to 30 Rock to crash that night’s taping of Saturday Night Live, hosted by its former star Bill Murray. The band takes the stage after “Saturday Night NewsLine,” ripping through “Helter Skelter,” the first ever live performance of “Maggie Mae” and a cover of “Jailhouse Rock.” [note: this was Jean Doumanian’s final episode as SNL executive producer]

May 12, 1981Burger Night is released worldwide. It’s a smash hit. The band commemorates the debut with an unannounced performance atop the London Palladium. 

Summer 1981: The band embarks on the Burger Night World Tour, their first live tour in 15 years. Not surprisingly, all 75 dates are sold out. 

September 1981: Energized by the tour and getting along like the early years in Liverpool, the band quickly returns to the studio to record their Burger Night follow-up, Overnight Trains, exploring some disco grooves that didn’t make it onto Burger Night. They hustle to complete the album by the end of the year. 

December 1981: Exhausted after almost a full year of recording and touring, they retreat to their respective homes for a much needed break. On Christmas Day Paul places another call to John, cementing the tradition. Meanwhile, Phil Spector mixes the new album in London. 

January 26, 1982Overnight Trains is released to middling reviews. “Dashed off,” “Inessential,” “Regretful” are some criticisms levied by British rock journalists. The band is crestfallen, admitting to themselves that they probably had a little too much fun making the record. They decide not to tour in support of the album, and instead focus on the solo projects they put on hold before reuniting. 

Summer 1982: John pops-in on George somewhere in England to hear a new tune he’s working on with Eric Clapton. It is there that John is struck by an idea for the next Beatles record. 

November 16, 1982:The Beatles: JohnPaulGeorgeRingo is released. It’s a massive quadruple set, essentially four separate albums with each Beatle taking a turn as the primary songwriter and singer. Fretting about his contribution, and declining assistance from his bandmates, Ringo quietly turns to Elton John as his ghostwriter. The collection connects with both fans and critics, the latter of whom are especially impressed with Ringo’s tracks.

1983: The band takes a year off with very few appearances, save for George’s brief (and nearly impossible to spot) cameo as a Stormtrooper in Return of the Jedi. 

Fall 1984: Working with producer Brian Eno, the Beatles make their 80s electro-pop concept album. Unable to agree on a title, it’s simply released with a solid blue cover and the words “The Beatles.” Fans, of course, refer to it as “The Blue Album.” Their music video for “Slough Off” directed by Terry Gilliam, receives regular airplay on MTV, and is The Beatles first bonafide hit on the fledgling network. 

July 13, 1985: After performing only periodically the previous year, the band headlines Live Aid at Wembley Stadium. As the show was running behind the bands scheduled ahead of The Beatles were forced to trim their performances, most notably Queen cutting “We Will Rock You” from their set. Bob Geldof will later say “without The Beatles there is no Live Aid.” 

August 12, 1985: A cover of Martha & the Vandell’s “Dancing in the Street” featuring John Lennon and David Bowie, originally recorded for Live Aid, is released and rockets to the top of the charts. The collaboration angers Paul, and band relations are strained once again. 

September 1985: Inspired by a trip to Africa in the wake of Live Aid, the band puts their mounting tension aside to record an album with distinct Mbaqanga influences. The process is tumultuous and fraught with disagreements. They concede to go on a limited tour, mostly smaller arenas and theaters, on the condition that they take an indefinite hiatus upon its completion. The band cancels the last 3 dates of the tour, citing “food poisoning.” 

July 8, 1986: The album, transatlanticism, is released to great acclaim. Paul Simon’s Graceland, another album drawn heavily from African music, debuts the following month and is considered an inferior facsimile, leading to a long period of depression and inactivity for Simon, but ultimately culminating in his successful reunion with Art Garfunkel, a fruitful partnership that continues to this day. 

October 25, 1986: John delivers a rousing rendition of the “Star Spangled Banner” before Game 6 of the World Series in front of a raucous Shea Stadium crowd. Inspired by the performance, the Mets pound out 4 runs in the first inning, cruising to an easy victory, despite a pinch-hit 9th inning home run from Red Sox first baseman Bill Buckner.

August 7, 1987: After putting his film producing career on hold, George returns to Hollywood with Masters of the Universe, the big screen adaptation of the He-Man saga. Harrison also produces and appears on the soundtrack, including the mildly successful single “Touch of Grayskull.” Ringo stopped by for a small role as one of Skeletor’s henchmen. 

January 20, 1988: All four Beatles come together for the first time in almost two years for their induction into the Rock & Roll Hall of Fame. Paul refuses to be inducted by Mick Jagger, so Little Richard subs in at the last minute. John later prevents an incoherent Ringo from grabbing the microphone during their acceptance speech (we’ve all seen the YouTube clip), and the Beach Boy’s Mike Love jumps in to calm down Starr (later that year Ringo returns the favor and plays steel drums in the music video for the Beach Boys #1 hit “Kokomo”). However, After witnessing Ringo’s worsening condition first-hand, the band makes a promise to return to the studio if Ringo can commit to his sobriety. The following morning Ringo checks himself into rehab. 

April 1988: Deciding to keep his schedule open for a Beatles album, George declines an invitation to join The Traveling Wilburys, and the Wilburys instead recruit Phil Collins to round out the group. Their first album, The Wild Wilbury Revue, lands with a thud, and the band no longer records or performs after Roy Orbison’s death. 

February 14, 1989: On Valentines Day once again (as chosen by John), The Beatles enter Abbey Road studios to record their 5th album of the decade. With a clean, sober and reinvigorated Ringo behind the drums, the band embarks on what is one of their most creatively fulfilling recording sessions. 

August 21, 1989: Beatles Forever hits Sam Goody stores across the US and is released worldwide the following day. It is hailed as a return to form by Beatles purists and regarded as a seminal album for new fans. Somewhere in Seattle a young Kurt Cobain hears John’s lyric “there is no light in the darkness” and samples the line in “Territorial Pissings,” a track from Nirvana’s sophomore album Nevermind. John would later induct Nirvana into the Rock & Roll Hall of Fame in 2014, performing that very song with Cobain. 

January 28, 1990: The Beatles and Their All-Star Band headline the Super Bowl XXIV Halftime Show in New Orleans, marking the first such time one of music’s biggest acts took center stage at the game (apologies to “Up with People“). Somewhere on Long Island Billy Joel decides to keep writing and recording music until the day he dies. 

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Filed under Across the pond, TV Killed the Music Video Star

Brooklyn is the Center of World (Cup)

WorldCupHeadquartersWell, it’s finally over. After a month of great, often breathtaking games matches and gorgeous goals, the World Cup finished its 2014 run in Brasil yesterday, leaving us both sad and already overflowing with excitement for 2018 (and 2022 on our home turf?) I watched more soccer football in the last month than I had in my whole life prior, and it’s not even close. Even more, I think I watched more of the beautiful game in the last four weeks than I have of baseball all season. And I love baseball. But the Mets are mediocre and uninspiring, and just plain difficult to watch. And, well, the World Cup worked very well with my current unemployment flexible schedule. Will I continue this trend and begin to tune into MLS games on a regular basis. Probably not (last night’s Seattle Sounders vs. Portland Timbers prime-time matchup notwithstanding). I already went down that road four years when I really thought I was going to be big LA Galaxy fan, and that didn’t last long (but that’s the worldwide appeal of David Beckham, I guess). Truth is, I’ll probably finally get back into baseball post-All-Star break, or, perhaps, if the Mets continue to make mediocre an art form, I’ll just kill time until hockey starts again (whose void was filled so wonderfully, and at just the right time, by the World Cup). But I’ll be ready for 2018 in Russia, and I’ll always treasure the last month, when I felt at one with the world and the world felt like it came to Brooklyn (and I spent way too much time in a bar before 5pm).

My lasting memory, I think, will be that every bar, cafe, restaurant, McDonald’s, hair salon and tax preparation office seemed to be broadcasting the matches, trying to capitalize on a popularity that I didn’t quite realize the tournament possessed. There was no shortage of establishments showing the matches, and, it felt, no shortage of people who were interested in watching. Walking around Brooklyn, it sure felt that soccer, after two decades of promise, had finally arrived.

World Cup Bars Brooklyn, Greenpoint

 

Our collective  fútbol fever may now have subsided, not likely to return for another four years. But from now until then, we’re still infected, with another outbreak just lying in wait, from Brooklyn to Chicago, from Seattle to Kansas City, to Los Angeles to the White House. I look forward to the relapse.

 

 

 

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Filed under Across the pond, Local Flavor, Matt Christopher Books, New Favorite Show, The Roaring 10s!

Branch Closing – A Farewell to ‘The Office’

We very clearly remember the moment that we fell for The Office, the NBC stalwart that closes up shop at Dunder Mifflin tonight after nine mostly great seasons. It was the fall of 2005, when The Office was starting to find its legs after a rocky and uneven six episode first season, and we in our first autumn post-college, back at our parents’, and for the first time since we were four-years-old not attending school. We were at our best friend and future roommate’s house, hanging out, maybe barbecuing, maybe drinking a few beers, maybe watching the first season of Lost on DVD, which dominated much of our time (and thoughts) during that period. We knew about the The Office, another blatant attempt to import a UK hit stateside, but missed its brief run earlier that year, as was the case with the aforementioned Lost, as the only shows we watched religiously during our final year of college (and last few months before true adulthood) were The Simpsons and Survivor. We did, however, recall reading that it was an imperfect translation of the original, and the Steve Carell-led vehicle – who was then best known as the other Steve from The Daily Show –  was not likely to resurrect NBC Thursday night Must See TV, let alone make it past Season 2. So with the middling reviews in mind, and the fact that we were unfamiliar with the original Ricky Gervais version, we didn’t go out of our way to watch the show. But that night changed everything.

More: But that was just the beginning…

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Filed under Across the pond, Back to the Past, Brilliance, Dunder Mifflin, this is Pam, Freak Out Control, Good Humor, Is That Still On?, LOST, Must Flee TV, Must See TV

Abby vs. Gabby: On the American Sportswoman

We’ve spent a lot of time over the past week discussing the Summer Olympics and with last night’s Closing Circus Ceremonies in London we could spend a few hundred more words deriding the final festivities – and such chastising would be much deserved – but we think we did enough of that on Twitter.  Instead, we’d like to spend our respective closing ceremony considering the female athlete in the United States, and we’d like to do so, in unorthodox fashion, with the minimum amount of snark.

During these 2012 Olympic Games we couldn’t help but be struck by the sheer dominance of the USA women – from gymnastics to swimming to soccer to beach volleyball to basketball – and how much our females have moved to the forefront of international competition.  Indeed, we heard a fact – perhaps it was from Bob Costas, the Walter Cronkite of the Olympics – that if the United States women comprised a separate country they would place third in the gold medal count.  Third.  Which is a stunning stat, and should motivate the men (with a few exceptions, including Michael Phelps, David Boudia and the men’s basketball team) to extend a hearty thank you and congratulations and maybe even get down on their knees and propose.  But beyond the magnitude of their achievement, the success of the USA women got us thinking about the state of women’s sports in America, how we got here, where it’s going, and, most especially, which female gold medalist do little girls today want to be when they grow up.

More: Abby or Gabby?

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Filed under Across the pond, Makes You Think, Matt Christopher Books, Yasmine Bleeth, You Decide

On the Olympics: Testing Our Medal

We’ve recently returned from a week-long sojourn to a tropical paradise, and thus were unable to commit the 10-12 hours a day we hoped watching the NBC Networks Olympic coverage of events like water polo, handball, indoor volleyball, ping-pong (sorry, table tennis), field hockey and trap shooting.  We were, however, able to catch part of NBC’s prime time telecasts, the carefully cultivated, perfectly orchestrated alchemy of prestigious events of which the Americans just happen to win the majority.  And if you think watching NBC’s tape delay broadcasts here in America is tough, try doing it twenty miles (or was it kilometers?) from Venezuela.

Upset about the admittedly completely unnecessary and pedantic Mary Carillo explains London segments? Fine.  But better than coverage not starting til 9pm EST and then finding the telecast constantly interrupted by an unknown Aruban man in a desolate, sad locker room set, serving as something of a local Bob Costas amid open lockers and prop gym bags.  Even worse is that these interstitials preempted the commercials.  The Olympics is the Super Bowl of commercials.  Normally we’d prefer to fast-forward right through all of them, but if we had our choice of watching a random guy pontificate about Michael Phelps in Papiamento or watching every single McDonald’s commercial, we’d choose the latter.  At least the second option gives us a the chance for a sports celebrity cameo, or a catchy jingle, or, God willing, a new Happy Meal Toy.  Or we could just use that time to visit the bathroom or get a snack, but, instead, while Aruban Bob Costas chats with the small island’s foremost track and field expert, we flip over to Lifetime to see if Forrest Gump is still on, not sure how long this detour from London is going to last (which, we admit, is a very specific experience, so we apologize if this particular situation does not apply to you).

Okay, so we’re exaggerating here.  It really wasn’t that bad.  But neither is watching the main events on tape delay here in the contiguous US of A, despite all the caustic vitriol  spat at NBC over its delayed gratification approach to the games.  What the people who level all the criticism at NBC for withholding the most interesting (to Americans) events til after 8pm (and, really, til 11pm) don’t seem to consider, or put much stock in to, is that most Americans (save for those who are currently employed and spend most of their day watching Razon Ramon documentaries producing high quality journalism and insightful media criticism), aren’t home at 2pm to watch the entirety of the Tween Women’s Uneven Bars final.  That doesn’t mean that NBC couldn’t cling to journalistic integrity, demonstrate a responsibility to delivering unfiltered, untainted Olympics coverage, and air the whole event live.  But then what?  Rebroadcast it again later?  In its entirety?  Or in repeats is it permissible to edit the events down?  And does NBC, even with its seemingly infinite cadre of cable channels, have the airtime to show the same competition twice?  On the other hand, if they air everything in real-time, what does NBC show in prime-time?  Grimm repeats?  Rock Center: Live from Westminster Abbey?  Start the Tonight Show three hours early?  No.  Make no mistake, NBC has not spent billions of dollars securing the rights to the Olympics to present sports in the most comprehensive, informative, honest and fan-friendly way.  They’re in it for the same reason ESPN is (despite what its acronym might imply), to make gobs and boatloads and gobloads of money.  Let’s not forget that.

And let’s not hold that against them.  For NBC, the Olympics is a two-week-long special edition of America’s Got Talent (Phelps, Gabby Douglas, Missy Franklin) and The Biggest Loser (Mckayla Maroney, any country other than the USA).  It’s the marketing push Whitney really needed.  And to suggest that NBC has some responsibility to the American citizen not to present the most popular events in the most melodramatic, heavily-edited, Al Trautwig-hosted, Cinderella-story way is silly, and, really, hypocritical.  Yank all 10pm dramas in favor of Jay Leno, shame on NBC.  Expect NBC not to value Olympic ratings above all else, shame on you.

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Filed under Across the pond, Analysis, Be careful what you wish for, Matt Christopher Books, Must See TV

The Beanery

We got our hands on the exclusive, never-before-seen trailer for The King’s Speech, featuring the original actor earmarked for the role of King George VI.  As much as we like Colin Firth, we think they should have stuck with their first choice.

Chills.

[btw, Rowan Atkinson is EXCELLENT in Love Actually]

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Filed under Across the pond, The Big Screen, We'll Get It In Post

Russell Brand on ‘SNL’: Very British

Well, we had little hope that the SNL would rebound from its disillusioning Dana Carvey episode last week.  For some reason, lately we’ve been giving the show the reverse of the benefit of the doubt, the doubt of the benefit if you will.  And when we casually started the episode late Saturday night, it seemed that our prognostications would be proven valid, that we were in for another ho-hum effort with a perfectly fine but completely ordinary host.  But, while Russell Brand would prove to possibly be the weakest part of the show, the episode turned around on the basis of two sketches, two pieces that will no doubt sit atop our best of the season list.

Coming up: What sketch did we watch four times? And we hand out the season MVP award early.

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Filed under Across the pond, Analysis, Good Humor, Saturday Night Live, The State

Did ‘The King’s Speech’ Poster Rip-Off Mirah’s ‘You Think It’s Like This But Really It’s Like This’ Cover Art?

Here’s the poster for Best Picture front-runner The King’s Speech:

And here’s the cover art for Mirah’s 2000 album You Think It’s Like This But Really It’s Like This:

Makes you think, right?

Probably just a coincidence.

But just for fun:

Or:

Hmmmmmm….

YOU DECIDE

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Filed under Across the pond, Count Bleh, Makes You Think, Rip-off, The Big Screen, Tyranasaurus Sex, We'll Get It In Post, Woody Allen, Bar Mitzvahs & Bagels, You Decide

‘The Inbetweeners:’ It’s like ‘Skins’ Meets ‘Torchwood’ Meets ‘The Office’ Meets ‘Mr. Bean’ Meets Other BBC Programmes

Okay, so above the comparisons were mostly lies, but, as already been oft-said, British import The Inbetweeners is a like a sitcom version of Skins.  It’s to Skins as Undeclared was to Freaks & Geeks.  Which means it’s good, if a little lacking on dramatic depth.  The quick cuts and camera work also evoke shades of Arrested Development, if Arrested Development took place in the UK, featured teenage boys, and dispensed with the self-referential gags and cutaway jokes.  So, basically in no way like Arrested Development other than that it’s a one camera, handheld comedy.  Oh, and it has a narrator.

The first two episodes aired Monday night on BBC America and they were fit!  Below is my favorite scene from either show (stolen from PopCandy)

As my roommate so astutely pointed out, doesn’t series star Simon Bird look just like a young John Oliver.  Uncanny!

Catch a new episode tonight in its regular 9:30pm time slot on whatever channel BBC America is on your cable provider.  Don’t ask me to look it up for you.  You have the internet.

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Filed under Across the pond, Discos and Dragons, Good Humor