Tag Archives: Saturday Night Live

(Belated) Top 10 ‘SNL’ of the Decade

It was an up and down decade for Saturday Night Live, but then again it’s been an up and down 34 years for Saturday Night Live.  The show started gangbusters in 2000, taking advantage of the 2000 election and perhaps becoming more relevant than it had at any point during the previous decade (media and communication majors and political scientists will be analyzing SNL‘s Gore-Bush debates for years to come, studying how the show interpreted the real events and how the sketches then in turn affected the election).   Then the show kind of treaded water until the 2004 election when it once again made the best of the political fodder, although with the relatively benign John Kerry as a central character the political satire was not as entertaining or as incisive as 2000.  But With a mostly new cast then the beginning of the decade the show returned to prominence in 2008, most notably mining the comedy goldmine that was the renegade Sarah Palin.  However, although SNL’s strongest seasons were during the election years, the best sketches were scattered throughout the aughts, with a fair share of political material, but also crazy characters, inventive monologues, traditional bits and the now ubiquitous Digital Shorts.  Here, in a particular but not necessarily meaningful order is a very subjective list of the top ten (and then some) Saturday Night Live sketches of the decade that was.*

1. Carpool

I wasn’t blogging when this Alec Baldwin episode aired in early 2006, but if I was I would have no doubt touted it as the best show in years, and I would have been in good company. It stood out as the most buzzworthy episode since the 2004 election, and its success was due in large part to Baldwin, who excelled in sketches like a new “The Tony Bennet Show,” “Platinum Lounge” (with Steve Martin) and a Valtrex commercial parody.  But the stand out sketch, for us, was “Carpool,” a duet with Kristen Wiig.  Sharing a ride to work seemed like a good idea, until each person continuously and unwittingly brings up a painful wound from the other’s past.  Simply, any sketch that can truly sell the line “Bobby McFerrin raped my grandmother,” deserves placement on a “best of” list.  It’s the best sketch in what might have been the best episode of the decade, and perhaps the premier episode among Baldwin’s 14 turns as host  (I guess because this sketch includes a brief cameo from a  Celine Dion tune it’s prohibited from being posted on Hulu.  Luckily, some random Russian site saved the day and has no such qualms about hosting a video that includes unlicensed music from the French-Canadian ice queen).

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See the rest of the list. Did your favorites make it???…

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Charles Barkley Hosts the Best ‘SNL’ of the Decade! No Foolin’!

Alright, that headline is an obvious and deliberately misleading statement, you got me.  However, even more than being technically correct, this weekend’s show actually earned the distinction.  I previously stated my disbelief over the choice of Barkley, NBA Hall of Famer, current commentator and compulsive gambler, as the first SNL host of the decade.  It not only seemed completely out of left field, but even if Barkley was relevant among SNL‘s core demographic, you’d think they would have still chosen someone hipper, funnier and actually from a performing background for the first show.  At least save Sir Charles for 2010 week 2.

But I was wrong.  What I failed to realize is that Barkley was likely to succeed precisely because of his limitations.  It’s the extreme version of Christopher Walken or John Malkvovich, where the fact that it’s the host in a specific role is more of the joke than the sketch itself.  And with Barkley being a good sport ex-athlete instead of an eccentric actor, the writing staff was able to even more successfully use Barkley’s personality and performing constraints to his advantage.  It’s like the Jets plotting a game plan whereby Mark Sanchez has to just manage the game, hand off the ball for the majority of the snaps and avoid turnovers (bet you didn’t see that sports analogy coming.  Well, some of us care about football 3 weeks out of the year.  Mostly for the nachos).  And this is different from writing for an actor who just isn’t particularly talented when it comes to comedy.  Despite her SNL showing, January Jones is still a better acting talent than Charles Barkley; it’s just that SNL could use Barkley’s weaknesses to its advantage.  With Jones they could only try to minimize the damage by having her look pretty and leave the funny to the cast.

All those platitudes aside, while it was a surprisingly good episode by SNL standards, it wasn’t wall-to-wall successful, and I’d still rather see a host earn the laughs with natural comic ability as opposed to lack of it.  However, Barkley really was impressive, and set the bar high for 2010 (tall guy joke!).

More: Highlights! Racism! Cake! Chopping Broccoli!

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Have We Entered The Age of Kenan?

We’ve talked about the groundswell of support that has erupted around Kenan Thompson for his work  on SNL this season, and that “What Up With That?” has perhaps become the premier recurring sketch of the season so far, and while we don’t quite buy into all the buzz, there’s no denying he’s having his best season yet.  With his stock at record levels, he was the subject of a profile over at NY Mag, ostensibly cementing this as his breakout season.  Apparently even Lorne Michaels agrees, remarking that “Kenan’s on fire this season.”  Makes sense that Lorne would have a spot for Thompson, because while Thompson has found his groove, there were many sketches in previous years in which Kenan seemed out-of-place, like the SNL intern, incongruous to the rest of the sketch.  Those moments usually resulted some in some of laughter too, but more because they were stilted Kenan Thompson cameos, and not organic comedy.  Now he’s truly enmeshed in the sketches and earning the laughs. Now while we  don’t necessarily agree with any Kenan Thompson “MVP” chants (our allegiance, obviously, belongs to Jason Sudeikis), we’re starting to forgive him for “Deep House Dish” (but there’s still a long way to go).

But let’s not focus on the present, or even the future.  Let’s look back at the past.

And while we’re in the wayback machine, here’s an interview with Thompson I conducted five years ago this month just prior to the release of Fat Albert, and when Thompson was just midway through his 2nd season on SNL.  Interestingly, when asked about SNL he says “Probably one of the most stressful situations I’ve ever seen in life. But it’s only going to last a couple more years and then after that you can do whatever.”  Well, he’s been on the show for six years now and as he’s just hitting his stride it’s probably going to be a few more before he can do “whatever.”  But after paying his dues all this time and likely growing a little wiser, one must wonder if he feels the same way now.  At the moment, something tells me he’s just enjoying it.  But, you know what, I’ll see if I can’t get a follow-up interview.

NY Mag: What Up With Him?

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SNL & James Franco Hit Christmas Break Early: You Can’t Squint Funny

It’s getting harder and harder to write these SNL commentaries; not because I don’t have anything to say, but because I’m afraid that I’m going to sound redundant, as it seems that I have the same reaction almost every week.  Occasionally there’s a funny, or at least a buzzworthy, sketch, or a Digital Short that goes viral, or a host that either succeeds beyond expectations or crashes spectacularly, but for the most part, week in and week out it’s becoming the same show.  Starting to feel like a broken record.

James Franco had a fairly successful debut as host last season (although I can only seem to remember the glossy Gossip Girl send-up “Murray Hill“), but in the period leading up to this weekend’s show (indeed since Franco was announced as the anchor in the Blake Lively-Taylor Lautner-James Franco hosting triumvirate) it seemed there was a feeling that Franco was going to be some sort of SNL savior, that he’s developed into a comedy wunderkind.  Now, his turn on General Hospital may be generating laughs, but it’s not necessarily comedy (in fact, if you listen to Franco, it’s “performance art“).  And the very reason he was hailed for his comedic performance in last year’s Pineapple Express and his subsequent SNL hosting gig was precisely because he was playing against type.  Before that time he was identified more with his previous characters: the quiet cool of James Dean, Freaks & Geeks sensitive bad boy Daniel Desario, and petulant, moody Spider-man friend turned enemy turn friend Harry Osborne.  Franco was so successful in Pineapple Express because it was somewhat unexpected.  However, now it seems that he’s planted himself in the comedy camp, or at least as some sort of genre chameleon or Renaissance Man, moving between comedy, serious drama (Milk), daytime soap operas and Columbia University.  And with this shift, we’re now less surprised with Franco’s comedy aptitude, and then perhaps set the bar a little too high for his second SNL go-around.

Which is not to say he was anywhere near January Jones territory, not even in the same stratosphere.  He was enthusiastic, confident and capable.  But he also spent the majority of the broadcast squinting severely which gave off the impression that either a) he was struggling to see the cue cards without the use of prescription lenses, b) his eyes are particularly sensitive to the bright studio lights, or c) he was really, really high.  His giggly demeanor and off-beat rhythms didn’t help dissuade the viability of option C.  During the monologue if felt like I was looking at French Stewart, not James Franco.  But he clearly felt very at home, and up for anything (including making out with Will Forte).

Keep reading: Greatest Hits, the return of Fart Face and belated thoughts

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Hanukkah: The End

I initially resisted including this video in our Hanukkah clipdown, but since it’s really the be-all, end-all of Hanukkah faire in pop culture, really the only viable Festival of Lights carol.  Plus, I needed something to wash out the taste of “Kosher Face.”  And, you know what, when I watch it, I am overcome with a wave of warm Hanukkah cheer (followed quickly by the requisite Jewish Guilt).

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However, if you like your Jewish-related content a little more series (and a little more depressing) I cannot recommend A Serious Man enough.  Just make sure you study your Torah portion beforehand.

Hope you had a great Hanukkah and got all the socks your heart desired!  Next year in Jerusalem!

Off to Disney on Ice.

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Friday Nostalgia Corner: Goodbye Chris Farley, 12 Years Ago Today

Normally at the Nostalgia Corner we like to focus on some kitschy, lame, dated show or fad from the late 80s or early 90s, like ABC’s TGIF or snap bracelets, but today’s edition is a little different, a little more serious, and much more tragic.

I can still remember it vividly.  Twelve years ago today, December 18, 1997, my mother was driving me and some friends home from swim practice in her newly leased maroon Oldsmobile Bravada.  As we turned onto Truval Lane to drop off Kevin we heard the news come over the radio.  Chris Farley had died.  I was in 9th grade at the time, too young to realize that this sad outcome was probably inevitable, too naive to see the man slowly fall apart, even though I watched him huff and puff and barely make his way through his SNL hosting gig less than two months prior.  I did recall hearing Farley mentioned on Howard Stern one morning, as the King of Media remarked that if Farley didn’t get himself together he was going to end up in “John Candyland.”  Which was certainly alarming, but wasn’t actually a drastic enough statement, because it didn’t speak to Farley’s reckless drug problem.  I just thought it meant that Farley might be having one too many polish sausages, not that he was going to go on a 48-hour cocaine, heroin and booze bender (or maybe in the nascent Internet days of 1997 the media wasn’t the all-seeing, all judging eye that is now.  These days we watch Lindsey Lohan come apart at the seams before our eyes, descending further and further into oblivion, and if she never recovers it will be tragic, but no one will be surprised.  So maybe I was so shocked about Farley because at that time the media didn’t cover celebrity self-destruction like it covers the Super Bowl).

Regardless, Farley was gone, and gone far too soon.  At this time Tommy Boy was right up there with Wayne’s World, the movies that my friends and I watched over and over again, quoting endlessly.  Farley seemed full of limitless energy, and everyone who knows him will say that we only began to scratch the surface of his comedy and his humanity.  It’s been twelve years, but his death still feels fresh, and it still stings.  Cause as a 14-year old Farley seemed to me larger than life, and not just because of his enormous physical size, but because he could make me laugh with the flick of an eyebrow or the gentlest of laughs.

It’s no use wondering anymore what could have been.  The world has moved on and his SNL buddies found a new fat guy to star in their upcoming film,  a seemingly paint by numbers tale of a bunch of middle age camp friends who reunite after many years and who will no doubt bond over being past their prime.  Perhaps it’s better than we never saw Farley get to that point, get old, doing movies about how he used to be young.  But things will never be the same without him, and, in more ways than one, he left a hole that cannot be filled, not by a little coat, not by a big coat, not by any coat.

Farley at his best, childlike and charming, a whirlwind of destruction and determination.

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Way to Ruin Christmas, ‘SNL’

So maybe now we know why SNL seemed particularly Kristen Wiig-light this past weekend.

She must have been working on new Gilly material, as the Washington Post reports that Wiig, as Gilly, will host a “brand-new”* two-hour Christmas** special entitled “SNL Presents: A Very Gilly Christmas.”  Which basically translates to “SNL Presents: A Series of Repetitive Bits Sandwiched Between the Same Christmas Sketches We Have Been Showing for Twenty Years.”

We really have no problem with replaying the Christmas classics, but hosted by Gilly?  In Seth’s Meyer’s own words, really?!?! I had begun to think the tide was turning against Gilly (and somewhat against Wiig as well, which is unfair, because one should not confuse the character for the performer), but apparently she’s as popular as ever (or at least NBC and/or SNL thinks so).  It’s just hard to imagine what kind of “new sketches” they’ll develop for the special.  As the article notes, “A Gilly sketch is a very structured thing. It’s always set in a classroom where an uncertain teacher (Will Forte) questions his students (Kenan Thompson, Bobby Moynihan) on the source of some trouble making;” this passage is just intended to describe the sketch to the uninitiated, but it’s also achingly true.  It’s just a carbon copy structure with all the same set pieces, just rinse, wash and repeat.  Of course, there will be some  Christmas themed Gilly-antics, but don’t expect her to improve upon her already limited vocabulary (but maybe expect someone to get impaled by a Christmas tree?).

Well, at least with this special there’s no danger of the host coming out as the Love Guru.

Set your DVRs for Dec 17 at 8pm.  Regardless of what I said here, I will.

More: Bonus video! And footnotes!

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SNL: Blake is Lively, Astronaut ‘Tater Chips, and the Muppets are Just Killing it Lately!

Recently it has felt like that upon finishing the weekly installment of Saturday Night Live there’s a sense of emptiness.  I know I watched an hour and a half of television, but why do I feel so unfulfilled?  If a sketch comedy show is broadcast and it’s not funny does it really happen?  Well, this season the show has managed to create buzz despite a dearth of good sketches; so far we’ve learned that if the host is a trainwreck (January Jones) or possessed by flubber (Regular Joe Gordon Levitt) then the show can make waves without being funny.  Then what’s the takeaway from this latest Blake Lively hosted edition?  It’s certainly not of comic triumph (many reviewers are still citing the Taylor Swift episode for this type of euphoria, although I think that entry fell short as well).  No, it just feels like another 90 minutes of sketches, monologue, musical performances and commercials (both genuine and of the parody variety) that went by mostly unremarkably.  However, like any episode, good or bad, funny or offensive (usually the latter of both those comparisons), there are a couple moments worth noting.  Let’s start at the top and then we’ll move directly to the bottom.

More: Electric Mayhem, Me as the Swedish Chef, Forte’s forte and lady bowlers!

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‘SNL’ & JGL: Full of Sound and Fury Signifying…What, Exactly?

Well, there was no denying that the energy level was turned up to 11 on this weekend’s Saturday Night Live, with a burst of adrenaline that was no doubt due in great part to Joseph Gordon Levitt’s raucous enthusiasm, and, perhaps, with the scathing reviews after last weekend’s January Jones episode, the cast and crew felt they had something to prove.  And they came out and put on an entertaining, upbeat, cue card independent show.  But was it actually any funnier?

Well, yes, it was.  But was it the “best episode of the season,” the superlative that many blogs have given it, so soon after they did the same for the Taylor Swift outing?  That assertion, like the Taylor Swift platitudes, is debatable.  Certainly though, there was no arguing it was better, and, at the very least, not nearly as lazy.  But in this case, let’s not confuse enthusiasm for a good sense of humor, or entertainment for comedy.  They’re definitely related, but one does not necessarily equal the other.

Over on his EW blog Ken Tucker provided an excellent commentary that’s quite similar to my own take (so if you’re in a rush and can only read his review or ours, read his), noting that while Levitt’s frenetic monologue performance of “Make ‘Em Laugh” from Singing in the Rain was impressive (especially his two off-the wall backflips followed by a well-executed pratfall) and a crowd pleaser, it didn’t exactly make you laugh.  It was almost more like a successful awards show opening number than a sharp, funny SNL monologue.  That being said we’ll be lucky if all future hosts can provide as much talent and effort as “regular Joe”  (However, with that kind of energy, one has to wonder if JGL was on more than just regular joe).

Read on: What’s Up With Kenan Thompson, Family Dinners & Pierre Escargot? Plus, Jason Sudeikis makes 12:50am safe again…

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January Jones Was the Worst Host Ever On the Worst Episode of ‘SNL’ Ever

Or so it would seem.

The reaction to last week’s Taylor Swift SNL was overwhelmingly positive, with most critics/bloggers declaring it the best episode of the (mediocre) season.  While I think it was one of the stronger episodes of the season, I’m not quite sure it was the best (I’d probably have to hand that distinction to the Gerard Butler outing, in which Butler was more polished and comfortable than Swift), but certainly it’s possible to make the argument for its season supremacy.  But boy, how quickly things change.  After the buzzed about Swift edition SNL returned  this weekend with Mad Men‘s January Jones as host, and if the blogosphere is to believed it was the worst episode in the history of Saturday Night Live, featuring the most ill-prepared host in 35 years of the show.  Well, yes, it was bad, but we’re hyperbolizing just a little bit.  If anything, saying that the new episode was that bad gives too much credit to other dreadful performances from this season (basically all but Butler and Swift), and certainly episodes from past seasons (ahem, Michael Phelps).  So to get all riled up about a single terrible episode of SNL is about as useless as getting giddy about an excellent episode of SNL, because, no matter what, the show is coming back next week, sometimes it’s going to be inconceivably bad, sometimes surprisingly brilliant, and mostly very average.  That’s why teachers invented the bell curve, to bring the extremes back down to earth.  So, by all means, complain about the episode, as it was lazy, sloppy and just generally unfunny.  But, remember, they have and will do worse.

With that, it’s not worth doing a rundown of the highlights, as there weren’t that many, but a few thoughts:

More: Running out the clock, Jones vs. Hamm, Slate vs. Watkins, and cotton balls made out of clouds…

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