Fuck. That’s about all we can say about this one.
Back in the late 80s, pre-Simpsons, there were exactly two shows on Fox: Married with Children and 21 Jump Street. The latter was brought to us by the legendary Stephen J. Cannell. We were too young at the time to fully appreciate his already cemented TV legacy – creator of The Rockford Files, The A-Team, Greatest American Hero, Baretta, among others – but we knew that we loved his undercover cop drama, and we also grew to recognize the Stephen J. Cannell Productions logo at the end of his shows as a symbol of quality programming. In the 80s it ran neck-a-neck with “Sit, Ubu, sit,” for foremost production company tag, but we always found Cannell’s footnote to be the gold standard, a warm, fuzzy blanket, a comforting old friend. And when we heard that crescendo and saw the typewriter paper flying at the conclusion of later favorites like The Commish and Silk Stalkings, we knew we were in the capable hands of one of the all-time masters, a TV titan.
We’ll leave the in-depth retrospectives and the analysis of his influence on current television to the real critics, those who have a better appreciation for the breadth of his career. So we’ll just say thanks for the great stories and compelling characters, and we’ll always yearn to see you at your typewriter, finishing a script with a flourish.