With Parks and Recreation making its long, long-awaited return tonight, we thought it would be appropriate to take a look back at a post we wrote in September of 2009, just before the show returned for its sophomore season. Right now, in January of 2011, Parks and Recreation is widely recognized as one of the best, if not the best, comedies on television (which is why it was so excruciating when the series was pushed until mid-season to make room for the abominable Outsourced), but just about 17 months ago when it was coming off a lackluster, somewhat disappointing first season the story was much different. It’s developed into one of the most reliable, warmest, funniest shows on network TV or any other channel, and boasts perhaps the deepest ensemble cast, but back before its second season the jury was still out, and it was a show very much still finding its footing. But Jumped the Snark went ahead and asserted the potential of the show, watching the first season and finding much room for improvement but also much room for greatness. And we think its fair to say that both this blog and Parks and Recreation were vindicated.
In that post we outlined three areas where Parks and Rec most needed to progress to reach the quality of a show like The Office, its spiritual forefather (and not only has Parks and Rec equaled its progenitor, it’s now surpassed it. The student has become the teacher). Let’s take a look at those recommendations and how Parks and Rec took them into consideration.
See what we got right and they got wrong. Plus, our advice for Season 3!
Filed under Analysis, Best Show You're Not Watching, Flashback!, Good Humor, Greendale Human, Lists, Must See TV, Mustachio'd
Tagged as 30 Rock, Adam Scott, Amy Poehler, Andy, Ann, Annie, Aubrey Plaza, Aziz Ansari, Boy Meets World, Chris Pratt, community, Jack Donaghy, Jean-Ralphio, Jeff, Leslie Knope, Liz Lemon, Mark Brendanawicz, NBC, Nick Offerman, Outsourced, Parks and Recreation, Paul Schneider, Pawnee, Rashida Jones, Rob Lowe, Ron Swanson, Tom Haverford
30 Rock is a curious case. We’ve contended for years that it often is the funniest show on NBC Thursday nights. That is to say that it contains the most laughs per minute ratio (lpms) of the four programs. However, that has never necessarily been a compliment. In fact – and you might be smelling a “but” coming – that proclamation has frequently preceded our criticism of the show, or, more often, been the central tenet of our negative remarks. For much of the show’s six seasons it’s felt as if Tina Fey’s creation valued the laugh above all else, and sometimes praying at the altar of the almighty chuckle does not pay the dividends one expects.
Jumped The Snark 