Finally. FINALLY. This was the kind of episode we’ve been waiting for all season, that we’ve been waiting for since last season, and maybe even before that. We’ve begun to feel like a broken record on this blog, constantly finding more negative than positive with The Office. But, for the first time in a while, we can honestly feel good about the show. Giddy even. And it’s a nice feeling.
Tag Archives: The Office
No Clever Headlines, Just the Best ‘The Office’ in a While
Filed under Analysis, Dunder Mifflin, this is Pam, Flashback!, Good Humor, Must See TV
Muppet Monday: Rashida Jones May Join ‘Greatest Muppet Movie Ever Made’, Moving Us Closer To A State-Muppet Movie Directed By Judd Apatow
In things-that-I-love-meeting-other-things-that-I-love news, reports indicate that Rashida Jones is close to joining Jason Segel and Nicholas Stoller’s forthcoming Muppet motion picture, The Greatest Muppet Movie Ever Made (in addition, the adorable Amy Adams and the cute Chris Cooper are also in talks to come on board). Now that Jones appears to be in, we can only assume that Paul Rudd will not be far behind. And when you have Paul Rudd and Rashida Jones there’s a pretty good chance that you’re eventually going to see Judd Apatow and at least one member of The State. Rudd, we all know, is one of the key faces of Apatowian comedy, as well as frequent a collaborator with State members David Wain and Ken Marino (see: Role Models, Diggers). Jones, in addition to appearing in the Apatow-esque I Love You Man with Segel and Rudd (plus State member Tom Lennon), had a small role in Apatow’s masterwork Freaks and Geeks, and has shown up in State related productions Stella, The Ten and Wainy Days. So from there it’s only a matter of time before Jones, Rudd, Segel, Apatow, The State and the Muppets all team up. We already know that The State and the Muppets have a history together:
Vodpod videos no longer available.One complaint: Sources say that Jones would portray an ABC exec in the movie. Between her roles on The Office and The Social Network, we think we’ve seen enough of her in business attire. No more blazers!
For further information, please consult the Judd Apatow Chart
via Vulture
The Many Loves of Michael Scott
We might never know from whom Michael contracted herpes, or if the unsightly sore on his face was in fact the nasty little disease (although, we can probably trust Meredith’s expert diagnosis). But what we can surmise is that the unflattering blemish is perhaps the best thing that has ever happened to Michael, because it has put him on a path towards genuine self-reflection and, we can only hope, reconciliation with true love Holly Flax. Who ever heard of an STD bringing two people closer together?
Read on: How Sex Ed is the answer to Casino Night. Plus: The return of the real Andy Bernard
Filed under Analysis, Dunder Mifflin, this is Pam, Flashback!, Good Humor, Must See TV
‘The Office’: Fleet Week
[note: not sure if that title will have anything to do with our reaction to last night’s Office. We just liked it.]
Week 3 of the Michael Scott death march brought us “Andy’s Play,” which slots below last week’s Michael Scott – Toby Flenderson tete-a-tete “Counseling” but above the season premiere “Nepotism.” It exhibited many of the symptoms that have plagued the show in recent seasons, but also demonstrated some encouraging signs, some beats that harken back to the show’s roots. Uneven, sure, but with a strong finish. And as some porn star was probably once told, it’s better to finish strong than start strong.
Read on: Michael is up, couples are down, and the wine is going all around.
Filed under Analysis, Broadway!, Dunder Mifflin, this is Pam, Good Humor, Must See TV
‘The Office’: Who Are These People???
With a new The Office tonight, we wanted to repost, by itself, the Office then-and-now comparisons we included in last week’s recap. We felt it deserved its own moment in the sun.
The transformation of Dwight [in last week’s episode] reminded us of a troubling trend within the show itself. While this episode showed Dwight being made over into a glasses-less, monochromatic tie-free aristocrat, The Office has to some degree been making over Dwight and its other characters over the course of its run. Characters should grow and change and evolve, but it should always serve the story. However, if you look at the physical appearances of the actors, they look more glamorous and polished now than they did at the start of the series, and not necessarily because the characters have improved their style. It’s a concerning phenomenon, and we hope it doesn’t point to the actors themselves, the stars of the shows, objecting to the dour, depressing style that defined the early seasons of the show and its progenitor. Behold, a side-by-side comparison:
Like we said, characters change, that’s a given. Their looks, their hairstyle, their clothes, their personality all change. We want that. We don’t want static characters. That’s lesson #1. But, at the same time, it would be disappointing if the appearance of these characters is due in part to the actors’ vanity. Are we seeing Jim Halpert or John Krasinski? The UK original was known for its gritty look, an anti-network sheen, bordering on depressing. And the first two seasons of the American version adhered to this (albeit in a less severe form), allowing for somewhat schlubby characters and grubby visuals (as much as network TV allows). But over time that’s changed, and the show glistens now in a way it didn’t before. And in some respects the storylines and tone have changed as well, gussied up and simplified. Now the show doesn’t need to return to its original look, throw out the new wardrobe and ban make-up. But it needs to remember where it came from. And where it originally was going.
‘The Office’: Mindgames & Makeovers
We won’t say that The Office is entirely back on track, but this week was definitely a marked improvement over the season premiere. While we were at first disappointed to see that they were going to carry over the Michael spanking his nephew storyline – or as Michael refers to it, “corporate punishment” – because we rejected the ridiculous premise, this episode showed that perhaps in this instance there will actually be consequences to Michael’s actions.
(one quibble, however: the dictum that Michael would need to complete counseling with Toby came at the end of last week’s episode, in the final closing segment usually reserved for gags or non-essential content (or, on Community, raps), so the veracity of the punishment was in question. We’re happy that they followed through with this plotline, but it shouldn’t have been introduced so offhandedly. But we digress…)
The Michael-Toby dynamic has remained relatively stable over the course of the series, and by returning to and exploring this relationship “Counseling” was a success, allowing Toby to obtain a small victory over Michael by tricking him through children’s games into opening up emotionally, and by permitting Michael to continue his crusade against Toby, but not because he harbors a completely unjustified vendetta, but because, in a way, Toby is his arch-enemy, the Joker to his Batman. “Counseling” sets them up as worthy competitors, not just petty rivals. And while we hate to belabor the point that we’ve made on this blog over and over again that defensive, vulnerable Michael = good, and horrible, viscous Michael = bad, this episode certainly follows that pattern and supports that argument.
Filed under Analysis, Dunder Mifflin, this is Pam, Good Humor
NBC Thursday Night: Respect Your Friends, Respect your Coworkers, Respect Your Lovers, Respect Your Characters, Respect Your Viewers
Yesterday we gave our brief thoughts on the then impending return of the NBC Thursday night comedies, reflecting on the last season while looking forward to the next. And on the morning after, how do we feel? Impressed, pleased and disappointed, in that order. With the night going from Community to 30 Rock to The Office, we found that the first continues to improve, the second is showing encouraging signs of life, and the third is still struggling to return to its glory days. Taken has a whole, it was a good night, and two out of three ain’t bad. But really, we don’t want “ain’t bad.” We want great, we want three out of three. And, unfortunately, that just didn’t happen.
Filed under Analysis, Dunder Mifflin, this is Pam, Good Humor, Must See TV
Gentleman, Start Your DVRs: Quick Thoughts On The NBC Thursday Night Comedies
It seems like May sweeps was just yesterday, but here we are on the cusp of the return of Thursday night TV-pocolypse. Luckily for our DVR, Survivor was shifted back to Wednesday nights, and Parks and Recreation is (egregiously) on the shelf until mid-season (of course, while that might be good for our DVR, it’s terrible for our collective well-being). But we’re still left with what is now the NBC comedy old guard, The Office & 30 Rock, and the returning sensation, and probably the best of the bunch, Community. And later we have a little cable fun with It’s Always in Philadelphia and Delocated (if you’re eyeballs aren’t bleeding by then). But, for now, let’s quickly focus on the NBC line-up.
The big story on NBC Thursday nights, as we noted above, is not what’s on, but what’s not, that being Parks and Recreation, benched in favor of the already critically reviled Outsourced. Sure, NBC has the right to air whatever it wants, and if it thinks another show will be more successful, and has the potential to be an anchor the way that The Office is and shows like Friends, Seinfeld, Frasier and Cheers were, then we can’t begrudge them that. But Outsourced hasn’t even aired yet and it seems the verdict is already in: it’s a waste of valuable space. One has to wonder if NBC, who proved with the Jay Leno Show that they’re willing to sacrifice quality programming for profit, chose to promote Outsourced because it’s an in-house production, even knowing its an inferior program. Because even if it pulls in rating as low as Parks and Rec, maybe even lower, NBC will still grab a bigger slice of the pie. That’s just conjecture at this point, but there’s certainly a precedent for it, and we know that TV, network television in particular, is a business above all. Let’s just hope that Outsourced is so terrible that it’s yanked sooner than planned and Parks and Recreation can reclaim its rightful place (especially since they rushed the show back into production for its third season to accommodate Amy Poehler’s pregnancy).
More: ‘Community’ is up, ‘The Office’ is down, and ’30 Rock’ is still here.
Filed under Analysis, Dunder Mifflin, this is Pam, Freak Out Control, Good Humor, Must See TV
The Office: Labor Pains
Back in October The Office invited us to Pam and Jim’s wedding, an hour-long special event that had been hyped on NBC and in our hearts, and against unlikely odds that episode actually mostly succeeded. It wasn’t a runaway success, but considering the expectations and the level of difficulty, it was generally a victory. That episode was really the first part of a Pam/Jim seminal event season, with the bookend to their wedding being the birth of their first child. However, since the wedding The Office has kind of skid off the tracks. So then with last night’s episode, another hour-long affair, I was hoping that this would be the moment that they right the ship.
Unfortunately, that didn’t happen. And whereas the wedding was a modest achievement, this felt like an unsettling disappointment. What should have been a special, moving episode, and a return to form, turned out to be a case study of the show’s recent flaws. Everything that has been frustrating as of late was front and center in “The Delivery.”
Read on: Who are these people and what have they done with Dunder Mifflin Scranton?
Filed under Analysis, Dunder Mifflin, this is Pam, Must See TV
Dear ‘The Office:’ You’re Making it Harder and Harder to Keep Defending You
First reaction to last night’s “episode:”
What the fuck was that?
A clip show? Really? Really???
Perhaps I would not have be so indignant if the episode had was a celebration of a milestone number of episodes. Or if it arrived in conjunction with another episode wholly comprised of wholly original content.
But for this excuse of an episode to arrive after a 5 week hiatus is rather insulting. I feel used, played, betrayed. And if they were going to start 2010 with a retrospective, why not do it last week when all the other Thursday night sitcoms returned with new episodes? Instead, The Office totally sat out the week, let 30 Rock turn in two new episodes, and still phoned it in this lackluster effort this week. So while 3/4 of NBC’s Thursday night lineup is already two weeks into their 2010, mostly firing on all cylinders, The Office hasn’t even really left the bench. What I posited about “Secret Santa” last week, that the writers were probably burned out and needed an extended rest seems even more accurate now. I can only hope that this extra week allows them to come back even stronger next time (and now they need to deliver even more than they needed to this week).
Read on: What makes this so egregious, clip shows through history, and a glimmer of hope…
Jumped The Snark 