Tag Archives: Married with Children

15 Spin-Offs That Never Existed That Were Cancelled Too Soon

Coach Ioki

Last month we took a look at 15 shows that never existed that were cancelled too soon, and with today’s news that a Married With…Children spin-off focusing on Grandmaster B Bud Bundy is a (germ of an idea of a plea of a) reality, it seems right to shift perspective and now look at some forgotten spin-offs from television history. There are some dramas, some comedies, some animated series; some won several awards, some were roundly ignored; some were praised by critics, and some just adored by fans. But these spin-offs all have one thing in common: they never got the chance they deserved (because they never existed).

Ioki’s Place (FOX, 1990): After misfiring with Booker Fox attempted another 21 Jump Street spin-off, this time with Sergeant Harry Truman Ioki leaving the force to open a neighborhood bar and banh mi shop. But Ioki gets more than he bargains for when his father/head chef (the legendary Pat Morita) can’t help but meddle with his leadership style, and sparks begin to fly with his new manager, Samantha (Ellen DeGeneres). Most notable for featuring a pre-teen Seth Rogen as neighborhood kid and prankster Billy Goldstein. Peter DeLuise appears uncredited in every episode.

AIDS (TNBC, 1992-1993): An obvious ploy to capitalize on the success of Saved by the Bell, AIDS focused on a group of hall monitors and office assistants at Manhattan Beach Preparatory High School. Despite much fanfare, a plum time-slot, a young Michelle Rodriguez and a sweeps week visit from Screech and Mr. Belding, the show inexplicably failed to catch on with viewers and was soon replaced by a second helping of California Dreams. 

Knight Rider Knights (Syndicated, 1986-1987): When Glen A. Larson and NBC agreed that 44 minutes of David Hasselhoff per week was not sufficient, they expanded the franchise with this short-lived look at how Michael Knight and his sentient car-best friend KITT spend their nights when they’re not fighting crime and chasing bad guys. Loosely based on the provocative 1980 Al Pacino thriller Cruising, the majority of episodes featured Knight and KITT hopping from drive-in movie theaters to Dairy Queens to mall parking lots to drug-fueled sex parties. The rambling, ramshackle nature of the show – there was clearly no script and some scenes were obviously just Hasselhoff’s home movies shot on a cheap VHS camera – quickly turned off loyal fans of the brand, and even a cross-over event with the original series, dubbed “The KITT Stays in the Picture” failed to bring viewers back. Delved into the supernatural towards the end of its run, and most remembered for the penultimate episode in which a jealous Wiccan transforms KITT into a 60-year-old man, portrayed by KITT voice William Daniels, sporting the same wardrobe and mannerisms he’d later incorporate into his iconic role of Mr. Feeny. Not to be confused with the animated series Knight Rider Knights (1988), in which a lightning storm sends KITT back in time to Camelot where he serves in King Arthur’s Court, or Team Knight Rider (1997-1998), which was a real show.

The Urkels (ABC, 1993): With the white-hot heat emanating from Family Matters resident nerd-in-love Steve Urkel, ABC quickly green-lit this spin-off – a drama focused on Steve’s parents and his autistic brother Stewart – for the fall ’93 slate. Unfortunately, even with an advantageous TGIF slot following Full House and a gushing review from Entertainment Weekly‘s Ken Tucker, the series struggled in the ratings and ended with an unresolved cliff-hanger in which Mrs. Urkel (Wanda Sykes) files for divorce. Young son Stewart was initially played by an aging Emmanuel Lewis, but was replaced with Wild & Crazy Kids‘ Omar Gooding after the pilot.

The Cosby Mysteries: Sex Files (NBC, 1996): An ill-advised attempt by Bill Cosby and then-NBC head of programming Warren Littlefield to revive the Cosby Mysteries, this time moving away from the wholesome, family-friendly storylines of the original series towards the more graphic and explicit fare that has become the hallmark of NBC’s later primetime hit Law & Order: SVU. The six produced episodes were never aired and quickly destroyed, and all cast and crew involved were paid off to never talk about it.

Mail Bonding (NBC, 1989): Quietly falling between The Tortellis and Frasier, this short-lived and quickly forgotten Cheers spin-off swapped out the bar for the post office. Unfortunately, Cheers producers Glen & Les Charles forgot to bring over the sharp wit and clever writing of its progenitor, and the talented cast – which featured Gordon Jump, Brian-Doyle Murray, Ellen DeGeneres, former NFL great Bubba Smith, a young Marc Maron and Tom Bosley as Postmaster General Charlie O’Flaherty – never quite found the chemistry that was the trademark of Sam, Norm, Woody and the gang. By the time Cliff Clavin stopped by the Beacon Hill Post Office in episode nine, the bad news of cancellation had already been delivered.

Designing Men (CBS, 1991-1992): After leaving Sugarbaker Designs, Anthony Bouvier (the late Meshach Taylor), heads to New York to open up his own interior design firm and get a taste of the big city. Partnering with his former prison cellmate, Fuzzy Mendez (Luis Guzman), and moving in with old college friends Eli and Paris (David Paymer and Harvey Firestein), Anthony is ready to bring a little southern peach to the Big Apple. The series’ final episode, “Bullies Over Broadway” was heralded for its brave depiction of ageism in theatre, winning an AARP award and snaring Firestein a BAFTA nomination for his performance. Despite lasting only one season, the show was a phenomenon in Germany, where it was titled Girly Männer and can still be found in reruns on the country’s RTL II network.

Private Boner (ABC, 1990): After a vocal (and sometimes openly hostile) write-in campaign persuaded ABC brass to bring back Growing Pains‘ Richard “Boner” Stabone (the late Andrew Koenig), this short-lived midseason replacement found Mike Seaver’s best buddy on the ground in Kuwait, trying to mine laughs from minefields. Hoping to combine the pedantic and sanctimonious tone of Growing Pains with the poignant authenticity of M*A*S*H, the series was, ironically, preempted for a special report on Operation Desert Shield and never returned to air. A later effort to return Boner to Growing Pains was, in fact, aborted by the now Born-Again Kirk Cameron, who objected to Koenig’s staunch belief in the right to choose.

MonsterMASH (CBS, 1987): A poorly conceived collaboration between M*A*S*H creator Larry Gelbhart and the Brady Bunch’s Sherwood Schwartz, this variety show was the first (and only) program to blend elements of comedy, drama, musical numbers, and the Korean War. Adam Arkin stepped into Alan Alda’s boots as Hawkeye Pierce, reimagined now as an exceedingly neurotic and easily frightened Brooklyn Jew, and Jamie Farr reprised his role as cross-dresser Max Klinger. The pilot aired as a Halloween special, but, like many pilots in Korea, it crashed and burned, as some viewers were offended by the portrayal of Koreans as werewolves, vampires, Yetis, Frankensteins and other figures of the occult. Airing up against ABC’s Mr. Belvedere, the series never really had a shot, and was DOA.

Just Close Enough for Comfort (Syndicated, 1987): After retooling Too Close for Comfort into The Ted Knight Show to middling returns, executive producer Earl Barret decided to take the opposite tack, dropping the show’s star, the eponymous Knight, and bringing back original cast members Deborah Van Valkenburgh, Lydia Cornell, and Audrey Meadows, along with new additions Robert Hegyes, Anson Williams and third Quaid brother, Barry (in his only credited role). The series picks up with Knight’s character Henry Rush inexplicably absent and shifts the focus to Jim J. Bullock’s Monroe Ficus, whose opens a handmade sofa and loveseat gallery to immediate success (later episodes would reveal that Rush left Marin County to pursue his dream of writing political cartoons for The New York Post). Early reviews were not kind, noting, accurately, that “nothing ever really happens in this show,” “the characters just basically get along really well and pay each other compliments. I counted seventeen hugs in the first episode alone, which I guess is fine, but super, super boring,” and “one episode is devoted entirely to the characters offering excessive praise of Ficus’ new chaise lounge. Granted, it was a very nice lounge, but the whole 22-minutes were completely devoid of any conflict – or charm – whatsoever.”  Said chaise lounge is now on display at the Paley Center for Media (Los Angeles).

Mona’s Place (ABC, 1992-1993): When Angela Bower sells her Connecticut home to move to Manhattan with new husband Tony Miceli, her vivacious and hyper-sexually-active mother Mona stays behind in the guest-house and proves that 70 is the new 20. Originally titled The Cougar Den, this Who’s the Boss? spin-off failed to appeal to young TGIF viewers, but was applauded for its frank discussions of sex, ageism and menopause. Despite lasting just thirteen episodes, Katherine Helmond earned a Nickelodeon’s Kids Choice award for her performance in “A Round of Appalled” in which she learns she has contracted the Clap, an episode that continues to be shown in many high school Health Education classes today. An interesting footnote: following cancellation, Mona’s bedroom/sex den was repurposed into Cory and Eric Matthews’ room on Boy Meets World, which debuted the following fall.

Saved by the Bell: The Early Years (TNBC, 1994-1995): Ever wonder what Bayside High was like when sixteen-year-old Richie “the Big Bopper” Belding was spinning records for KKTY? Neither did anyone else.

Just the Nine of Us (ABC, 1991): In a last-ditch effort to capture viewers, Just the Ten of Us producers Guntzelman-Sullivan-Marshall retooled the series as a season-long kidnapping mystery. Unfortunately, due to abysmal ratings, production was quickly halted and we never learned which of the Lubbock children had been abducted. Series star Bill Kirchenbauer later called it “the single worst professional experience of my life. No one knew why we were there and all of our lawyers were combing through our contracts desperately trying to find a way out. To say that cancellation came as sweet relief is a massive understatement.” An extremely short blooper reel can be found on the Growing Pains Season 7 DVD.

UnsDuck in Time: The Lost Tales of Launchpad McQuack (Syndicated, 1993-1994): Unlicensed and dangerously incompetent pilot Launchpad McQuack, second banana to Scrooge McDuck and sidekick to Darkwing Duck, finally takes center stage in this rare collaboration between Disney Television Animation and the Children’s Television Workshop. Thanks to a temperamental and possibly demonic time machine invented by Gyro Gearloose, McQuack is sent backwards through the ages to important events in history, from the Revolutionary War to the JFK Assassination. Designed as way to teach children about world history while keeping them entertained, the program failed at both aims, and ended with a controversial finale in which a Launchpad McQuack from the year 2020 is sent back from the future to kill his present day self in order to prevent a nuclear holocaust. That finale, ironically, netted the show its largest audience by a wide-margin, but talks to revive the series were abandoned following the runaway success of the newest Disney Afternoon sensation Bonkers, as well as the rampant drug use by the show’s animators. However, the story did continue in a spin-off comic book series published by Malibu Comics, which ran for seven years, and featured the writing debut of future Spider-Man scribe and Eisner Award winner Brian Michael Bendis.

Heidi’s Head (FOX, 1992): Encouraged by the mild success of Herman’s Head, FOX executives fast-tracked this spin-off that followed the same blueprint. Joan Cusack starred as the titular Heidi, an aspiring designer at a hip fashion label, with Soliel Moon Frye representing her sensitivity, Sandra Berhardt her lust, a young Jeremy Piven standing in as her anxiety and Robert Guillaume as her intellect, with occasional appearances from Marsha Warfield as Anger. A back-door pilot in which Herman’s Head star William Ragsdale sleeps with Heidi (after Hank Azaria’s womanizing scoundrel Jay drugs her at bar) was shelved in favor of a Married with Children clip-show. Was later ripped off by Pixar.

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Filed under Feeny, Lists, Mickey Mouse Club, Must Flee TV, Saved by the Bell, TGIF, Who's the Boss?

‘Survivor: Caramoan’ – Brodeo Clowns

Survivor Caramoan Team BroOn Survivor, such as in life, if you don’t learn from the past then you’re doomed to repeat it. We see this time and time again, as if to illustrate to young, aspiring players what not to do, teaching us lessons while we watch from our couches. Don’t get involved romantically, don’t go home with an Idol in your pocket, don’t throw challenges. Watch, observe, absorb, and if something doesn’t work, don’t try it again. However, while the power of history is strong, it is no match for hubris; it cannot outlast, outwit, or outplay the person who believes that they can go right where others have gone wrong.

Last week on Survivor: Caramoan – Fans vs. Favorites 2 Legit 2 Quit, Corinne believed that she could turn the game on its head, upend her alliance and install herself as new Queen of the island. But, even with the numbers already in hand, she got too confident, too sure, and talked too much. She flew too close to the sun and not only were her wings burned, so was her blue bikini. She had the opportunity to make a gigantic move, but overreached, talked to Dawn, and became the author of her own demise. Hopefully, one would think, that the other players would take notice and not commit the same mistakes. However, this is Survivor. History repeats itself. But, thankfully, in oh so different and mind-blowing ways.

Continue: Bro down or bro, down?

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Filed under Analysis, Century 21 Reality, Comic Book Guy, Tribal Council

‘Survivor Caramoan – Fans vs. Favorites 2 Legit 2 Quit’ – Celebrity Doppelgängers and (Remaining) Player-by-Player Odds

Well, this was a long time coming, but now that we’ve reached the all-important game-changing merge and oxygen-sucking loudmouths Shamar and Brandon are gone, it seems like a good time – perhaps the only time – to deliver our Survivor: Caramoan – Fans vs. Favorites 2 Legit 2 Quit celebrity look-alikes and player odds (for those Survivors still in the game). Let’s do this a little differently this time around and look at the Favorites then the Fans. We’d tell you to buckle up, but that seems really unnecessary considering you’re probably just sitting on a couch or at a desk or maybe on the subway, and even then it’s the movement of the train and not the content of this article that is most likely to create some turbulence.

FAVORITES

Andrea-Tara Reid

Andrea: If we want to talk about people who really learned from Boston Rob (as opposed to Former Federal Agent(?) Fillip), then Andrea might be the one in that discussion. Her acuity for the game is what hurt her last time – and her infatuation with Matt – as Boston Rob respected her ability and intelligence but more importantly recognized her as a threat. There’s no one as cunning as Boston Rob on Caramoan, so Andrea has a shot to put it all together this time, especially now that she’s made the merge with the new powerhouse Goya tribe. However, there’s something in those smokey eyes that tells us that she’s going to play the game a little too hard and a little too paranoid, and that will be her downfall (much like Tara Reid experienced a similar fall. But that was due to the shots of Patrón and required several stitches). 11:1

The rest!

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Leaving Through the Backdoor

Backdoor pilots have always been a  common way to launch new television series. Sometimes they work, most of the time they don’t. Which was the case with The Farm, NBC’s failed attempt to spin-off The Office into a new Dwight-centric, cubicle-free series (they might have been better served spinning-off The Office’s faux-documentary style, as they did with Parks and Recreation to phenomenal results). In honor of The Farm’s brief existence airing as a regular Office episode last nightwe thought we’d take a minute to acknowledge our favorite backdoor pilot, Top of the Heap, which aired during Married with Children’s fifth season and starred a young, pre-Joey Matt LeBlanc (and, of course, the immortal Joseph Bologna). However, unlike The Farm, Top of the Heap was actually picked up, but only for a very brief, six-episode season. A failure still, but a more modest one.

RIP
The Farm
2013-2013
Gone, But Soon Forgotten

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Groaning Pains: Matthew Perry Goes On to a Better Place; Or How We Learned About Drunk Driving

With the proper premiere of Go On this week and its promising ratings, it seemed like the appropriate time to revisit our Groaning Pains series, specifically Go On star Matthew Perry’s short stint as Carol’s ill-fated boyfriend, Sandy. In other words, it’s time to discuss how we learned about drunk driving (and that a guy could be named “Sandy”).

When Friends premiered back in 1994 we may have been the only eleven-year-old in the country who thought to himself “there’s the guy who was in the Married with Children backdoor pilot and there’s the guy who was Carol’s boyfriend on Growing Pains that died from drinking and driving.” The former is Matt LeBlanc, whose Married With Children character Vinnie Verducci – Joey Tribbiani’s spiritual predecessor – was spun off with his father Charlie  (the immortal Joseph Bolonga) into the very short-lived series Top of the Heapand the latter is, of course, Matthew Perry. For years, Matthew Perry stuck in our mind because of his role on Growing Pains – 1) because his arc ended so tragically, and 2) because we never could quite wrap our heads around the fact he was named Sandy – and it would take a little while for us before we thought of Perry as Chandler Bing and not as Carol Seaver’s love lost, a cautionary tale.

Go on

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Groaning Pains: The Time that Mike Seaver Said He Had a Black Friend

Today we continue our look at some of Growing Pains more memorable – or notorious – moments, especially those bits of dialogue or storylines that surprised (or mildly stunned) us when we rewatched the show as an adult.

One of the episodes of Growing Pains that we remember most from our youth, one that stuck with us all throughout childhood and beyond, is Season One’s “Reputation.”  In this episode Mike Seaver* prepares, fully intends, to cheat on his Civil War exam in Mr. Dewitt‘s history class, writing key dates, names and locations on the soles of his largest pair of sneakers.  But a funny thing happened on the way to the test: he actually learned the answers, and when the time came he didn’t need to take a peek at the bottom of his Reeboks.  He absorbed and retained that information, and in much the same way we absorbed and retained this episode.  It was because of this episode that we’ve known for as long as we can recall that Abraham Lincoln was the 16th President of the United States, and Andrew Johnson took over after Lincoln was assassinated in 1865.  Yes, we’ve always had an aptitude for history, but we feel entirely comfortable crediting Growing Pains with teaching us about this specific and significant event in US history.  And in addition to the lesson this episode provided, we also vividly recalled Mike Seaver’s stirring, high-pitched, plea of innocence to his parents – “I did not cheat!” and Jason Seaver’s surprising but unwavering belief in his son’s word.  If we didn’t already have a father who loved and trusted us, we would have desperately wanted Jason Seaver to serve that role.  And even though we weren’t in the market for a replacement parent, we never forgot or stopped admiring Jason’s unconditional love.

But despite having such a strong connection to this episode, something did take us quite aback when we years later watched the episode on DVD, Mike’s explanation to Ben about the crib-sheet sneakers.

We’re not sure what’s more hard to believe, that they so casually equated a black guy with the basketball team, or that there would actually be a black student in their white, upper-middle class, Long Island suburban paradise (a neighborhood not unlike the one we grew up in).  We’re racking our brains trying to come up with a single black character on the show, and we’re coming up empty (Apparently Growing Pains was the Girls of its day).  But it is the first reaction – the flippant political incorrectness – that really struck us.  We could envision a line like that a few years later on a more provocative show like Married with Children, but it’s not like Growing Pains was ever considered edgy.  But, then again, the TV landscape has changed, and while you can say, do and show more now, you can also say, do and show less.  As the limits of sex and violence and vulgarity have expanded over the last twenty-five years, you can make the argument that the levels of political correctness and racial sensitivity have conversely, almost paradoxically, expanded in kind.  Appomattox Court House, captain of the Dewey High School basketball team, is a perfect example of this.

*We’ve been talking about the New York Mets a lot lately, so it’s worth noting here that the Seavers were named in honor of Baseball Hall of Famer Tom Seaver, who just this past Sunday was named to the Mets All-Time Team as right-handed starting pitcher.  Also named to the team as the all-time lefty starter was Jerry Koosman, which not coincidentally is the surname of the Seaver’s next-door neighbors.

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Filed under Growing Pains, Local Flavor, Makes You Think, Matt Christopher Books

In Memoriam: Stephen J. Cannell

Fuck. That’s about all we can say about this one.

Back in the late 80s, pre-Simpsons, there were exactly two shows on FoxMarried with Children and 21 Jump Street.  The latter was brought to us by the legendary Stephen J. Cannell.  We were too young at the time to fully appreciate his already cemented TV legacy – creator of The Rockford Files, The A-Team, Greatest American Hero, Baretta, among others – but we knew that we loved his undercover cop drama, and we also grew to recognize the Stephen J. Cannell Productions logo at the end  of his shows as a symbol of quality programming.  In the 80s it ran neck-a-neck with “Sit, Ubu, sit,” for foremost production company tag, but we always found Cannell’s footnote to be the gold standard, a warm, fuzzy blanket, a comforting old friend.  And when we heard that crescendo and saw the typewriter paper flying at the conclusion of later favorites like The Commish and Silk Stalkings, we knew we were in the capable hands of one of the all-time masters, a TV titan.

We’ll leave the in-depth retrospectives and the analysis of his influence on current television to the real critics, those who have a better appreciation for the breadth of his career.  So we’ll just say thanks for the great stories and compelling characters, and we’ll always yearn to see you at your typewriter, finishing a script with a flourish.

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Filed under In Memoriam, Jump Streets Ahead, Nostalgia Corner