Tag Archives: Amy Poehler

Last Night on Late Night Was the Intersection of the Venn Diagram of the Things I Love (And One Thing I Hate)

*Editor’s note: Jumped The Snark has been and will be busy for the immediate future on another somewhat related but also not really project, and thus updates may be few and far between for the next two months.  We’re going to do our best to keep up regular posts, but they may be of the very brief variety.  That is all.

Jimmy Fallon.  Parks & Recreation.  Rashida Jones.  Fred Armisen.  Weekend Update.  A.D. Miles.  Dee Snider.  Last night was a convergence of all of those things on Late Night.

Fallon proves once again that his show is the place to turn for pitch-perfect parodies (see: “Real Housewives of Late Night,” “Late“), and this time the team turns its scalpels towards the unfortunate phenomenon that is Glee.  And not only does their version, “6-Bee,” capture the exact tone and rhythm (and hokeyness) of the show, it pits the Late Night glee club against the Parks & Rec squad, treating us to Amy Poehler, Chris Pratt, Jerry and Jumped the Snark long time favorite Rashida Jones (but wherefore art thou, Asiz Ansari?), as well as an appearance from another longtime favorite, Fred Armisen.  And it all culminates in a truly impressive take on Twister Sister’s classic anthem of rebellion “We’re Not Gonna Take It.”

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(You may have figured out that the one thing I hate, as mentioned in the title, is Glee (the show, and by extension its cultural resonance).  A long time ago I intended to write a long blog post explaining why its characters are just caricatures, the tone muddled, the perspective confused, and that while I’m happy for Jane Lynch, her role in Party Down trumps her one-note performance as Sue Sylvester.  And this thoroughly enjoying Late Night interpretation shows that without the dramatic musical sequences Glee would just be a cut-rate Degrassi.  There, I finally said it).

And if that all wasn’t enough, later in the show we were treated to a charades battle of the former “Weekend Update” co-anchors, with Fallon and guest Tina Fey taking on Poehler (clearly pregnant by the way) and her old partner and current solo host Seth Meyers.

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And to top it off, arch-nemesis and top search term Justin Bieber!

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Keep up the good work, Jamie!

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Filed under Good Humor, Saturday Night Live, Talkies

Something Funny Happened on the Way to Five Thursday’s Ago

(This a post I intended to compose a month ago, but then the holidays hit, and then the Thursday night comedies went on winter vacation so there was no real rush to write this.  But with the comedy block returning tonight, save for The Office, this seemed like the right time to finally record these thoughts).

One month ago, on December 10, before the Jaypocalypse, NBC’s Thursday night comedies aired their Christmas themed episodes.  And something funny happened:  The Office, well, wasn’t.  At least it was very clearly the weak link in what was otherwise a very strong night of comedy.  30 Rock continued to be the joke-for-joke best show on television, Parks and Rec extended what has been a breakout second season, and Community turned in what might have been its best episode yet.  And The Office?  By far it’s weakest Christmas episode to date.  Sure, it had a lot of live up to – Christmas Party, Benihana Christmas – but it didn’t even equal last season’s Moroccan Christmas, which itself was rather a disappointment. And against the other comedies that night, it just didn’t measure up.  Something seemed off.

Now, I’m not out on the ledge yet.  But it’s certainly concerning.

Keep reading: Do they know it’s Christmas time at all? Plus Anthony Michael Hall and Julianne Moore!

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Filed under Analysis, Bad Humor, Dunder Mifflin, this is Pam, Good Humor, Must See TV

(Belated) Top 10 ‘SNL’ of the Decade

It was an up and down decade for Saturday Night Live, but then again it’s been an up and down 34 years for Saturday Night Live.  The show started gangbusters in 2000, taking advantage of the 2000 election and perhaps becoming more relevant than it had at any point during the previous decade (media and communication majors and political scientists will be analyzing SNL‘s Gore-Bush debates for years to come, studying how the show interpreted the real events and how the sketches then in turn affected the election).   Then the show kind of treaded water until the 2004 election when it once again made the best of the political fodder, although with the relatively benign John Kerry as a central character the political satire was not as entertaining or as incisive as 2000.  But With a mostly new cast then the beginning of the decade the show returned to prominence in 2008, most notably mining the comedy goldmine that was the renegade Sarah Palin.  However, although SNL’s strongest seasons were during the election years, the best sketches were scattered throughout the aughts, with a fair share of political material, but also crazy characters, inventive monologues, traditional bits and the now ubiquitous Digital Shorts.  Here, in a particular but not necessarily meaningful order is a very subjective list of the top ten (and then some) Saturday Night Live sketches of the decade that was.*

1. Carpool

I wasn’t blogging when this Alec Baldwin episode aired in early 2006, but if I was I would have no doubt touted it as the best show in years, and I would have been in good company. It stood out as the most buzzworthy episode since the 2004 election, and its success was due in large part to Baldwin, who excelled in sketches like a new “The Tony Bennet Show,” “Platinum Lounge” (with Steve Martin) and a Valtrex commercial parody.  But the stand out sketch, for us, was “Carpool,” a duet with Kristen Wiig.  Sharing a ride to work seemed like a good idea, until each person continuously and unwittingly brings up a painful wound from the other’s past.  Simply, any sketch that can truly sell the line “Bobby McFerrin raped my grandmother,” deserves placement on a “best of” list.  It’s the best sketch in what might have been the best episode of the decade, and perhaps the premier episode among Baldwin’s 14 turns as host  (I guess because this sketch includes a brief cameo from a  Celine Dion tune it’s prohibited from being posted on Hulu.  Luckily, some random Russian site saved the day and has no such qualms about hosting a video that includes unlicensed music from the French-Canadian ice queen).

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See the rest of the list. Did your favorites make it???…

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In Defense Of: Jimmy Fallon

I was planning to write this post a couple weeks ago, before the tornado of Leno-Conan-Local Affiliates-gate threw the entire late night landscape into a tumult (and what of George Lopez?), but this takes on even greater significance now.  At this very moment, with the future of NBC’s late night schedule hanging in the balance, possibly the future of television as we know it, possibly the future of the world, someone has to step up and say it:

Jimmy Fallon has been doing a pretty okay job.

And it would be a shame if NBC’s disregard for their local affiliates followed by their overwhelming compassion for their local affiliates affected Fallon’s momentum.

Now Fallon has gone on record as saying he doesn’t mind if he’s shifted back a half hour, since most of his viewers watch the show on DVR or online, and I believe him.  He seems to so genuinely enjoy hosting the show that he probably would do it at 1am or 3am or 3pm (of course, it’ll still be taped in the late afternoon so it’s not like it’ll make any real difference for his schedule).  But if Jimmy won’t say it, I will.  We’ve asserted many times here that Jimmy got off to a rough start.  That’s well documented and it’s no secret.  And while he’s still a work in progress behind the interview desk, he’s excelling in just about every other area.  And, well, that should be acknowledged.

Keep Reading: Examples! Charades! Joy Behar! Drag! Sweaters! Arli$$

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Filed under Good Humor, In defense of:, Muppets, Saturday Night Live, Saved by the Bell, Talkies

Taylor Swift on ‘SNL’: ‘Kanye West is Not Here.’ No?? Not Even Mike Myers?!

Taylor SwiftTaylor Swift returned to SNL this past weekend, this time as both host and musical guest, after appearing as just the latter on a Neil Patrick Harris hosted episode this past January (in which she also played Annie in the funny and topical Save Broadway sketch).  And, if you can possibly believe it, they only made one reference to the Kanye West incident, just a brief “Kanye West is not here,” at the end of Swift’s monologue (while we’re on the subject of Kanyegate, please, please, take this opportunity to view Justin Bieber’s defense of Swift on the VMAs.  If you’ve watched it before watch it again, and if you haven’t then you have my permission to watch it now and return here after).  To be honest, I was a little disappointed they didn’t mine the controversy.  Sure it would have been obvious, but that’s to be expected.  No Kanye cameo?  No Kanye impression (by Fred Armisen?)?  Not even Bobby Moynihan storming the stage to let Taylor Swift know that her monologue is good but Megan Fox’s was the best of all time (followed by Moynihan dropping the mic, of course)?  At the very least I expected an appearance from Mike Myers, himself the victim of a famed Kanyebomb.  Perhaps they could have all met backstage.

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But no, there were none of these things.  What we were given instead was a fairly decent episode with an average but enthusiastic host.

Jason Sudekis provides the best moment of the season thus far

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Parks and Recreation: Another Look

KnopeLike many of you, I was both skeptical and curious when Parks and Recreation premiered last spring.  From the minds behind The Office, and at one time referred to as the Office spin-off, the pressure was immense, as would be the scrutiny.   Could producers Greg Daniels and Michael Shur strike gold twice?  Could they take the same faux-documentary format, change the setting to local government instead of a paper factory, insert Amy Poehler for Steve Carell and have the same success?  Even if it was funny, would it still just be an Office knock off?

I watched the first episode (well, to be totally honest, half-watched on Hulu while folding laundry) and found that it was only sorta funny and announced many comparisons to its predecessor, match-ups that it surely lost.  So it was a good effort, not great, but I knew that as long as it would be seen as the step-sister to The Office it wouldn’t fare favorably.

After the premiere I became preoccupied with preparing for my move out west, and didn’t catch the subsequent episodes.  When I arrived in LA I found that my new roommate had recorded the finale for me, thinking that I would want to see it (what a sweetheart).  Well, I didn’t want to watch it without seeing the previous episodes, so I let it languish on the DVR, hoping/expecting that NBC would rerun episodes 2-5 during the dog days of summer.  And one day I turned on the TV and there it was, episode 2, “Canvassing.”  And a funny thing happened.  It was funny.  Not just amusing like the pilot, but actually funny.

Viewings of the following episodes confirmed this feeling, the show continued to improve and my affection towards it grew.  It found a better rhythm; the whole cast was more involved; Amy Poehler’s Leslie Knope began to feel like a real character with Michael Scott potential; Aziz Ansari was consistently hilarious as the cunning Tom Haverford; and Paul Schneider brought the charm he flashed in David Gordon Green’s All the Real Girls, but now as a fully grown man, the sanity inside Pawnee Parks and Recreation Department.

And I thought to myself if only it wasn’t compared to The Office then people would see that it’s actually worth watching.

But then I changed my mind.  I belive that Parks and Rec actually might fare better when viewed through the prism of The Office.

When we think of The Office now usually forget that it struggled through six middling episodes as a mid-season replacement in the Spring of 2005, and it wasn’t until midway through the second season when it really found its stride and started hooking viewers.  So with that in mind, isn’t it only fair to give Parks and Recreation the benefit of the doubt?  It has a brilliant actor playing well meaning but flawed leader, surrounded by a talented cast.  And like The Office, it has a romance.  The inter-office sparks between Poehler’s Knope and Schneider’s Mark Brendanawicz might not have the same weight or emotion of Pam and Jim,  but it has its unique charms, and should ground the show as it progresses in season two.

However, there are some things the show needs to do to keep it on an upward trajectory, and to eventually escape from the shadow of Dunder-Mifflin:

1. Like Michael Scott, in the end Leslie Knope needs to maintain believability.  She can say and do dumb things, but ultimately there has to be a reason for her to be in the position she’s in, and we have to be able to get behind her.  Michael Scott is an oblivious, tasteless buffoon, but he’s proven time and again to actually be an effective salesman, and this allows us to accept his flaws.  So every once in a while Leslie needs to win one.

2. Continue to develop the supporting cast.  In The Office‘s second season the scope expanded past Michael, Dwight, Jim and Pam to include the colorful characters around the company.  In its brief run Parks and Recreation has already began to do this, but they need to stay on the path.

3. Perhaps most importantly, figure out what to do with Rashida Jones.  Jones is a beautiful actress and a wonderful comedian (and daughter to Quincy Jones.  Just needed to say it.), and as The Office‘s Karen Filippelli she proved that she can create a compelling, rich character (she somehow managed to take a person whom we should have hated, Pam’s replacement, and made her likable.  No easy feat).  But so far on Parks and Rec, as nurse Ann Perkins, I feel like she’s been somewhat wasted as Knope’s sidekick and straight man, as well as stuck in a hard to swallow relationship with her crippled, lay-about boyfriend (Chris Pratt).  In last season’s finale it seemed like Ann would be making some changes, and for the show’s sake I hope this means that Jones will be given better material with which to demonstrate her considerable talents in the upcoming season.

Parks and Recreation isn’t The Office yet, not by a long shot.  But it shows promise.  And I think it deserves a chance, just like the one we gave its forefather.  And then, who knows, maybe in a few years we’ll be talking about a Parks and Recreation spin-off (later changed to a faux-documentary set in a Teacher’s Lounge).

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And check out TV Gal’s similar take on the show (just below her Bones preview).

Oh, and Parks and Recreation returns tonight at 8:30pm, just after the season premiere of Weekend Update Thursdays (featuring the (temporary) return of, yes, Amy Poehler).



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Whew. Crisis Averted. Kristen Wiig Not Joining Weekend Update

I was just about to write a post expressing my disappointment with the news/rumors that Kristen Wiig would be taking Amy Poehler’s place at the Weekend Update desk alongside Seth Meyers.  To me, that’s a mistake.  The idea is to alleviate Wiig’s workload, not increase it.  And it doesn’t make sense to award her the anchor job at the expense of her presence in sketches, which would have surely suffered given the time commitment needed for Update.  Even though they definitely need to pepper the sketches with the new female cast members the show still requires healthy dose of Wiig, just not record setting levels.  Which is why I was happy to hear that the rumor was debunked.

However, in addition to not joining Update, they should also cut back on Wiig’s appearances on Update segments, like her frequent turns as travel writer Judy Grimes and film critic Aunt Linda.  The bits are amusing, but too similar to some of her other characters (although her personification of Barbie was inspired).Vodpod videos no longer available.

The Weekend Update guest segments have traditionally been a place where those cast members who don’t get much attention in the regular sketches can present their own material and grab some airtime, which is why you so often saw Tracey Morgan and Colin Quinn visiting the desk, and even Adam Sandler and his song stylings before that.  So this season they should cede Kristen Wiig’s spots on Update to others in the cast, specifically the trio of young ladies who will be defining their role in the show.

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But what of the vacant Update chair?  Should someone besides Wiig be the next chosen one?  Well, Amy Poehler is going to return for at least the first two episodes of Saturday Night Live Weekend Update Thursday (premiering September 17), so it would probably be foolish to install another anchor for the regular weekend Weekend edition at the same time.  But after that, who knows?  Many consider the Poehler-Tina Fey partnership the recent high point for Update, and certainly Poehler and Seth Meyers had its shining moments, but in his nights alone last season I think Meyers proved that he has the chops to handle the anchor duties solo, at least for the foreseeable future.  Let us not forget that the segment was hosted by a single anchor since its return in 1985 with Dennis Miller until Lorne Michaels paired Fey with Jimmy Fallon in 2000.  So let Meyers continue to do a fine job by himself, frequently invite on the new ladies, and maybe one of them will excel and join the pantheon of Weekend Update anchors.  However, if that doesn’t happen and we’re treated to Seth Meyers all by his lonesome every week I think we’ll be fine.  Really.

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Oh.  And one more recommendation.  More Nicolas Fehn.  Please.

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