Tag Archives: Kristen Wiig

Halloween ‘SNL’ & Jon Hamm: Tricks, Treats and the Return of the Old Guard

Last week we hypothesized that the Halloween episode of SNL hosted by Jon Hamm would either be the best of the season or the laziest.  Hamm, making his third hosting appearance, has already proven to be a go-to, top-notch host, one that brings out the best in the cast and crew.  But, on the other hand, what often happens when the show is blessed with a skilled host is that they relax, relying too much on the host’s charm and natural comedic talents (see: Galifiankis, Zach).  However, what we were treated to this week was something in between, and something, in hindsight, typical of a third hosting go ’round.  During a debut performance the material can often be safe, figuring out if the host has what it takes, a bit of a feeling out process.   If that host succeeds, then when he or she comes back for a second stint the crew is energized, knowing that they have someone who will deliver.  You could see that confidence, motivation and excitement in Hamm’s second hosting job last winter.  But when a host comes back for the three-peat, the crew is now so comfortable and at ease that they’re willing to taking more chances, throwing more caution to the wind.  So what you receive is not mainstream yuks and recurring sketches, or weary, unmotivated punchlines and recurring sketches, but a sense of adventure laced with apathy for the viewer.  This is what happens when you have a host who no longer needs to prove himself, who has tenure, which is why so many of Alec Baldwin’s shows are peppered with offbeat sketches, some that delight (like last season’s bizarre “Timecrowave“) and some that crash and burn (like “Arizona Evenings” from the same episode).  Judging from this past weekend’s show, it seems that Hamm is now in that class.

More: Mustaches, kisses, Rihanna, Star Wars & Sam Kinison! Plus, WHOM did they rip off this week?

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‘SNL’ & Emma Stone: The Next Generation

First, let’s just get it out of the way and say that Emma Stone, whether or not she had (Easy) A material, was excellent in her first, of hopefully many, SNL hosting gig.  Running the gamut from an uninterested sweepstakes winner to Lindsay Lohan to a Ke$ha-like pop-tart to a French hipster to a fixated teen to a hoochie spokesmodel, Stone was pretty flawless.  What was written for or around her wasn’t always top-notch, but she was, and we think her debut was even more impressive than that of her BFF Taylor Swift last season, even if that one might have elicited a bigger buzz.  Many have compared Stone to Lohan (as happened in the episode itself, and on this blog); let’s hope that she continues on the path of Lohan’s early career, which includes hosting this show many times, BUT then let’s pray that Stone goes left where Lohan turned right, eventually veering totally off the tracks.  However, despite her charms, it wasn’t Stone that left us with the greatest impression.

Read on: SNL the new class? Plus, what sketch did they rip off this week???

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‘SNL’: Plain Jane

Not that Jane Lynch was sub-par in her first (of hopefully many) outing as host of SNL,  quite the contrary, but it’s that, once again, the material failed to live up to the vast talents of the host.  It’s confusing, bewildering and frustrating that they keep wasting their resources.  Perhaps, as we felt with the Zach Galifianakis show last season, the writing staff is actually less motivated by a talented host; they rely on the host to elevate the material, so what they deliver is second-rate.  It’s just a theory, and probably misguided and misinformed, but you also can’t ignore the body of evidence, because, while this week’s show was better than last week, it wasn’t a great improvement.  We saw plenty of Jane Lynch (and plenty of wigs), but nothing truly memorable.

Read on: Gilly on Glee? Is that all you got? Also: who did SNL rip-off this week?

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‘SNL’ Shake-Ups & Sensationalism: Slate & Sudeikis

It’s hard to believe that a year has passed by since we waved goodbye to Michaela Watkins (we hardly knew ye) and Casey Wilson (probably for the best) and welcomed with skeptical arms the rookies Jenny Slate and Nasim Pedrad.  And it’s sad to report that a year later we’re already saying goodbye to the former of that dynamic young duo.  And once again, the changes are sure to raise eyebrows.  However, this time around, we don’t have a good theory as to what precipitated the moves.

With Will Forte’s departure two weeks ago the whispers began to circulate and the dominoes began to fall.  Except, they really didn’t fall so much as erect themselves next to already firmly planted playing pieces, with Taran Killam (best known from Scrubs), Paul Brittain and Vanessa Bayer from the iO Chicago, and Jay Pharoah, a comedian and talented impressionist, joining the cast, while veterans Andy Samberg, Jason Sudeikis, Kenan Thompson – rumored to possibly be following Forte out the door – remain (as of press time) at their posts.  So it came as a bit of a shock when word got out yesterday that the show had released a cast member, but not one of its established male veterans with s burgeoning film careers (or even Kristen Wiig, who may have already over-stayed her welcome a season or two), but, instead, Slate, who had only put in a season’s worth of work.

Now, if you recall last year’s history lesson on women & SNL, you’ll recall that going into the season with four women (Slate, Pedrad, Wiig & Abby Elliott most recently) was on the high side.  In fact, going a whole season with four veteran female cast members is just about as good as it’s ever been on the show.  So, with the addition of Bayer, it’s not surprising that SNL & head honcho Lorne Michaels decided to cut loose a lady.  It was a numbers game.  That we understand.  But then why add one in the first place?

Read on: The curious case of Jenny Slate. Also, Jason Sudeikis is the new Ben Affleck.

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‘SNL’: Say Fey Kid

(Title allusion here)

Unless you’ve been living under a rock you probably know that Tina Fey has a new movie out.  Between her appearances on Oprah, Live!, and Late Night (leaving behind a wake of Jamie Foxx-Oprah rumors and charades losses), she’s been pounding the pavement drumming up excitement for Date Night.  The last stop on the promotional tour was coming home to host SNL.  However, in a way, it has  seemed like her talk show visits have also been to build enthusiasm for her return to studio 8H.  The means were also the end.  And with tween phenomenon Justin Bieber rounding out the card as musical guest, this SNL, the first in a month,  was shaping up to be a special instance of a white-hot host meets a white-hot musical act.

Did the show live up to expectations?  I’d have to say no, especially after getting off to a slow start with a census-centered cold opening that probably wouldn’t have been funny three weeks ago when it was still relevant.  And there weren’t any real knock out, “holy water cooler” sketches later in the show.  But there was a sense of excitement with Fey and Bieber in the house, and what may have lacking in humor was made up for with a bit of electricity.

More: Who’s more evil, Sarah Palin or the Devil?

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Muppet Movie Monday Tuesday: The Muppets Inch Closer to the Judd Apatow Chart, Ball’s In Your Court, James Bobin

Very delayed but very exciting Muppet news:  while most of our Muppet Monday posts have focused on the recent rise of Muppet visibility in Disneyland and on TV, as well as a few classic clips, we finally have some Muppet movie news!

Vulture reports that Flight of the Conchords co-creator James Bobin has been offered to direct a new Muppet movie in the works for Walt Disney Pictures.  However, there might be a snag, as Bobin has apparently also been asked to helm Bridesmaids, a Kristen Wiig penned (and we’re assuming starring) comedy produced by Jumped The Snark legend Judd Apatow.  But really, do you think Bobin should attach himself to a movie described as “two women battling to plan their friend’s wedding party?”  I think the Casey Wilson-penned Bride Wars kinda covered this ground, and between that and 27 Dresses, I’m not sure that the discerning comedy masses are clamoring for another slapstick/rom-com wedding flick (although, if it’s more like Baby Mama, then maybe I’ll revise that statement).  Plus, would you choose to work with a bunch of petulant divas* over the seasoned professionals that are the Muppets?

But maybe you’re thinking to yourself that Bobin should choose Bridesmaids for the chance to become part of the Judd Apatow fraternity and secure on a place on my chart.  Okay, fair.  However, this Muppet movie will be based on the script penned by Jason Segel and his Forgetting Sarah Marshall director Nicholas Stoller.  Both men have several ties to Apatow, so Bobin can join team Apatow either way, and if this movie is produced it’s definitely going on the chart.  So, James Bobin, if the main factor in deciding which movie to direct is earning a spot on the Judd Apatow chart, then I can assure you that if you take the reins to the Muppet movie you’ll get your due.  Plus, you have about an equal chance of working with Paul Rudd on either movie (actually, with this in mind, the odds might actually be a little better with the Muppets)

And with that out of the way, you can make a measured, smart decision.

Fozzie Bear or Gilly?

I think the choice is easy.

*Just assuming.  Cause that’s what I imagine Katherine Heigl is like and I’m assuming she will be in this movie.

Vulture Exclusive: Flight of the Conchords Co-Creator May Direct the New Muppet Movie

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‘SNL’: Hamm & Cheese and A Bublé Disposition

PUNS!!!

Jon Hamm SNLIn yesterday’s SNL appetizer post I surmised that last night’s show had a 50% chance of being funny.  However, immediately after making this less than bold proclamation I realized that I should have at least given the odds at 51%, and more accurately probably around 75%.  With SNL returning after a week off, having proven they perform best with a little rest, and under the capable reigns of Jon Hamm, the odds were certainly in their favor.

And had I thought it through yesterday and gone with the 75% estimation I would have been right, as about 3/4 of the show was (surprisingly or unsurprisingly, I’ll let you decide) solid.  From the moment Hamm stepped out onto the stage for his monologue you knew you were in good hands (sorta like the way I feel during the opening credits of any Quentin Tarantino movie).  Obviously the easy thing to do here would be to compare Hamm’s hosting performance to that of his Mad Men co-star, Ms. January Jones.  Of course, that’s entirely unfair, because Jones was clearly over-matched and out of her element, and Hamm has already demonstrated his hosting prowess.  There’s really no reason to compare a Picasso to a Bazooka Joe comic.  We already know which is going to come out on top (well, I guess in that scenario it depends on the criterion, if we’re talking about which is the superior work of art or which serves as a better gum wrapper.  But I digress).  However, we’ll indulge that comparison briefly, because, like Jones’, Hamm’s monologue employed some Mad Men parody, and to far better results than the “Mad Mennies” bit in Jones’ monologue.  As Hamm’s big break has been his role as the mysterious, stoic Don Draper, he showed some clips from his earlier “roles,” but in each of these Hamm maintains the personality of the debonair Draper.  The first clip, a Saved by the Bell parody titled “Late for Class,” was the best (if only for the spot-on opening credits.  Oh, the early 90s!), but the second, Hamm on QVC giving Kristen Wiig the same tough love treatment that Don gives Betty Draper, and the last, Hamm as Draper doing Def Comedy Jam, were nearly as good.  By the time Hamm said “stick around, we’ll be right back,” he didn’t need to.  We were sold.

Read on: A funny and incisive cold opening?! Pork and Champagne?! Serigo?! Plus: the bottom 25th percentile.

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(Belated) Top 10 ‘SNL’ of the Decade

It was an up and down decade for Saturday Night Live, but then again it’s been an up and down 34 years for Saturday Night Live.  The show started gangbusters in 2000, taking advantage of the 2000 election and perhaps becoming more relevant than it had at any point during the previous decade (media and communication majors and political scientists will be analyzing SNL‘s Gore-Bush debates for years to come, studying how the show interpreted the real events and how the sketches then in turn affected the election).   Then the show kind of treaded water until the 2004 election when it once again made the best of the political fodder, although with the relatively benign John Kerry as a central character the political satire was not as entertaining or as incisive as 2000.  But With a mostly new cast then the beginning of the decade the show returned to prominence in 2008, most notably mining the comedy goldmine that was the renegade Sarah Palin.  However, although SNL’s strongest seasons were during the election years, the best sketches were scattered throughout the aughts, with a fair share of political material, but also crazy characters, inventive monologues, traditional bits and the now ubiquitous Digital Shorts.  Here, in a particular but not necessarily meaningful order is a very subjective list of the top ten (and then some) Saturday Night Live sketches of the decade that was.*

1. Carpool

I wasn’t blogging when this Alec Baldwin episode aired in early 2006, but if I was I would have no doubt touted it as the best show in years, and I would have been in good company. It stood out as the most buzzworthy episode since the 2004 election, and its success was due in large part to Baldwin, who excelled in sketches like a new “The Tony Bennet Show,” “Platinum Lounge” (with Steve Martin) and a Valtrex commercial parody.  But the stand out sketch, for us, was “Carpool,” a duet with Kristen Wiig.  Sharing a ride to work seemed like a good idea, until each person continuously and unwittingly brings up a painful wound from the other’s past.  Simply, any sketch that can truly sell the line “Bobby McFerrin raped my grandmother,” deserves placement on a “best of” list.  It’s the best sketch in what might have been the best episode of the decade, and perhaps the premier episode among Baldwin’s 14 turns as host  (I guess because this sketch includes a brief cameo from a  Celine Dion tune it’s prohibited from being posted on Hulu.  Luckily, some random Russian site saved the day and has no such qualms about hosting a video that includes unlicensed music from the French-Canadian ice queen).

Vodpod videos no longer available.

See the rest of the list. Did your favorites make it???…

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Charles Barkley Hosts the Best ‘SNL’ of the Decade! No Foolin’!

Alright, that headline is an obvious and deliberately misleading statement, you got me.  However, even more than being technically correct, this weekend’s show actually earned the distinction.  I previously stated my disbelief over the choice of Barkley, NBA Hall of Famer, current commentator and compulsive gambler, as the first SNL host of the decade.  It not only seemed completely out of left field, but even if Barkley was relevant among SNL‘s core demographic, you’d think they would have still chosen someone hipper, funnier and actually from a performing background for the first show.  At least save Sir Charles for 2010 week 2.

But I was wrong.  What I failed to realize is that Barkley was likely to succeed precisely because of his limitations.  It’s the extreme version of Christopher Walken or John Malkvovich, where the fact that it’s the host in a specific role is more of the joke than the sketch itself.  And with Barkley being a good sport ex-athlete instead of an eccentric actor, the writing staff was able to even more successfully use Barkley’s personality and performing constraints to his advantage.  It’s like the Jets plotting a game plan whereby Mark Sanchez has to just manage the game, hand off the ball for the majority of the snaps and avoid turnovers (bet you didn’t see that sports analogy coming.  Well, some of us care about football 3 weeks out of the year.  Mostly for the nachos).  And this is different from writing for an actor who just isn’t particularly talented when it comes to comedy.  Despite her SNL showing, January Jones is still a better acting talent than Charles Barkley; it’s just that SNL could use Barkley’s weaknesses to its advantage.  With Jones they could only try to minimize the damage by having her look pretty and leave the funny to the cast.

All those platitudes aside, while it was a surprisingly good episode by SNL standards, it wasn’t wall-to-wall successful, and I’d still rather see a host earn the laughs with natural comic ability as opposed to lack of it.  However, Barkley really was impressive, and set the bar high for 2010 (tall guy joke!).

More: Highlights! Racism! Cake! Chopping Broccoli!

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SNL & James Franco Hit Christmas Break Early: You Can’t Squint Funny

It’s getting harder and harder to write these SNL commentaries; not because I don’t have anything to say, but because I’m afraid that I’m going to sound redundant, as it seems that I have the same reaction almost every week.  Occasionally there’s a funny, or at least a buzzworthy, sketch, or a Digital Short that goes viral, or a host that either succeeds beyond expectations or crashes spectacularly, but for the most part, week in and week out it’s becoming the same show.  Starting to feel like a broken record.

James Franco had a fairly successful debut as host last season (although I can only seem to remember the glossy Gossip Girl send-up “Murray Hill“), but in the period leading up to this weekend’s show (indeed since Franco was announced as the anchor in the Blake Lively-Taylor Lautner-James Franco hosting triumvirate) it seemed there was a feeling that Franco was going to be some sort of SNL savior, that he’s developed into a comedy wunderkind.  Now, his turn on General Hospital may be generating laughs, but it’s not necessarily comedy (in fact, if you listen to Franco, it’s “performance art“).  And the very reason he was hailed for his comedic performance in last year’s Pineapple Express and his subsequent SNL hosting gig was precisely because he was playing against type.  Before that time he was identified more with his previous characters: the quiet cool of James Dean, Freaks & Geeks sensitive bad boy Daniel Desario, and petulant, moody Spider-man friend turned enemy turn friend Harry Osborne.  Franco was so successful in Pineapple Express because it was somewhat unexpected.  However, now it seems that he’s planted himself in the comedy camp, or at least as some sort of genre chameleon or Renaissance Man, moving between comedy, serious drama (Milk), daytime soap operas and Columbia University.  And with this shift, we’re now less surprised with Franco’s comedy aptitude, and then perhaps set the bar a little too high for his second SNL go-around.

Which is not to say he was anywhere near January Jones territory, not even in the same stratosphere.  He was enthusiastic, confident and capable.  But he also spent the majority of the broadcast squinting severely which gave off the impression that either a) he was struggling to see the cue cards without the use of prescription lenses, b) his eyes are particularly sensitive to the bright studio lights, or c) he was really, really high.  His giggly demeanor and off-beat rhythms didn’t help dissuade the viability of option C.  During the monologue if felt like I was looking at French Stewart, not James Franco.  But he clearly felt very at home, and up for anything (including making out with Will Forte).

Keep reading: Greatest Hits, the return of Fart Face and belated thoughts

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