We had a temporary return last week with the unfortunate memoriam for the late Andrew Koenig, but as you can see with the new header, you can now consider Jumped the Snark officially back in action, NY Style! Coming soon will be short thoughts on SNL, Funny or Die, The Office, Michael & Michael Have Issues, American Idol (BOWERSOX!) and Survivor: Heroes vs. Villains. See you then (you, specifically)!
Yearly Archives: 2010
In Memorium Nostalgia Corner: Andrew Koenig
Foreward: Jumped The Snark updates have been few and far between for the last few weeks (in fact, they’ve been non-existent), because I have been in the process of moving out of LA, driving cross-country, and settling in back in NY. I’d been hoping to get back to the blog sooner than this, and certainly on a much lighter note. But while I’ve still just made a dent in my to do list (chief among them: get a job, so let me know if you hear of anything), it feels important that I note this tragedy, even if it’s not the way I wanted to return to the blogosphere.
This is not an obituary. This is not a eulogy. This is not a tribute. This is just some words and thoughts and memories.
I can still vividly recall one night twenty-one years ago when I planted myself in my parents bed to watch ABC’s Saturday night comedy line-up, anchored by heartthrob Kirk Cameron and Growing Pains. Unfortunately, to my great surprise/disappointment, when the show started I learned that Richard “Boner” Stabone decided to leave his comfy Long Island confines for the Marines, choosing his future before it chose him, and officially growing up beyond his rather unfortunate moniker (one that somehow got by the censors all those years). As a child Growing Pains was my favorite show; I would constantly watch it in reruns, instead of playing “house” my friend and I would play “Growing Pains,” and even a secondary character like Boner felt like family to me. And the idea that Boner was leaving, possibly forever, deeply troubled me. In fact, I started bawling uncontrollably, consoled only by my sister’s suggestion that perhaps he would resurface in a spin-off, The Boner Show (and, at the time, the idea of a program being called The Boner Show, didn’t seem particularly bawdy or unlikely to me, and if Coach Lubbock got a spin-off, why not Boner?). But, as you know, that never happened, and Boner never came back to Growing Pains (which is really unfair, as even Julie McCulloch‘s character was granted a degree of closure), and I’ve spent the subsequent years wondering what happened to Private Richard Stabone. Did he find what he was looking for in the Marines? Did he flame out and return to the suburbs? Did he complete his service, move to Seattle and start selling stereos again? Two Growing Pains reunion movies came and went and didn’t shed any light on his whereabouts. Like Keyser Soze, he was gone. A childhood friend never to be seen again (although, one would assume that Mike and Boner have reconnected over Facebook).
So what does that have to do Andrew Koenig, the actor who played Boner, who took his own life a few days ago? Nothing, really. I don’t know Koenig, and I don’t know if Koenig was anything like his character. He seemed well liked by the acting community, judging by the way that many actors and comedians tweeted their concern, their requests for help, and when his body was found, their sadness. Maybe Koenig embodied the best parts of Richard Stabone, the carefree attitude, the innocence, the sweet dorkiness, even the endearing naiveté. But, hopefully, in his real life, unlike Boner, Koenig was taken seriously and appreciated.
Unfortunately, the truth of the matter is that he was always known as Boner, and he always will be. Perhaps it was an ill-advised, myopic, nickname, one that had no choice but to stick permanently. Would he have been better off with less of a double entendre for an epithet? Does Mark Price, Family Ties‘ “Skippy,” go through his life unable to escape his character and his character’s name? I don’t know. This is just hypothesizing. But, either way, it’s always a shame that it takes a tragedy for us to start talking about someone whom we had long forgotten.
I recently began re-watching 21 Jump Street (which is a blog post, and hopefully an ongoing series, for another day) and came upon a season 2 episode entitled “Champagne High.” I was first struck by the presence of a young Peter Berg as a high school jock-bully. But I was soon even more surprised/intrigued by the subject of his bullying, a likewise young Andrew Koenig. I don’t think I had seen Koenig in anything other than Growing Pains, and it was interesting to see him get a chance to play a more serious role (and, on 21 Jump Street, there’s no shortage of meaty, if cripplingly melodramatic, parts). Like Boner, his character, Wally, was a pipsqueak. But Booner’s space case doofusness was replaced by resentment towards Berg and frustration over his constant abuse. In fact, Wally hires Johnny Depp and Peter DeLuise, undercover as the rough and tumble McQuaid Brothers, as his personal bodyguards. And the Jump Street officers then turn around and use Wally’s connections to set-up a sting operation, taking advantage of his father’s business as well as his vulnerability. It’s not fair to assert that this is what it was like for Koenig in real life – that he was bullied, used, mocked – but in light of his death, and the apparent circumstances that led to it, I don’t think it’s entirely unfair to wonder.
A little over a year ago a friend gave me what at the time was a wonderful, exceptionally thoughtful gift, a framed 8×10 screenshot of Boner with a faux-dedication and signature. I proudly displayed the photo on my Ikea bookshelf, and upon moving to LA I put it right back up, providing a measure of comfort. Now, of course, I feel bad that we might have had a good laugh at his expense, and I’m not sure what the etiquette is on displaying forged-autographed headshots of recently deceased semi-celebrities. When I get settled I’ll probably put it back up. But not so much as a joke anymore, but as a tribute. And to remember that while Andrew Koenig might not be with us anymore, there’s still hope that Richard Stabone is living a rich and rewarding life, the life that they both deserved.
Thanks for the memories, Bone.
(and, yes, just teared up watching this)
Filed under Count Bleh, Growing Pains, Jump Streets Ahead, Nostalgia Corner
Muppet Monday Tuesday: Beaker Epic Fail, Muppet Viral Victory
The Muppets are proving themselves to be the Leonardo da Vinci of modern media, moving effortlessly between movies, TV, community service, comics and cultural relativism*. Dudes are just hitting it from all angles right now. They’re like Miley Cyrus times four, with actual talent and vast more human emotion and independent thought.
Sure, they’ve always pounded the pavement when it comes to the traditional media, boasting a vault full of films and TV specials and music albums. But lately they’ve shown to be experts at exploiting popular YouTube videos to create their own. Right now the Muppets at the forefront of what I like to call viral video deconstructionism. Starting with their attempts to usurp the iconic skateboarding dog, and most notably in their “Bohemian Rhapsody” music video, they’ve deftly played with what we’ve come to call internet memes (at least I think that’s right. Still not quite sure what a meme is. Ask Urlesque). And they continue this trend now with what might be the most subversive video yet: Beaker (who has sort of become the go-to Muppet for these videos) performing a meepfelt version of “Dust in the Wind,” only to be crowded out and ultimately sabotaged by those YouTube pop-up comment boxes. Beaker, shine a light and we shall follow.
Expecting Pepe After Dentist anytime now.
*Not really.
Filed under Muppet Mondays, Muppets, Virulent
Thoughts on the LOST Premiere AKA Why LOST Was the Best Show of the Last Decade
I’m not sure if I’m going to make a habit of posting weekly Lost reactions. First of all, there are countless other bloggers who do an infinitely better job parsing the show and its mythology (Doc Jensen, Videogum, Alan Sepinwall, AV Club to name a few) And second, I think I’d rather spend my time reading other people’s thoughts and theories than formulating my own, because immersing myself in the world of Lost and its possibilities is one of my all-time favorite pastimes. But, in honor of the season premiere, and in light of a post I didn’t get around to writing six weeks ago, I thought I’d put finger to keyboard and deliver commentary that’s more along the lines of Ken Tucker’s, focusing not on the mythology, but on the storytelling and the characters. Not on what the things in Lost mean, but on what is Lost‘s meaning.
Read on: Why I thought Lost was the best show of the decade, and how I was wrong but still right.
Filed under Freak Out Control, LOST, Must See TV
Muppet Movie Monday Tuesday: The Muppets Inch Closer to the Judd Apatow Chart, Ball’s In Your Court, James Bobin
Very delayed but very exciting Muppet news: while most of our Muppet Monday posts have focused on the recent rise of Muppet visibility in Disneyland and on TV, as well as a few classic clips, we finally have some Muppet movie news!
Vulture reports that Flight of the Conchords co-creator James Bobin has been offered to direct a new Muppet movie in the works for Walt Disney Pictures. However, there might be a snag, as Bobin has apparently also been asked to helm Bridesmaids, a Kristen Wiig penned (and we’re assuming starring) comedy produced by Jumped The Snark legend Judd Apatow. But really, do you think Bobin should attach himself to a movie described as “two women battling to plan their friend’s wedding party?” I think the Casey Wilson-penned Bride Wars kinda covered this ground, and between that and 27 Dresses, I’m not sure that the discerning comedy masses are clamoring for another slapstick/rom-com wedding flick (although, if it’s more like Baby Mama, then maybe I’ll revise that statement). Plus, would you choose to work with a bunch of petulant divas* over the seasoned professionals that are the Muppets?
But maybe you’re thinking to yourself that Bobin should choose Bridesmaids for the chance to become part of the Judd Apatow fraternity and secure on a place on my chart. Okay, fair. However, this Muppet movie will be based on the script penned by Jason Segel and his Forgetting Sarah Marshall director Nicholas Stoller. Both men have several ties to Apatow, so Bobin can join team Apatow either way, and if this movie is produced it’s definitely going on the chart. So, James Bobin, if the main factor in deciding which movie to direct is earning a spot on the Judd Apatow chart, then I can assure you that if you take the reins to the Muppet movie you’ll get your due. Plus, you have about an equal chance of working with Paul Rudd on either movie (actually, with this in mind, the odds might actually be a little better with the Muppets)
And with that out of the way, you can make a measured, smart decision.
Fozzie Bear or Gilly?
I think the choice is easy.
*Just assuming. Cause that’s what I imagine Katherine Heigl is like and I’m assuming she will be in this movie.
Vulture Exclusive: Flight of the Conchords Co-Creator May Direct the New Muppet Movie
Filed under Judd Apatow, Muppet Mondays, Muppets, The Big Screen
‘The Inbetweeners:’ It’s like ‘Skins’ Meets ‘Torchwood’ Meets ‘The Office’ Meets ‘Mr. Bean’ Meets Other BBC Programmes
Okay, so above the comparisons were mostly lies, but, as already been oft-said, British import The Inbetweeners is a like a sitcom version of Skins. It’s to Skins as Undeclared was to Freaks & Geeks. Which means it’s good, if a little lacking on dramatic depth. The quick cuts and camera work also evoke shades of Arrested Development, if Arrested Development took place in the UK, featured teenage boys, and dispensed with the self-referential gags and cutaway jokes. So, basically in no way like Arrested Development other than that it’s a one camera, handheld comedy. Oh, and it has a narrator.
The first two episodes aired Monday night on BBC America and they were fit! Below is my favorite scene from either show (stolen from PopCandy)
As my roommate so astutely pointed out, doesn’t series star Simon Bird look just like a young John Oliver. Uncanny!
Catch a new episode tonight in its regular 9:30pm time slot on whatever channel BBC America is on your cable provider. Don’t ask me to look it up for you. You have the internet.
Filed under Across the pond, Discos and Dragons, Good Humor
Muppet Monday: Take Me Down to ‘Dog City’
A couple weeks ago I decided to check out the Paley Center here in LA (formerly known as the Museum of TV & Radio). I assumed it would be basically the same as its NY brother (and my assumption proved mostly correct, as the West Coast branch actually has a little less to offer), but with The Muppets at Disney World scheduled to screen at 4pm I figured it would be worth a trip. Except that when I arrived I realized that I had been looking at the NY schedule, and the most attractive screening option was an old episode of the Carol Burnett Show. So I decided to try my luck with the video archives.
With the Muppets still on the brain I resolved to see what kind of treasures the library might offer, knowing that the Museum had put together several special Jim Henson events. Indeed, I found a series of compilations celebrating the life and work of Henson. Amongst these was an episode of The Jim Henson Hour that featured a short film I had heard of but never seen: Dog City.
Now the Paley Center has been rendered almost obsolete by YouTube; the web offers a wider selection videos, often better in quality, on demand, and with the added benefit of being viewable from your home computer instead of on an old NTSC monitor at a video carrel in an eerily quiet and sterile media room. Not to mention you don’t have to wear ratty, flaking headphones that have already been used by innumerable strangers (that must be a health hazard). But there are a few items, a couple rare gems that you can’t find on YouTube or even weird Polish websites. Dog City is one of these such rarities.
Dog City is Jim Henson’s take on film noir, but in this scenario it’s classic hard-boiled crime drama inspired by paintings of dogs playing poker. And with main characters named Ace Yu and Bugsy them, it has no shortage of corny, Abbott and Costello style jokes. Except that, with Henson’s Muppet alter-ego Rowlf the Dog playing the piano and breaking the fourth wall as our narrator, the jokes are delivered with a full-on wink at the audience and they actually work. I usually get bored during musical numbers in Muppet productions, and this was no exception, but I found the rest of the movie quite enjoyable, even with the VHS quality picture and its sometimes cranky tracking. Since the movie is almost exclusively available at the Paley Center, the best we can do here is present the trailer:
Three years later Henson would turn Dog City into a Saturday morning cartoon, “Jim Henson’s Dog City” changing Ace Yu into Ace Hart, a more standard noir detective. Luckily, the show still offered some traditional “real world” Muppets, as Dog City is animated by Eliot, a Muppet German Shepherd, and his friends and neighbors serve as inspiration for the animated canines.
So while the Paley Center has become a bit of a ghost town, made nearly irrelevant by the Internet, it can still be worth a visit, if only for that one special show.
Filed under Local Flavor, Muppet Mondays, Muppets, Nostalgia Corner
Last decade I wrote semi-extensively about 
