Sure, we could have posted this April Fools Family Matters Kickstarter spoof on April 1, but that would have been so predictable and obvious, so totally against the spirit of that day of punking. Yes, ten days later on April 11 feels much more appropriate to bring you our first Reginald VelJohnson in Uniform in quite some time.
Inspired by the recent record-breaking success of the Veronica Mars movie Kickstarter, those pranksters over at Funny or Die unleashed a series of spoof campaigns for big screen versions of several classic television shows, including Darkwing Duck, Wings and Dinosaurs. Also amongst this impressive roster of past series looking for a second life is the legendary sitcom, the TGIF anchor, Family Matters. And who better to be the face of this venture than Carl Winslow himself, Reginald VelJ.
In the proposed film the Winslow family is kidnapped by a mysterious villain who may or may not be someone they know, perhaps someone very close to them, perhaps even someone who lives right next door. With his family in captivity, Carl goes into Liam Neeson Taken mode, his deep baritone striking fear into any would be evildoers.
We spoke briefly yesterday about the already-record breaking Veronica Mars movie Kickstarter, but that post was mostly to express our unbridled enthusiasm, our uncontrollable excitement about the possibility and then certainty of a return to Neptune. However, it would be irresponsible of us to talk about this revival, and convey our joy, without considering the very real ramifications of this money-making endeavor. The Veronica Mars movie, having already surpassed its $2 million goal by $1.3 million, has completely changed the paradigm for what a Kickstarter can be, and, certainly, raises the question of what it should be.
The obvious issue with this fundraising format is that Veronica Mars fans – you, me, Steve, Tom – are essentially not only paying for the production of the movie, and not only paying for the production of the movie so Warner Bros. doesn’t have to, but we’re paying for the production of the movie so Warner Bros. doesn’t have to and handing them the profits. There’s no backend deal here, there’s no recouping on our initial investment. We will not be entitled to any portion of the net. Meanwhile, while we pour our millions of dollars, perhaps contributing a significant portion of our incomes, spending money we really don’t have, a giant movie studio will reap the benefits. It’s easy to think – and very pragmatic to do so – that they have hundreds of millions of dollars to sink into the Harry Potter franchise, and then they have hundreds of million dollars to extract from the Harry Potter franchise, and they can’t fork over a measly two million for this little passion project? That’s not necessarily a cynical, misguided outlook. But it also doesn’t paint an accurate picture.
Well, if you still needed something to wash out the taste of misogyny and disrespect towards women after the Oscars, then a trio of announcements concerning female-centric projects might just finally cleanse your palate. Basically, it’s Ladies Night and all the girls drink for free. To wit:
1. Comedy Central has, very wisely, picked up a ten-episode order of Broad City, a comedy based on the web series of the same name created by and starring the brilliant Ilana Glazer and Abbi Jacobson (full disclosure: they are close personal friends and two beautiful, strong, hilarious, independent women). Loosely based on their own lives, it’s the anti-Sex and the City that Girls** isn’t. Here is the Season 2 finale, a love letter to NYC that features Amy Poehler, who is executive producing the series (and is another beautiful, strong, hilarious, independent woman):