Well, Rosh Hashana is upon us again. Has it really been a whole year already (we’re really asking; even we get a little confused with the Hebrew Calendar)?
The nice thing about the Domino’s is that they don’t Jew you on the pepperoni.
– Michael Ian Black, Mike and Tom Eat Snacks, Episode 32
Let’s celebrate the New Year with breaking down Jewish stereotypes. Yes, we like challah bread and matzoh ball soup and potato kugel and bagels. And, yes, we run Hollywood. And, yes, we make dynamite plastic surgeons. And, yes, we like to get to the movie theater extra-early to make sure that we get a good seat. We are all these things. HOWEVER, not all of us are cheap, parsimonious bastards who will Jew you out of every possible penny. In fact, sometimes – as Jon Benjamin and David Cross illustrate – we’ll even Jew you up.
So dip the apples in the honey! (we will not, because we are allergic to apple, and thus will never have a sweet new year. It will be one unbroken string of bitter misery)
As promised, we’re going to quickly dip our toes into the somewhat toxic pool of The Newsroom analysis. Like with any review or analysis, anything we say is ultimately futile and inconsequential, because, in the end, it’s not going to change the way you feel about the show, and it’s certainly not going to alter Aaron Sorkin’s vision or persuade him to reconsider his writing style. But in the case of The Newsroom, anything we say, any argument we make, feels especially meaningless in the wake of all the criticism and (less so) praise it’s received. But, hell, let’s be a Greater Fool and try anyway.
Let’s just say out of the gate that we like the show, and while that might put us in the minority we stand by our verdict. But what’s interesting or pertinent to us is not so much that we like it – or if it’s “good,” assuming there’s some kind of objective rubric which can calculate a show’s quality (which there’s not) – it’s the question of whether or not the show is worth watching. And we think the answer is: absolutely. Doesn’t that fact that the show seems to be so reviled (or snickered at) in so many corners yet still watched obsessively indicate there’s something of worth there? Certainly, The Newsroom doesn’t garner the same level of propulsive minute-by-minute Twitter reaction on Sunday evenings as Breaking Bad (nor does it come close to the AMC show’s unanimous, breathless praise), but it’s definitely one of the most talked about shows, even if much of that talk comes with head shaking, finger wagging and head scratching. And if the show was bad, unrelentingly terrible, it wouldn’t have lasted, or at least the discussion would have quieted down. We can’t imagine that if Work It had not been canceled after one week the din about its repugnancy would have continued. We would have had our fun and then watched it fade away, nary giving it another thought. But with The Newsroom the debate continued for ten episodes, and seemed to increase as we approached the season finale. Clearly, people were entertained by the show. Which, we certainly concede, isn’t necessarily the same as enjoying the show.
More as the story develops…
Well, there’s more than just Muppet movie casting news these days. No, what we’re getting now are actual photos from The Greatest Muppet Movie Ever Made, and not just promo shots of Jason Segel and the gang, but photos from the set. Behold, the Henson Company Studios in Hollywood transformed into Muppet Studios, a once thriving studio that has fallen into disrepair. It’ll be Segel’s character Gary, and his roommate, the new Muppet Walter, who ostensibly rally the Muppets to reunite and revive the studio.
(one of our greatest regrets from our time living in LA is not trying to take a tour Henson Studios, or at the very least stopping at the gate on La Brea Ave and attempting to bribe the guard with pepperoni pizza).
Read and see more at Slashfilm.
Tipped off by two of our besties, Glazer and Mechanic.