Tag Archives: Bill Hader

More Muppet Casting News, But Still One Glaring Omission

The Greatest Muppet Movie Ever Made casting news just doesn’t seem to stop.  Last week were ecstatic to report that Paul Rudd is on board (along with Jon Krasinksi, Ed Helms and Jack Black among others), now comes word that Billy Crystal, Jean-Claude Van Damme and Alan Arkin have agreed to cameo (although, if we had our choice of Alans we’d prefer Alan Alda.  Actually, our first pick would be Bill Hader as Alan Alda.  But with Hader’s Apatow/Segel ties – roles in Knocked Up, Superbad, Pineapple Express and Forgetting Sarah Marshall – it’s probably only a matter of time before he’s on board).

But with the deluge of casting news – it seems like nearly all of young Hollywood is going to pop up in the film – there remains one name we’ve yet to see, one actor who would truly make The Greatest Muppet Movie Ever Made the greatest Muppet Movie Ever Made.  We’re talking, of course, of…

Charles Grodin, DUH!

Before all is said and done, Will Ferrell, Seth Rogen, Kristen Wiig, Michael Cera, Jack McBrayer, Tony Danza, Chi McBride, Michael J. Fox, Johnny Knoxville, Scott Wolf, Tom Hanks, Tina Yothers, Alan Thicke Jason Bateman, Bobby DeNiro and a host of others might pop up in the film.  But, Grodin, that would be the big get, and he’d really bring this thing full circle.

Charlie, thoughts?

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Via NY Magazine’s Vulture

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And Now the Long Awaited Debut of ‘Kieran’s Korner’: More Thoughts on ‘SNL’ & Scarlett Johansson

We’ve made a concerted effort on this blog to do things just a little differently, to present our material in a way that is somehow unique from the dozens of similar sites out there, whether that be reviewing The Office from the perspective of the series as a whole, or comparing Conan O’Brien to President Obama, or finding any excuse to link to an episode of Pete & Pete (like right there, for example).  But sometimes, no matter how hard you to try to keep an eye on the bigger picture you get lost in the details, and you can’t see the forest for the trees.   That’s why it’s always great to have a loyal reader (and good friend) who can fill in the blanks.  And for us, that person is Kieran Walsh.

And, once again, Kieran replied to one of our SNL posts with his own excellent thoughts, expanding on a couple of our points and suggesting some ideas we might have missed.  We’re grateful to have Kieran around reading our posts, clarifying our arguments and providing his own keen insights.  So, without further ado, we’re proud to bring you what we hope is the first of many visits to Kieran’s Korner:

It’s kind of painful to say this, but I think Fred Armisen is now moving into eclipse while Bill Hader is on the ascent.  Manuel Ortiz is a good example.  It’s barely even a sketch – more of a gimmick, and not a particularly funny one, either.  For that matter, it’s waaaay too reminiscent of “What Up With That” to be comfortable (talk show constantly interrupted by dance routine, etc.)  Meanwhile, Bill seems to have found a new level of accessibility by crafting more user-friendly breakout characters (Stefan!)  Perhaps these are the side-effects of dating a scientologist.  Not entirely his fault.  The pop culture pendulum swings wildly.

Don’t really understand Scarlett Johansson.  I mean, in general.   She must be incredibly easy to work with because I don’t really know why SNL and Woody Allen keep going back to her.  I dunno.  She’s just excruciatingly limited.  On the one hand I get the sense that she’s up for anything – but that’s incredibly different from being genuinely good at anything.  Clearly, she’d like to get laughs, but, jeez…

Yes.  Bayer had an incredibly strong show, particularly with the Stars of Tomorrow sketch.  She’s got definite potential.  Pharoah, too, but he really needs his own thing.

I think it’s definitely time for Andy to leave.

Very astute observations on both the Armisen and Johansson fronts.  Regarding Fred, perhaps that’s why he seemed so unenthusiastic during the “Mike’s Busteria” sketch.  And perhaps his character’s recalcitrant disposition on “Update” was a reflection of Armisen’s current displeasure with the show.  Perhaps he feels like he’s stranded at sea with a shrill, prickly Jewish wife.

And as for Johansson, Kieran hits it on the head, and gracefully encapsulates the point we attempted to make in our earlier post.  She’s beautiful.  And it’s not as if she’s January Jones out there (boy, Jones is never going to live that down, is she?).  But as Kieran’s so eloquently notes, Johansson is “excruciatingly limited,” so she must just be a person SNL enjoys having around.  Or maybe she drives up the ratings.  Let us not forget that it’s always about the bottom line.

But, then again, sometimes it’s about the byline.  So look out for more Kieran authored posts in the near future, and maybe a Snark-Walsh debate.  Because if we blog on the web and no one is around to respond does it really post?

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Halloween ‘SNL’ & Jon Hamm: Tricks, Treats and the Return of the Old Guard

Last week we hypothesized that the Halloween episode of SNL hosted by Jon Hamm would either be the best of the season or the laziest.  Hamm, making his third hosting appearance, has already proven to be a go-to, top-notch host, one that brings out the best in the cast and crew.  But, on the other hand, what often happens when the show is blessed with a skilled host is that they relax, relying too much on the host’s charm and natural comedic talents (see: Galifiankis, Zach).  However, what we were treated to this week was something in between, and something, in hindsight, typical of a third hosting go ’round.  During a debut performance the material can often be safe, figuring out if the host has what it takes, a bit of a feeling out process.   If that host succeeds, then when he or she comes back for a second stint the crew is energized, knowing that they have someone who will deliver.  You could see that confidence, motivation and excitement in Hamm’s second hosting job last winter.  But when a host comes back for the three-peat, the crew is now so comfortable and at ease that they’re willing to taking more chances, throwing more caution to the wind.  So what you receive is not mainstream yuks and recurring sketches, or weary, unmotivated punchlines and recurring sketches, but a sense of adventure laced with apathy for the viewer.  This is what happens when you have a host who no longer needs to prove himself, who has tenure, which is why so many of Alec Baldwin’s shows are peppered with offbeat sketches, some that delight (like last season’s bizarre “Timecrowave“) and some that crash and burn (like “Arizona Evenings” from the same episode).  Judging from this past weekend’s show, it seems that Hamm is now in that class.

More: Mustaches, kisses, Rihanna, Star Wars & Sam Kinison! Plus, WHOM did they rip off this week?

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Jude Law is One of Our Finest Actors, and a Look Back on the Last Three Weeks in ‘SNL’

Jude Law maybe one our finest actors.  But that doesn’t mean he’s funny.

However, I won’t pin this past weekend’s thoroughly average installment on Law.  He made Sean Penn good on his word, and proved to be an extremely talented thespian, seamlessly transitioning from Shakespearean actor to Russian ballet dancer to Spanish serial killer to Jude Law to American lawyer.  If the reminders that Law recently appeared on Broadway as Hamlet weren’t evidence enough, the way Law breezily donned new accents showed that he’s indeed meant for the stage.  However, acting talent alone doesn’t result a funny show, and outside of a couple bright spots, this one sorta just sat there without much life.

Read on: The perfect host formula, killing time, and Smash Mouth!

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‘SNL’ & Sigourney Weaver: Old Tricks AKA The Worst ‘SNL’ of the Decade

Well, at least they’re consistent.  These days every good SNL episode (see: last week’s Charles Barkley affair) is almost always immediately followed by an underwhelming effort.  Despite the buzz they drummed up last week,  and the return of Sigourney Weaver (coming back after 23+ years, the longest such stretch between hosting gigs in SNL history), they once again did not disappoint when it comes to disappointing.

Sometimes it’s lazy writing.  Sometimes it’s bad writing.  Sometimes it’s just bad ideas.  This episode had all three.

With all the attention paid last week to the drama in late night television (including on this blog), it was only natural that they would use the fiasco as fodder.  Indeed, it was encouraging at first to see Darrell Hammond return to play Jay Leno on a Larry King Live cold open.  But where the sketch succeeded in mocking King’s senility and misappropriation of social networking tools, it kind of failed in effectively mocking the late night situation.  There was the big chinned, high voice Leno impression we’ve seen everywhere (although, big points on the denim on denim outfit), and Bill Hader turned in a weird, detached, dour Conan O’Brien.  I understood that they were showing that O’Brien is the powerless victim in this situation, but they didn’t seem to get a handle on his personality (if he wasn’t going to be the crazy Conan we know, he should have been the sharp, assertive pugilist of his mission statement).  It was especially discouraging because Conan honed his chops as a writer on SNL (see: the Lady Watchers). He’s part of the family, so you’d think they could have done him justice.  The best impression was probably Jason Sudeikis’ David Letterman, who appeared via satellite.  Except, that it was the wrong David Letterman persona for this situation.  It was basically Norm MacDonald’s beloved (by us) hyena laughed, self-indulgent, pencil throwing Letterman impression (he of “you got any gum???).  And although Sudeikis did it well, throughout the late night debacle we’ve seen the other Letterman, the outraged, seething, vitriolic Dave.  Obviously, it’s not as broad of an impression, but it could have worked if they tried.  Instead, they took the easy way out.  And, come to think of it, Fred Armisen’s Larry King also owes a lot to Norm MacDonald’s own King impression (but I guess this is perhaps a topic for another post; how, after being on the air for 35 years, it’s impossible for previous versions of celebrity impressions on SNL to not to color the imitations of the same personas by new cast members).  So, really, this sketch was just a testament to the unheralded work of Norm MacDonald.  Although, that all being said, it was definitely one of the strongest opens this season.

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Keep reading: More Jaypocalypse jokes, Alien Vs. Laser Cats, and the worst sketch of the decade!

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‘SNL’ Trying to Get Viewers Drunk. Can’t Hurt.

Was that an infomercial for Bud Light Golden Wheat or an episode of Saturday Night Live?  It was a little hard to tell at times, as the newest member of the Bud family served as the sponsor of the show, and also brought us “never before seen” SNL moments, aka past cast members and hosts breaking during dress rehearsal (although Will Ferrell as a fashionista cracking up Sean Hayes and Jimmy Fallon is actually available on the Best of Ferrell DVD, so not entirely new to SNL completists).  What would John Belushi have thought of this corporate shilling?  Probably wouldn’t have minded too much, as long as he got to sample the new beverage.  But the sponsorship gave the show a weird vibe that almost overshadowed what turned out to be a (if you can believe it) a decent outing. Continue reading

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SNL Sketches Basically Just Mad Libs

Another ho-hum effort from SNL this past weekend.  Beyond the fact that Drew Barrymore has now hosted the show more times (6) than any other female (breaking her tie with Candice Bergen.  However, unlike the recent trading back and forth of the all-time host crown between Alec Baldwin and Steve Martin, I don’t think Ms. Bergen will attempt to regain a share of the female lead anytime soon, especially as she hasn’t hosted in 19 years), there wasn’t much of import from this outing.  Over at EW, Ken Tucker has a pretty spot on assessment of the show, noting the best moments were Bill Hader’s guest spot on Weekend Update as the ragin’ cajun James Carville, and an ESPN Classic broadcast of a billiards tournament.  This sketch found Barrymore and Kristen Wiig in the authentic attire of the early 90s billiard world, loud shirts and well-coiffed pompadours, with Barrymore looking more like a black jack dealer than a billiards star.  However, the sketch was focused on the overeager commentators, Jason Sudeikis and Will Forte, and Sudeikis’ frequent plugs for the event sponsor, Tampax.  Maybe not great on a paper, but Sudeikis has a way to elevate the thinnest of material (not a Tampax pun).

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