Lately I’ve noticed a disturbing trend about myself: I don’t get as excited about things as I used to. Perhaps it’s a merely function of getting older – I just hit the big 3-0 six months ago, after all – or, maybe, all the years of crushing cynicism and relentless snark has finally caught up to me. Passion, perhaps, is the provenance of the young and the unencumbered, and I’m no longer either of the two. For example, it would have shocked the ten-years-younger version of myself, maybe even the 2009 model, to learn that it took me, a devoted Wes Anderson-ophile, two months to see The Grand Budapest Hotel, especially after making a pilgrimage to see The Royal Tenenbaums and The Life Aquatic during their respective opening weekends, and attending a screening of The Darjeeling Limited by myself because I just couldn’t wait any longer, even if that meant sitting alone in a small theater on a Tuesday afternoon. Likewise, I’ve yet to see X-Men: Days of Future Past, and that’s already been out for a whole week and is possibly the X-Men movie that I’ve been praying for these last fourteen years. There are spoilers abound and I run the very real risk of having the movie ruined before I get around to seeing it. It’s a danger I’m well aware of, and one, for some reason, I’m at peace with. Perhaps most egregiously – and this something I’m very much ashamed to admit on this blog – I’ve yet to watch last week’s Survivor finale. Yes, I was out-of-town for two weeks, but I’ve been back for four days already. Really, what good excuse could I possibly have for not immediately marathoning the last three episodes, including the two hour-finale and post-show live cast reunion? Heresy, is it not? Not only am I liable to inadvertently stumble upon the final result at any turn, removing any drama upon viewing, but shouldn’t this be tearing me up inside? It’s Survivor, the subject I’ve perhaps committed more space to on this blog than any other, and, yet, I’ll get to it when I get it to it. Urgency, shockingly, I do not feel. It’s not apathy or indifference – that would be truly alarming – but, rather, caring a bit less, being more patient. It’s an odd, peculiar, somewhat concerning notion to not experience the same sense of pressure, immediacy, and life-or-death importance about these shows and films and bands that I always did. Am I depressed? Should I look into Lexapro? But the change is also freeing in a way. There is a flipside to caring a little less. It means that it doesn’t hurt so much when something you love is taken away from you.
Tag Archives: Dan Harmon
Don’t Cry Because It’s Over, Smile Because It Happdeaned: Five (and Maybe More) Seasons of ‘Community’ and the Truly Jumping the Snark
Last week in our Community season recap (and Dan Harmon era post-mortem) we listed our top five episodes from the series’s three seasons. We included on that list “Contemporary American Poultry” because, besides being brilliant, it was the first episode to truly bring it all together and show what that series could be, the way that it could play with genre but still be entirely Community. But if we had to identify when we fell in love with the show, that would have to be “Comparative Religion,” just a few episodes earlier. While not as strong of an episode, certainly not as ambitious, it was the first episode we were excited to watch again (and we did). If “Poultry” was the promise of what was to come, “Religion” was the promise of the promise of what was to come. Which is why we were so pleased to see “anthony michael hall on community” as one of today’s top search terms.
That could be one of the top search terms for as long as this blog exists and we would never complain.
Today we bring you the final entry in our “Must Flee TV” series, our thoughts on the end of ‘Community’ Season Three, and, well, the end of an era.
Full disclosure: when we wrote our Dan Harmon obituary earlier this week we had not yet had the chance to view the final three Season Three Community episodes. We felt comfortable going ahead with the in memorial post because there would be nothing in those final episodes of the Harmon run to change our opinion of his work and influence on Community. Unless one of the episodes was a shot-by-shot remake of an unremarkable episode of Friends, he could do nothing to tarnish his legacy, and, actually, they probably could pull that episode off (and by Season Six he probably would have gotten to that too). But, as it turned out, the show had still yet another level to go, there were still recesses of our mind left to blow.
Perhaps only when Fox burned off the last four Arrested Developments against the Olympics has viewing a block of episodes felt so bittersweet, such a painful joy. But unlike the Arrested finale night, the last three episodes of Community left us with little closure, and much uncertainty. If anything, we’re sadder now than we were at the end of Arrested (obviously we could not know that it would eventually come back on Netflix, and we would have been foolish to pin our hopes on such a thing, especially since Netflix was in its nascent stages then). We know our show is coming back, but we don’t know in what form, if it’ll continue on the same genius path, if it’ll forge something new and different, or if it’ll be a morbid a shadow of itself, a crushing reminder of what was.
In our discussion last week about Community‘s upcoming move to Friday nights we confidently predicted that, despite swirling rumors, we saw no reason why Dan Harmon would not return as Community showrunner. Perhaps we should have been more precise with our diction. What we meant was that we saw no reason why Harmon would choose not to return. The idea that NBC/Sony would not bring him back never crossed our minds. So while we still stand by what we wrote last week we were shocked and dismayed (like everyone else) when we learned over the weekend that Harmon was replaced as showrunner and essentially fired from his own show (however, unlike everyone else, we read the news on our phone during a bachelor party in Chicago, after sleeping off the night before).
We’ve admittedly, regrettably, been remiss with our recaps and analysis of NBC’s Thursday night comedies. There was a time when we provided weekly thoughts on ‘The Office’ (luckily our neglect kicked in just around the time when Friday morning post-mortems on that show would have been unbearable) and periodic temperature checks on ‘Parks and Recreation.’ With the season already complete for half of these shows, and the other two concluding their runs this week, we thought it was high time that we put aside some real estate to check in on these programs, starting today with a discussion about ‘Community’ (whose season (and not series) finale airs Thursday night (preceded by two other new episodes and the ’30 Rock’ closer).
NBC announced their Fall 2012 pick ups last week and, despite lots of rumors and hand-wringing, Community will return for a fourth season. That much wasn’t quite a surprise to us. Could NBC have axed the criminally low-rated comedy? Sure, and they would have the cold, emotionless Nielsen numbers to back it up. But, at the same time, they know what they’re getting with Community. Will it ever break out into a Friends or even These Friends of Mine sized hit? Unlikely at this point. But does it have a devoted, die-hard fan base? Absolutely. Attractive cast? You bet. A smart, discerning, relatively affluent audience? We guess. Close to reaching enough episodes for lucrative syndication? Definitely. So the renewal, especially for the 13-episode order it received, is not all that shocking to us. What was unexpected, however, was the announcement at the NBC Upfronts that come this fall Community will be found on Fridays, as the lead-in to…Grimm?
Tonight brings us the long-awaited return our beloved Community, the show that is, if you ask us, far and away the funniest, most innovative show on television (or off television, as the last couple months would have it). While we still had Parks and Recreation, and welcomed back 30 Rock with open arms, Thursday nights just weren’t the same without the Greendale study group, just not as magical.
However, even though we dearly missed the show, and do worry about its chronically low-ratings and tenuous chances of renewal, we were not in panic-mode like some others were over its benching. First off, the show was not canceled, and even though there was no definitive return date when the hiatus was announced, there was never a doubt that it would return this season. Even if the show pulls in dismal ratings (which it unfortunately does), it wouldn’t make much financial sense for NBC to produce a full season and then never air the back half. It’s not like Community will fare much worse than any of their other comedies, save for The Office. So the hiatus was not a punishment, or a really even a threat. Just a business decision, one that NBC scheduling has now applied to Parks and Rec, as that equally wonderful show takes a break til late April.