Tag Archives: Fred Armisen

And Now the Long Awaited Debut of ‘Kieran’s Korner’: More Thoughts on ‘SNL’ & Scarlett Johansson

We’ve made a concerted effort on this blog to do things just a little differently, to present our material in a way that is somehow unique from the dozens of similar sites out there, whether that be reviewing The Office from the perspective of the series as a whole, or comparing Conan O’Brien to President Obama, or finding any excuse to link to an episode of Pete & Pete (like right there, for example).  But sometimes, no matter how hard you to try to keep an eye on the bigger picture you get lost in the details, and you can’t see the forest for the trees.   That’s why it’s always great to have a loyal reader (and good friend) who can fill in the blanks.  And for us, that person is Kieran Walsh.

And, once again, Kieran replied to one of our SNL posts with his own excellent thoughts, expanding on a couple of our points and suggesting some ideas we might have missed.  We’re grateful to have Kieran around reading our posts, clarifying our arguments and providing his own keen insights.  So, without further ado, we’re proud to bring you what we hope is the first of many visits to Kieran’s Korner:

It’s kind of painful to say this, but I think Fred Armisen is now moving into eclipse while Bill Hader is on the ascent.  Manuel Ortiz is a good example.  It’s barely even a sketch – more of a gimmick, and not a particularly funny one, either.  For that matter, it’s waaaay too reminiscent of “What Up With That” to be comfortable (talk show constantly interrupted by dance routine, etc.)  Meanwhile, Bill seems to have found a new level of accessibility by crafting more user-friendly breakout characters (Stefan!)  Perhaps these are the side-effects of dating a scientologist.  Not entirely his fault.  The pop culture pendulum swings wildly.

Don’t really understand Scarlett Johansson.  I mean, in general.   She must be incredibly easy to work with because I don’t really know why SNL and Woody Allen keep going back to her.  I dunno.  She’s just excruciatingly limited.  On the one hand I get the sense that she’s up for anything – but that’s incredibly different from being genuinely good at anything.  Clearly, she’d like to get laughs, but, jeez…

Yes.  Bayer had an incredibly strong show, particularly with the Stars of Tomorrow sketch.  She’s got definite potential.  Pharoah, too, but he really needs his own thing.

I think it’s definitely time for Andy to leave.

Very astute observations on both the Armisen and Johansson fronts.  Regarding Fred, perhaps that’s why he seemed so unenthusiastic during the “Mike’s Busteria” sketch.  And perhaps his character’s recalcitrant disposition on “Update” was a reflection of Armisen’s current displeasure with the show.  Perhaps he feels like he’s stranded at sea with a shrill, prickly Jewish wife.

And as for Johansson, Kieran hits it on the head, and gracefully encapsulates the point we attempted to make in our earlier post.  She’s beautiful.  And it’s not as if she’s January Jones out there (boy, Jones is never going to live that down, is she?).  But as Kieran’s so eloquently notes, Johansson is “excruciatingly limited,” so she must just be a person SNL enjoys having around.  Or maybe she drives up the ratings.  Let us not forget that it’s always about the bottom line.

But, then again, sometimes it’s about the byline.  So look out for more Kieran authored posts in the near future, and maybe a Snark-Walsh debate.  Because if we blog on the web and no one is around to respond does it really post?

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Filed under Kieran's Korner, Krebstar, Saturday Night Live

Scarlett Johansson Leaves for the Prom, Ends Up at ‘SNL’

Two weeks back we talked in-depth about Jon Hamm’s third hosting appearance on Saturday Night Live and how in the third go-round we often see a distinct sense of adventure, how the host is now comfortable with the cast, the cast is at ease with the host, they’re all on the same page and are willing to try something that might be hit or miss, but is often still entertaining in the attempt.  We also mentioned that this past weekend would be Scarlett Johansson’s third hosting turn, so it’d be interesting to see if she took the same kind of leap as Hamm, or if she settled into a more predictable role, functional, competent but not exceptionally ambitious or outrageous, more along the lines of Drew Barrymore’s SNL resume.  Well, it certainly  wasn’t the former, but not so much the latter either.  We’re kind of confused actually.  Cause, really, more than anything, it seemed like a showcase for Johansson’s hair, her sense of style, her brassy broad persona and her variations on NY-NJ accents.

Continue: Whose hair was Johansson ripping off? How many accents could she employ in one night? Where’s Ryan Reynolds?

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‘SNL’: Plain Jane

Not that Jane Lynch was sub-par in her first (of hopefully many) outing as host of SNL,  quite the contrary, but it’s that, once again, the material failed to live up to the vast talents of the host.  It’s confusing, bewildering and frustrating that they keep wasting their resources.  Perhaps, as we felt with the Zach Galifianakis show last season, the writing staff is actually less motivated by a talented host; they rely on the host to elevate the material, so what they deliver is second-rate.  It’s just a theory, and probably misguided and misinformed, but you also can’t ignore the body of evidence, because, while this week’s show was better than last week, it wasn’t a great improvement.  We saw plenty of Jane Lynch (and plenty of wigs), but nothing truly memorable.

Read on: Gilly on Glee? Is that all you got? Also: who did SNL rip-off this week?

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‘SNL: All-Stars’; Or: Where Was Betty White?

Amy Poehler returned to host the 36th season premiere of SNL this past week, but did it feel like she ever really left?  Between her frequent appearances last season on the big show and her stint co-anchoring Weekend Update Thursday last fall she was really on the show as much as Jenny Slate was, and probably more times than Jay Mohr during his brief run (cheap shot, sorry, Jay).  She even capped last season by coming back for the famed, Emmy-winning Betty White episode, joining her fellow former female castmates like Tina Fey and Molly Shannon in helping White carry the hosting weight.  That episode, the 2nd to the last of the season, felt more like a prime-time special than a regular show (indeed, it was billed as a Mother’s Day edition, but as a result of coincidental timing and to justify bringing in the ringers to support White, who then proved she really didn’t need assistance).  And while host-in-residence Alec Baldwin made his annual appearance to close out the season a week later, White’s episode really felt like the big finish.  And wouldn’t you know it, SNL felt like it picked up just where it left off, by pulling out the big guns and bringing back the all-time greats, starting with Ms. Poehler herself.

Read on: Parade of Stars: Timberlake, Dratch, Rudolph, Fey, Fallon & Peterson. Also, whom did SNL really rip off?

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‘SNL’ Shake-Ups & Sensationalism: Slate & Sudeikis

It’s hard to believe that a year has passed by since we waved goodbye to Michaela Watkins (we hardly knew ye) and Casey Wilson (probably for the best) and welcomed with skeptical arms the rookies Jenny Slate and Nasim Pedrad.  And it’s sad to report that a year later we’re already saying goodbye to the former of that dynamic young duo.  And once again, the changes are sure to raise eyebrows.  However, this time around, we don’t have a good theory as to what precipitated the moves.

With Will Forte’s departure two weeks ago the whispers began to circulate and the dominoes began to fall.  Except, they really didn’t fall so much as erect themselves next to already firmly planted playing pieces, with Taran Killam (best known from Scrubs), Paul Brittain and Vanessa Bayer from the iO Chicago, and Jay Pharoah, a comedian and talented impressionist, joining the cast, while veterans Andy Samberg, Jason Sudeikis, Kenan Thompson – rumored to possibly be following Forte out the door – remain (as of press time) at their posts.  So it came as a bit of a shock when word got out yesterday that the show had released a cast member, but not one of its established male veterans with s burgeoning film careers (or even Kristen Wiig, who may have already over-stayed her welcome a season or two), but, instead, Slate, who had only put in a season’s worth of work.

Now, if you recall last year’s history lesson on women & SNL, you’ll recall that going into the season with four women (Slate, Pedrad, Wiig & Abby Elliott most recently) was on the high side.  In fact, going a whole season with four veteran female cast members is just about as good as it’s ever been on the show.  So, with the addition of Bayer, it’s not surprising that SNL & head honcho Lorne Michaels decided to cut loose a lady.  It was a numbers game.  That we understand.  But then why add one in the first place?

Read on: The curious case of Jenny Slate. Also, Jason Sudeikis is the new Ben Affleck.

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Last Night on Late Night Was the Intersection of the Venn Diagram of the Things I Love (And One Thing I Hate)

*Editor’s note: Jumped The Snark has been and will be busy for the immediate future on another somewhat related but also not really project, and thus updates may be few and far between for the next two months.  We’re going to do our best to keep up regular posts, but they may be of the very brief variety.  That is all.

Jimmy Fallon.  Parks & Recreation.  Rashida Jones.  Fred Armisen.  Weekend Update.  A.D. Miles.  Dee Snider.  Last night was a convergence of all of those things on Late Night.

Fallon proves once again that his show is the place to turn for pitch-perfect parodies (see: “Real Housewives of Late Night,” “Late“), and this time the team turns its scalpels towards the unfortunate phenomenon that is Glee.  And not only does their version, “6-Bee,” capture the exact tone and rhythm (and hokeyness) of the show, it pits the Late Night glee club against the Parks & Rec squad, treating us to Amy Poehler, Chris Pratt, Jerry and Jumped the Snark long time favorite Rashida Jones (but wherefore art thou, Asiz Ansari?), as well as an appearance from another longtime favorite, Fred Armisen.  And it all culminates in a truly impressive take on Twister Sister’s classic anthem of rebellion “We’re Not Gonna Take It.”

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(You may have figured out that the one thing I hate, as mentioned in the title, is Glee (the show, and by extension its cultural resonance).  A long time ago I intended to write a long blog post explaining why its characters are just caricatures, the tone muddled, the perspective confused, and that while I’m happy for Jane Lynch, her role in Party Down trumps her one-note performance as Sue Sylvester.  And this thoroughly enjoying Late Night interpretation shows that without the dramatic musical sequences Glee would just be a cut-rate Degrassi.  There, I finally said it).

And if that all wasn’t enough, later in the show we were treated to a charades battle of the former “Weekend Update” co-anchors, with Fallon and guest Tina Fey taking on Poehler (clearly pregnant by the way) and her old partner and current solo host Seth Meyers.

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And to top it off, arch-nemesis and top search term Justin Bieber!

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Keep up the good work, Jamie!

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Filed under Good Humor, Saturday Night Live, Talkies

“Presidential Reunion”; Or Will Funny or Die Kill ‘SNL’?

By now you’ve all seen this Funny or Die sketch (because it was uploaded almost a week ago, which this day in age classifies it as old) that brings together the all time team of SNL presidential imitators.  It’s great, right?  Totally awesome (especially Chevy, doing what Chevy does best).

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However, what concerns me is what this video, and videos of its ilk, means to SNL.  Why I am so concerned about a show that has basically been skating by since 1993, if not earlier, and has never really faced any real competition, I don’t know (and no, MADtv doesn’t count).  But the more I see the Funny or Die videos featuring both SNL and non-SNL talent I wonder how long the show will be able to compete (especially now that Funny or Die has its own show on HBO, although the one episode I saw was rather underwhelming).  And this Presidential Reunion, directed by Hollywood heavyweight Ron Howard, really caused me pause.

Keep reading: Does this spell the end for ‘SNL’?

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‘SNL’: Hamm & Cheese and A Bublé Disposition

PUNS!!!

Jon Hamm SNLIn yesterday’s SNL appetizer post I surmised that last night’s show had a 50% chance of being funny.  However, immediately after making this less than bold proclamation I realized that I should have at least given the odds at 51%, and more accurately probably around 75%.  With SNL returning after a week off, having proven they perform best with a little rest, and under the capable reigns of Jon Hamm, the odds were certainly in their favor.

And had I thought it through yesterday and gone with the 75% estimation I would have been right, as about 3/4 of the show was (surprisingly or unsurprisingly, I’ll let you decide) solid.  From the moment Hamm stepped out onto the stage for his monologue you knew you were in good hands (sorta like the way I feel during the opening credits of any Quentin Tarantino movie).  Obviously the easy thing to do here would be to compare Hamm’s hosting performance to that of his Mad Men co-star, Ms. January Jones.  Of course, that’s entirely unfair, because Jones was clearly over-matched and out of her element, and Hamm has already demonstrated his hosting prowess.  There’s really no reason to compare a Picasso to a Bazooka Joe comic.  We already know which is going to come out on top (well, I guess in that scenario it depends on the criterion, if we’re talking about which is the superior work of art or which serves as a better gum wrapper.  But I digress).  However, we’ll indulge that comparison briefly, because, like Jones’, Hamm’s monologue employed some Mad Men parody, and to far better results than the “Mad Mennies” bit in Jones’ monologue.  As Hamm’s big break has been his role as the mysterious, stoic Don Draper, he showed some clips from his earlier “roles,” but in each of these Hamm maintains the personality of the debonair Draper.  The first clip, a Saved by the Bell parody titled “Late for Class,” was the best (if only for the spot-on opening credits.  Oh, the early 90s!), but the second, Hamm on QVC giving Kristen Wiig the same tough love treatment that Don gives Betty Draper, and the last, Hamm as Draper doing Def Comedy Jam, were nearly as good.  By the time Hamm said “stick around, we’ll be right back,” he didn’t need to.  We were sold.

Read on: A funny and incisive cold opening?! Pork and Champagne?! Serigo?! Plus: the bottom 25th percentile.

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Filed under Analysis, Good Humor, Saturday Night Live, Saved by the Bell

‘SNL’ & Sigourney Weaver: Old Tricks AKA The Worst ‘SNL’ of the Decade

Well, at least they’re consistent.  These days every good SNL episode (see: last week’s Charles Barkley affair) is almost always immediately followed by an underwhelming effort.  Despite the buzz they drummed up last week,  and the return of Sigourney Weaver (coming back after 23+ years, the longest such stretch between hosting gigs in SNL history), they once again did not disappoint when it comes to disappointing.

Sometimes it’s lazy writing.  Sometimes it’s bad writing.  Sometimes it’s just bad ideas.  This episode had all three.

With all the attention paid last week to the drama in late night television (including on this blog), it was only natural that they would use the fiasco as fodder.  Indeed, it was encouraging at first to see Darrell Hammond return to play Jay Leno on a Larry King Live cold open.  But where the sketch succeeded in mocking King’s senility and misappropriation of social networking tools, it kind of failed in effectively mocking the late night situation.  There was the big chinned, high voice Leno impression we’ve seen everywhere (although, big points on the denim on denim outfit), and Bill Hader turned in a weird, detached, dour Conan O’Brien.  I understood that they were showing that O’Brien is the powerless victim in this situation, but they didn’t seem to get a handle on his personality (if he wasn’t going to be the crazy Conan we know, he should have been the sharp, assertive pugilist of his mission statement).  It was especially discouraging because Conan honed his chops as a writer on SNL (see: the Lady Watchers). He’s part of the family, so you’d think they could have done him justice.  The best impression was probably Jason Sudeikis’ David Letterman, who appeared via satellite.  Except, that it was the wrong David Letterman persona for this situation.  It was basically Norm MacDonald’s beloved (by us) hyena laughed, self-indulgent, pencil throwing Letterman impression (he of “you got any gum???).  And although Sudeikis did it well, throughout the late night debacle we’ve seen the other Letterman, the outraged, seething, vitriolic Dave.  Obviously, it’s not as broad of an impression, but it could have worked if they tried.  Instead, they took the easy way out.  And, come to think of it, Fred Armisen’s Larry King also owes a lot to Norm MacDonald’s own King impression (but I guess this is perhaps a topic for another post; how, after being on the air for 35 years, it’s impossible for previous versions of celebrity impressions on SNL to not to color the imitations of the same personas by new cast members).  So, really, this sketch was just a testament to the unheralded work of Norm MacDonald.  Although, that all being said, it was definitely one of the strongest opens this season.

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Keep reading: More Jaypocalypse jokes, Alien Vs. Laser Cats, and the worst sketch of the decade!

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(Belated) Top 10 ‘SNL’ of the Decade

It was an up and down decade for Saturday Night Live, but then again it’s been an up and down 34 years for Saturday Night Live.  The show started gangbusters in 2000, taking advantage of the 2000 election and perhaps becoming more relevant than it had at any point during the previous decade (media and communication majors and political scientists will be analyzing SNL‘s Gore-Bush debates for years to come, studying how the show interpreted the real events and how the sketches then in turn affected the election).   Then the show kind of treaded water until the 2004 election when it once again made the best of the political fodder, although with the relatively benign John Kerry as a central character the political satire was not as entertaining or as incisive as 2000.  But With a mostly new cast then the beginning of the decade the show returned to prominence in 2008, most notably mining the comedy goldmine that was the renegade Sarah Palin.  However, although SNL’s strongest seasons were during the election years, the best sketches were scattered throughout the aughts, with a fair share of political material, but also crazy characters, inventive monologues, traditional bits and the now ubiquitous Digital Shorts.  Here, in a particular but not necessarily meaningful order is a very subjective list of the top ten (and then some) Saturday Night Live sketches of the decade that was.*

1. Carpool

I wasn’t blogging when this Alec Baldwin episode aired in early 2006, but if I was I would have no doubt touted it as the best show in years, and I would have been in good company. It stood out as the most buzzworthy episode since the 2004 election, and its success was due in large part to Baldwin, who excelled in sketches like a new “The Tony Bennet Show,” “Platinum Lounge” (with Steve Martin) and a Valtrex commercial parody.  But the stand out sketch, for us, was “Carpool,” a duet with Kristen Wiig.  Sharing a ride to work seemed like a good idea, until each person continuously and unwittingly brings up a painful wound from the other’s past.  Simply, any sketch that can truly sell the line “Bobby McFerrin raped my grandmother,” deserves placement on a “best of” list.  It’s the best sketch in what might have been the best episode of the decade, and perhaps the premier episode among Baldwin’s 14 turns as host  (I guess because this sketch includes a brief cameo from a  Celine Dion tune it’s prohibited from being posted on Hulu.  Luckily, some random Russian site saved the day and has no such qualms about hosting a video that includes unlicensed music from the French-Canadian ice queen).

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See the rest of the list. Did your favorites make it???…

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