Keeping with today’s Brooklyn theme (not to be confused with today’s ripping people off theme, or today’s “and speaking of” theme, or yesterday’s robot theme), check out the first few minutes of the Who’s the Boss? pilot, as Tony and Samantha pack up his windowless child molester van old, beat-up blue van and depart the Universal Studios backlot Brooklyn. As a bonus, we’ve included the original opening credits, which feature additional footage of the iconic van’s journey to the Bower home in Connecticut (no footage of the cast? How bold! Perhaps, an homage to the Taxi opening?)
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In addition, keeping with today’s snow theme, here’s a short clip of Danza from Taxi that can serve as your go-to video the next time a blizzard rolls through:
And speaking of ripping people off, was this Taxi clip perhaps the inspiration for the Bosom Buddies cabin episode? Makes you think.
What happens when Angela decides to spend Christmas with that dick Geoffrey? To what lengths will Angela go to find Tony’s baseball card? What gift will Tony get for Angela that shows once and for all how much better he his than that dick Geoffrey? Find out!
Continue (I know you will) with Parts II and III of “The Christmas Card.”
Isn’t it weird that the big joke with Mona is that she’s a huge slut? Sorta like Blanche Devereaux, but with even less subtlety. Kind creepy now (and even creepier as a 7-year-old).
In other (big!) Danza news, the folks over at Gawker.TV were kind enough to let us explore our fascination with Teach: Tony Danza in greater detail. We ask the question: Whatever Happened to Teach: Tony Danza? Check it out!
My new favorite show finally premiered this weekend, as A&E’s Teach: Tony Danza graced the airwaves after a year of waiting. And it did NOT disappoint.
And, as we surmised, we were actually drawn in by Danza, because he’s taking this so darn seriously (now, that is a good thing. The show would be no better than I Love Money if the celebrity teacher wasn’t taking his assignment in earnest). We knew that he would approach his role with a total commitment, but we didn’t anticipate that he would be so emotional, so nervous, so insecure and fragile. Here’s Tony Danza, star of screen, film and (tap) stage, former boxer, reduced to tears by a class of pimple-faced, metal-mouthed 10th graders. It was hard not to feel for him, but it was as equally difficult not to empathize with the students, most of whom clearly feel that they’re smarter than their teacher (and we all remember enduring a teacher or professor who was obviously overwhelmed and over-matched, if we weren’t smarter than the instructor then we were at least more savvy and aware ). But fortunately for Danza, and for the students, he’s not teaching math or science, or another subject where he could fumble the curriculum and critically damage their educational development. Instead he’s teaching English, where it’s equally important to learn how to express yourself as it is to read The Chocolate War. So, using his life experience, charisma, guile and tap-dancing skills, hopefully Danza can get his students to open up, to learn something about themselves. Certainly, this is going to be a journey for Tony, and we’ll along for it. The question is if his students will follow as well. He should probably start by screening Who’s the Boss?, because apparently only Chloe, who is “a big fan of the 80s” is truly familiar with his oeuvre (also, chill with the hand sanitizer, Mr. D!).
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Looks thin though, doesn’t he? And where’s that coif we’ve come to adore? Does nothing stay the same?