Tag Archives: Academy Awards

A Jumped the Snark “Shorty” – Predicting the 2014 Oscars

We’re unveiling a new feature on this blog today: Jumped the Snark Shorties, very brief thoughts and commentary on various topics and issues. Could be a follow-up to a previous post, an ad-hoc op-ed, or a random non-sequtiur. Opinions that are too short and partially formed to necessitate a full-length analysis, but too long for a tweet. Today we revisit our post from last week, our response to response to the Oscars and the outrage fired towards Seth MacFarlane. 

With all the bitter criticism and outcry following Seth MacFarlane’s Academy Awards hosting turn, it’s only natural to wonder who will take the stage next year. Likewise, it’s safe to assume that the Producers will be walking on glass with their next selection, aiming to pull in a host that can pull in the laughs (and ratings) while omitting the more the more offensive elements, effectively compensating for this year’s (alleged) disaster.

Our prediction: Sandra Bullock & Melissa McCarthy

Why? Coming off the upcoming The Heat these will be two very bankable, very likable, very current commodities. And, unlike Tina Fey and Amy Poehler, these are movie stars, and, perhaps more importantly, actresses more than comedians. Their comedic reputation and integrity won’t be at risk; they’ll be more likely to be tame, to be good soldiers, and more amenable to it than the former SNL standouts,  neither of whom, it should be noted, have yet to truly break out on the big screen.

But Jumped the Snark, won’t the “Body Cops” be all over that with Melissa McCarthy’s size? 

No, the Body Cops themselves are handcuffed after this year’s show, nobody would dare say anything remotely misogynistic or negative towards women; it would instead be a celebration of the fairer sex, in all their shapes and forms. And, privately, the producers would feel comfortable tapping an overweight woman because they paired her with a thin, classic beauty, and they’ll pat themselves on the back for being so progressive.

Follow-up question: Is it a requirement that a human hosts the Oscars? I feel like everyone would approve of Kermit the Frog. 

While we would, of course, love a Muppet up there on that stage, but our understand is that non-humans can present, but not host. It’s like how non-native citizens can be Governor, but not President. And now that we say that we do like the sound of “Governor Kermit.” We’ve certainly done worse.

 

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Filed under Muppets, Saturday Night Live, Shorties, The Big Screen

In Defense of Seth MacFarlane: Comedy is in the Eye of the Beholder & Peeling Back The Onion

Seth MacFarlane OscarsFirst, some context: we are not especially devoted Seth MacFarlane fans. For a time we watched Family Guy semi-regularly and certainly were a part of that groundswell that helped resurrect the show from its premature grave. But do we consider ourselves MacFarlane evangelists or advocates? Not at all. We still haven’t seen Ted, and are not exceptionally eager to do so. We rarely watch American Dad and we can’t say for sure that we’ve ever caught an episode of The Cleveland Show. We were, however, impressed with his performance hosting the SNL premiere, and it demonstrated that not only could he do funny voices and write an off-color (and oft-humorous) joke, but he could also perform, and perform live, which is not always second nature for a writer-producer-voice actor. Did that mean we were thrilled to learn he was tapped to host this year’s Oscars? No, not really. We thought it was somewhat a knee-jerk, ill-advised decision (probably due, paradoxically, to his mess-up when presenting at the 2012 Emmys). But we knew, at least, that he could hold his own on stage, singing, dancing, cracking wise, and thinking on his feet. Was he going to offend some people? Probably. But that would come with the territory. Wouldn’t that be by design? If you wanted someone with only a love of musical theater and a flair for singing and dancing, then wouldn’t you just turn to Billy Crystal for a record 74th time? So, with Seth MacFarlane, that’s the package, that’s the deal (a faustian bargain, depending on your point of view): some dick and fart jokes and some mildly anti-Semitic and racist humor mixed with some sprinkles of old Broadway.

So were we surprised that MacFarlarne’s hosting turn this past Sunday night was met with a mix of disappointment and outright scorn? No, not at all. That was to be expected. But, after seeing the show, we were taken aback at the amount of criticism leveled at MacFarlane because, frankly, for someone who trades in abortion jokes and greased up deaf guys, we found his material relatively mild. It was almost as if we were watching a different show, different from the one that so much of the (tweeting) public found so repugnant, so misogynistic  and racist and base. And, to our surprise, we found ourselves in MacFarlane’s corner. Not because we found his turn especially remarkable. But because it wasn’t that bad. And, more importantly, it wasn’t that vile.

Read on: 9 things that we didn’t find so sexist, and a rotten Onion…

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Filed under Analysis, Fashion Show at Lunch, In defense of:, Lists, Other people's stuff, The Big Screen

Did the Oscars Set Rip-Off ‘Saturday Night Live’ Circa 1985?

Well, perhaps it’s reparations for SNL stealing Billy Crystal’s mildly racist black people at the movies joke, but it appears that Crystal and the last night’s Academy Award’s telecast stole their set from the one used in Studio 8H during Season 11 (the notorious Robert Downey Jr-Anthony Michael Hall-Randy Quaid interlude).  The similarity is too hard to ignore.

Last night, hosted by Crystal:

Season 11, Episode 2 (November 16, 1985), hosted by Chevy Chase:

YOU DECIDE.

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Filed under Flashback!, Rip-off, Saturday Night Live, You Decide, Yvonne Hudson

Muppet Monday: Oscars the Grouch

If you had a chance (or the misfortune) to read our tweets from last night’s Oscars telecast, you’ll know that we were very sore that Bret McKenzie was not given a chance to perform his Oscar-nominated “Man or Muppet” (and one would assume a theoretical performance would include Jason Segel & Walter, if not the Muppet cast), and we took every opportunity to point out an uninspiring three minutes that could have been better spent with a Muppet musical interlude (which, basically, was any three minutes in the show, save for Tom Hanks’ presentation and Will Ferrell and Zack Galifianakis’s own musical interlude).  And, despite the hope that we foolishly granted ourselves in our most private moments, the Muppet contribution to the show was limited to a short bit with Kermit & Miss Piggy introducing Cirque Du Soleil (so you had time for those freaks and not the Muppets? C’mon).  So with that you could consider the chance to do something fun and different and special officially thwarted, in favor of the same old pabulum (and the new old Billy Crystal).

BUT, despite all that, the Muppets did deliver two of the night’s best moments.  First, of course, was Bret McKenzie’s triumph (although, let’s be honest, if the song from Rio won, we should just pack it in.  That would have been worse that Meryl Streep’s victory (which, by the way, was a win for lazy white people everywhere)), winning the Oscar for a film that deserved much more acclaim and recognition than it received.  The second moment was McKenzie’s gracious, earnest acceptance speech, and, more to the point, Jason Segel’s reaction when McKenzie offered his gratitude to Jim Henson.  That moment of pure joy could warm the coldest heart.

We can’t find that clip online (thanks a lot, the man!), but this almost approximates that joy and innocence:

On a related note, for the better part of the last year we’ve been slogging our way through Michael Davis’ Street Gang, the wonderfully detailed and thoroughly researched history of Sesame Street.  Not surprisingly, we found the most engaging excerpts to be those that touched on Jim Henson’s contribution to the show, and, in a macabre way, the description of his passing and his now legendary memorial service.  We finally came to this event towards the end of the book as we were riding along the E train yesterday; at one point the doors open, we look up and what should we see?  Jim Henson, surrounded by his greatest creations, a poster for their exhibit at the Museum of the Moving Image.  It was a bit eerie, but even more it felt special, serendipitous.  And, then, mere hours later, McKenzie invokes Henson’s name, providing another fitting tribute to a man who remains an inspiration to so many of us.

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Filed under Bert-n-Ernie, Muppet Mondays, Muppets, Tyranasaurus Sex

Aliens vs. Nazis and the NBA Playoffs

Over at the Awards Picks Red Carpet Blog I contributed a piece comparing Inglourious Basterds and District 9, proving beyond a shadow of a doubt that Tarantino’s revenge fantasy is the superior film, and is more deserving of a possible Oscar nomination.

Also, why did I ever get excited about a video game like this:

Really was the slowest, most boring product in the entirety of the EA Sports catalog.  The complete opposite of its hockey brother.

I want my scalps!  Or at least a bloody Wayne Gretzky.

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Filed under Commodore 64, The Big Screen