Much was made last week about the departure of Saturday Night Live stalwart Bill Hader, and still more was made when word broke just before (or, perhaps, during) last Saturday night’s show that longtime cast member Fred Armisen would be joining Hader in exiting Studio 8H. Add to that the speculation that Jason Sudeikis is a part of the exodus – only a year after show centerpiece Kristen Wiig left the show – and we seem to have a full-fledged panic. Hader, Armisen and Sudeikis – who accrued twenty-eight seasons of combined service on the show – will certainly leave a gaping hole, having portrayed such vital characters as President Obama, Vice President Biden, James Carville, David Patterson, the Devil, and, of course, Stefon. How could the show possibly survive such a great loss of talent, three of their leading men, a trio of go-tos. Losing one, sure, it happens. But all three, plus the farewell of Head Writer Seth Meyers at mid-season? Won’t that just be the end of SNL?
No, no it won’t. Despite some histrionics that seem to point to the opposite sentiment, the show will persist just fine. In fact, this is the circle of life for Saturday Night Live (it’s just Saturday Night Life?). Granted, if Sudeikis does, in fact, join Hader and Armisen, then you would have a more severe than normal bloodletting, but it’s not a lethal loss. The show has always and will always subsist on the infusion of new, exciting, eager talent. This season SNL was without Kristen Wiig, who seemed to have shouldered the load for so many seasons (to the show’s detriment, in our opinion) and it went on unencumbered in her absence, bolstered by noteworthy performances by newcomers Kate McKinnon and Cecily Strong, two fantastic young talents who might have not had the chance to breakout if Wiig was still around. And the show has weathered the loss of every great star during its history, with someone waiting in the wings to step up. Chevy Chase leaves after the inaugural season and Bill Murray gets the call. Farley and Sandler leave and we get Will Ferrell. Ferrell leaves but Armisen and Will Forte join the show and Amy Poehler receives more screen time. Every time SNL closes a door it opens a window, a window cracked just wide enough for a talented young sketch comedian to crawl.
And it will be the same with this loss, which should better be classified as a transition than a remaking; it’s certainly nothing as a dramatic as the turnover before Ferrell’s first season. Bobby Moynihan, who had a stellar season with his “Weekend Update” appearances as Drunk Uncle and Anthony Crispino, has already been doing much of the heavy lifting, appearing in cold opens, monologues, parodies, and Update visits, performing as straight man as well as Guy Fieri. He’s certainly more than capable of being the show’s anchor in his sixth season. Likewise of Taran Killam, whose squared-jaw good looks and Baryshnikovian dance moves make him possibly the show’s most valuable not-yet-ready-for-prime-time-player, and who is due for his breakout season. Then you have Kenan Thompson, who has only improved with age, as he shook off his All That trappings and grew into a reliable SNL presence, and Tim Robinson, who had a strong, confident debut season, and Jay Pharoah, who is an incredible mimic but still looking to find his groove, despite getting the nod to play Obama this season. Not to mention the fresh new talent they might recruit to replace the departing cast members. And add to that the terrific female players that we already discussed, and you have a dynamic, hungry, inspired cast ready to make their mark and define their era on SNL. If the show is guilty of anything over its last 38 seasons, it’s of being lazy, relying on the old standbys. With the old guard on its way out, SNL just might not have that luxury next season, and we might be better off for it.
Yes, we had to say goodbye to Stefon, and that was very, very sad. But Stefon had to move on, and so do we. Because there’s another Stefon out there. There always is. We just don’t know him yet.
First, some context: we are not especially devoted Seth MacFarlane fans. For a time we watched Family Guy semi-regularly and certainly were a part of that groundswell that helped resurrect the show from its premature grave. But do we consider ourselves MacFarlane evangelists or advocates? Not at all. We still haven’t seen Ted, and are not exceptionally eager to do so. We rarely watch American Dad and we can’t say for sure that we’ve ever caught an episode of The Cleveland Show. We were, however, impressed with his performance 
Jumped The Snark 