I liked Argo back before they were mainstream.
Monthly Archives: March 2013
‘Survivor: Caramoan’ – The Say Gay Kid
Before we dig deep into this week’s episode of Survivor: Caramoan – Fans vs. Favorites 2 Legit 2 Quit, we owe you, the loyal reader, an apology. You see, we had gotten so wrapped up in the sad, soul-sucking sagas of Shamar and Brandon that we had forgotten about Former Federal Agent Fillip(?). Specifically, we had forgotten how capable he was of equal soul-sucking, his stewardship of an imaginary corporation (painfully imaginary to everyone else but him) serving to dominate camp life and suffocating other players. We had hoped – erroneously – that the exit of Shamar and Brandon, two divisive but attention grabbing personalities, would open the game up. Instead, it just passed the speaking baton to the equal of three evils. Not that FFAF is complaining, being the singular intolerable, maddening, petulant male personality left only enhances his chances of making it to the end.
However, Fillip has some flaws in his game. Namely, he thinks he’s running some kind of top secret covert operation and explains this to every player he encounters, creating something more akin to a completely obvious overt debacle. But in addition to his delusions of grandeur, FFAF is also incredibly sensitive. He is easily rattled when someone challenges his leadership and integrity, and he demonstrates this trait when the Favorites returned to camp after they evicted Brandon from the house. Wearing the classic tucked in poncho characteristic of all great CEOs, Fillip was so hurt that Brandon said such mean, unprovoked things about him, and no one stood up for poor FFAF. Corinne jumped in too, saying how uncool it was for Brandon to only pick on her and Fill, that she sympathized with Fill’s frustration and anger with the rest of BeKool for not stepping up to the plate. And this made up The Specialist’s mind once and for all: he needs to get rid of Corinne, because her commiseration clearly makes her the biggest threat, for some reason entirely unclear to us. But that’s why he’s The Specialist and we’re just a dude writing a blog and not running a made-up paramilitary organization.
Filed under Analysis, Century 21 Reality, The Worst, Tribal Council
Deja View: Why Seth Meyers Would be the Wrong Choice as ‘Late Night’ Heir
The plot keeps thickening with the NBC late night situation, and it continued today with the buzz that Lorne Michaels would like to anoint current “Weekend Update” anchor Seth Meyers as successor to Jimmy Fallon on Late Night, just as Meyers followed Fallon behind the Update desk (albeit, with Tina Fey and Amy Poehler in the interregnum). However, we think, in this case, Lorne might be making a poor decision.
With sources reporting that Jimmy Fallon will take over The Tonight Show in 2014 it’s only natural to start speculating who will replace him at 12:35am. And, similarly, it’s only natural to start speculating who Lorne Michaels will nominate for that position, as the show is produced his Broadway Video and it was he who plucked Conan O’Brien out of relative obscurity to launch the program in 1993 and who rescued Fallon from near-irrelevance to grab the reins in 2009. So whomever the next tenant of Studio 6B is will probably be chosen by Michaels and will likely come out of his comedy stable. However, while Meyers fits that bill, a longtime writer and cast member on SNL, he might be the wrong guy at the wrong time. He’s just too much in the Fallon mold, and the show would be wise to move in another direction.
Filed under Analysis, Local Flavor, Saturday Night Live, Talkies
Watch the Throne: NBC & the Future of ‘The Tonight Show’
Here we are again, NBC looking ahead to replace Jay Leno as host of The Tonight Show with a hipper, younger host, and a hipper, younger brand. This time, in place of the loose-limbed bean pole with the shock of untamable red locks as successor, we have the shaggy-haired giggle monster and impression impresario as Tonight Show usurper. So what makes NBC think that Jimmy Fallon is the right man for the job – only three years after Conan abdicated – and, perhaps more importantly, why now?
We actually take a somewhat different view from many television critics and media pundits, who believe this is history repeating itself, with the buffoons at NBC either incapable or unwilling to learn from their mistakes. Yes, if you look at the raw data, this move perhaps makes even less sense than the promotion of Conan to the Tonight Show desk in the summer of 2009. Leno, after returning to the late night centerpiece in February 2010, has held his own, even gaining viewers while NBC’s ratings have plummeted. Fallon, only four years and nineteen days removed from his maiden voyage on Late Night, is perhaps not quite ready yet to ascend, whether that be because he needs to further polish and refine his skills, or because he has not yet established enough of a viewership to command a promotion to Johnny Carson’s old spot. Is Jimmy Fallon, who just a decade ago was the goofball on SNL who couldn’t keep a straight face, ready to tuck in the nation’s older viewers and Slow Jam the News them to bed? And what’s to stop Jay Leno from jumping ship to another network and sticking it to NBC, a possibility was such a concern four years ago that the Peacock gave Jay a 10pm show, an unequivocal unmitigated disaster.
As Bill Carter reports,* this seems to be all but a done deal, with relations between Jay and the network sinking to an all-time low, bitter invective being spewed on each side. Leno, we can assume, is offended by the lack of respect and credit; after all, he’s still winning his slot while the network crumbles, he’s been a good soldier and has gotten nothing but grief for it. But here’s what’s important, and what makes this different from the Conan situation: as Wired argues in their latest issue, the Nielsen Family is dead and the traditional television model is obsolete. Installing Fallon as Tonight Show host – as reports say will happen by the end of 2014 – is not as much about challenging the upstart and Fallon contemporary Jimmy Kimmel on ABC, as it is about trying a new model, attempting to break out of the box. Fallon has built up a rabid fan base with silly sketches and fun games and brilliant taped pieces, all of which have appealed to the web’s viral culture. Certainly, a popular YouTube video – even one as popular as Justin Timberlake delivering an a cappella version of “SexyBack” – doesn’t goose ratings, and it doesn’t do much to affect the bottom line. However, it is indicative of Fallon’s place at the vanguard of new media, of new viewing habits, and at the changing of the guard. Will Fallon alienate some of Leno’s longtime loyal viewers, sending them to Letterman or Kimmel or maybe just to bed early? Sure. But does it really matter, in this current television climate? We’re not so sure.
Also, it’s important to remember that NBC is a moribund enterprise right now. And while that may initially lead one to think that they should keep the one thing that seems to be working, if it ain’t broke don’t fix it, we think the opposite is true. So much is dysfunctional at NBC right now that it might be worth it to blow the whole thing up. When you’re routinely getting smacked around by the likes of Univision and AMC and USA (NBC’s own less glamorous, but often more successful cable cousin), why not cut off your perfectly fine nose to spite your brutally beaten face? In a television landscape where numbers mean less and less, NBC, more than any other of the big four networks needs to get creative and change the paradigm. Putting Jay on at 10pm four years ago was changing the game the other way, backward thinking in trying to keep old viewers while embracing new, trying to maximize value under the old model. Moving Fallon to the big chair is looking the other way, trying to stay head of the curve. Why be a slave to the old design, why cling to some antiquated rule that The Tonight Show needs to be in Los Angeles and why keep struggling against the Leno albatross? In a television world where late night talk shows are increasingly irrelevant, why not take a shot a true irreverence? Really, what does NBC have to lose?
Some light background reading:
Conan: Barbarian or Adventurer?
In Defense of Jay Leno/How He Might Screw This All Up AKA More Thoughts on Late Shift 2: Dave’s Revenge
The One in Which We Compare Conan O’Brien to Barack Obama
*Really, what does Bill Carter report on other than late night talk show behind-the-scenes machinations? Can we get his job if and when he retires? We don’t even mind signing a contract stipulating that we will inherit his position in five years or else be paid a steep pay or play penalty).
Angels and Demons: On the MTV ‘Real World’ Marathon
Ahead of the premiere of the twenty-eighth (!) season of The Real World, set somewhat curiously in Portland, MTV has scheduled a weekend marathon of three “classic” seasons of the trailblazing reality show. Starting Friday night at 8pm MTV will air the first entry in the series, the groundbreaking Real World: New York, followed by the booze and sex soaked Las Vegas season Saturday at 2pm, and rounded out by the Puck and Pedro-fronted season three, Real World: San Francisco, beginning 8am Sunday. While we applaud the selection of NY and SF as 66.6% of the marathon, we cannot support the further promulgation of Las Vegas, especially at the expense of more worthy, important, less debaucherous seasons like Los Angeles, New Orleans, Seattle, or even the underrated Miami.
Choosing New York to lead off the marathon is a no-brainer. It was not just the first season of the long-running series, it defined what the series would be. Like Richard Hatch on the maiden season of Survivor, The Real World: New York set the mold for what this show would be, and, in many ways, set the course for Reality TV for the next twenty years. It’s cultural relevance and impact cannot be understated. Likewise for San Francisco, which was even more captivating and controversial for its inclusion of Pedro, an HIV positive Cuban-American, and Puck, a bellicose bike messenger with questionable hygiene and even more questionable social skills. This season – with its portrayal of a gay man (living, not dying) with AIDS and the caustic, boorish punk who alienated his housemates to the point of eviction – truly launched the show, and as well as awareness of the deadly disease, into the public consciousness, establishing The Real World as an MTV institution and a cultural phenomenon with immense significance. Nearly ten years later, Las Vegas began to undo everything that San Francisco and its peers has established.
Filed under Analysis, Nostalgia Corner, The Worst, TV Killed the Music Video Star
‘Survivor: Caramoan’ – The Devil’s Hantz
Well, we all saw this coming. We saw this coming back on South Pacific when he accused Mikayla of being an evil temptress, and we saw this coming when he went back and forth and back with his relationship with God and spoke of battles with inner demons. And we saw this coming in episode two of Fans vs. Favorites 2 Legit 2 Quit when, in beautiful night vision, his neck tattoo glistening in the twilight, he threatened to go on a rampage. So no one – no one – should have been surprised when Brandon Hantz finally lost it on Survivor: Caramoan. Which isn’t to say it was predictable, or that it wasn’t riveting, truly unsettling television.
But first, who’s that girl next to Michael and Eddie?!
Oh, right, Julia. That person that exists on the Fans tribe. At this point, she’s our pick to win it all, solely because everyone will keep forgetting that she’s there and no one will ever write her name down. Also, she might be a ghost.
More: Seriously guys, you should really hide rice and beans…
Leaving Through the Backdoor
Backdoor pilots have always been a common way to launch new television series. Sometimes they work, most of the time they don’t. Which was the case with The Farm, NBC’s failed attempt to spin-off The Office into a new Dwight-centric, cubicle-free series (they might have been better served spinning-off The Office’s faux-documentary style, as they did with Parks and Recreation to phenomenal results). In honor of The Farm’s brief existence, airing as a regular Office episode last night, we thought we’d take a minute to acknowledge our favorite backdoor pilot, Top of the Heap, which aired during Married with Children’s fifth season and starred a young, pre-Joey Matt LeBlanc (and, of course, the immortal Joseph Bologna). However, unlike The Farm, Top of the Heap was actually picked up, but only for a very brief, six-episode season. A failure still, but a more modest one.
RIP The Farm 2013-2013 Gone, But Soon Forgotten
Filed under Count Bleh
On the ‘Veronica Mars’ Kickstarter: Be Careful What You Wish For, Know What You’re Buying
We spoke briefly yesterday about the already-record breaking Veronica Mars movie Kickstarter, but that post was mostly to express our unbridled enthusiasm, our uncontrollable excitement about the possibility and then certainty of a return to Neptune. However, it would be irresponsible of us to talk about this revival, and convey our joy, without considering the very real ramifications of this money-making endeavor. The Veronica Mars movie, having already surpassed its $2 million goal by $1.3 million, has completely changed the paradigm for what a Kickstarter can be, and, certainly, raises the question of what it should be.
The obvious issue with this fundraising format is that Veronica Mars fans – you, me, Steve, Tom – are essentially not only paying for the production of the movie, and not only paying for the production of the movie so Warner Bros. doesn’t have to, but we’re paying for the production of the movie so Warner Bros. doesn’t have to and handing them the profits. There’s no backend deal here, there’s no recouping on our initial investment. We will not be entitled to any portion of the net. Meanwhile, while we pour our millions of dollars, perhaps contributing a significant portion of our incomes, spending money we really don’t have, a giant movie studio will reap the benefits. It’s easy to think – and very pragmatic to do so – that they have hundreds of millions of dollars to sink into the Harry Potter franchise, and then they have hundreds of million dollars to extract from the Harry Potter franchise, and they can’t fork over a measly two million for this little passion project? That’s not necessarily a cynical, misguided outlook. But it also doesn’t paint an accurate picture.
Pi(zza) Power!
Pi Day is here again, and we’re going it commemorate the way we always do, not by acknowledging that π is perhaps the most important mathematical constant, but by celebrating the only Pi more important than 3.1415, that being, of course, the pizza pie. And who are the only people who love a good pizza pie more than we do? No one. No one does. But who loves a good pizza pie as much as we do? The Teenage Mutant Ninja Turtles. Duh! Whether in animated form or pixellated or live-action or live in concert, there’s no questioning the young amphibian fighters zeal for pizza (there is, however, some question about their topping choices). If only eating that much pizza would give us super strength and agility, instead of just making us sleepy and languid.
Let’s just hope that Michael Bay gets the pizza right in the upcoming TMNT reboot. Completely abandoning their original origin and turning them into aliens (and contradicting their very name) is one thing, failing to honor their insatiable love of pizza is a whole ‘nother. That’s heresy.
Happy Pi Day!
Filed under Comic Book Guy, Geekery, Lady Holiday, Nostalgia Corner
Jumped The Snark 